Jake asks: "Not the so-called "urban milonga" Canaro introduced in 1932 with 
"Milonga sentimental." That's the milonga we dance to. Can anyone on this list 
/who has danced to the earlier kind/ (there must be a few people who have) say 
the two have much in common?"

What follows is my opinion on this subject, others may have a different one.

I will divide this note into two, so that it is not too long.

The "Original" milonga was born in rural areas. It was exclusively sung and had 
an accompaniment of guitar.

Gauchos (cowboys) gathered after work around the fire, took their guitars out 
and entertained themselves with a 
type of rap contest, called "Payadas".   A subject was determined by the 
attendants, this subject could be  on philosophical matters such as God, life, 
death, passion, or something such as work, pain, travel, etc, etc.

Two gauchos would compete in a payada, one would sing first and the others 
would follow answering whatever
the first one had said.

This "Payadas" eventually evolved into two gauchos playing guitar, competing 
with each other, but without singing.
Then one gaucho alone would play guitar and sing.  At this point the Milonga 
was born.
It was called Milonga Campera (rural Milonga), or Miolonga Criolla (Creole 
Milonga) or Milonga SureƱa )Southern
Milonga).
 
The name "Milonga" was given by African slaves, to this musical events . In 
their African language "Mulonga" means
"many, many words".  To them everything seemed to be just words. Eventually 
some of them became famous
payadores.

Best regards, Sergio




 


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