Ron has a point, however, dancing on tango beat with couple syncopations does not mean milonga dancing necessarily. I would prefer to choose calm dancing compared to unsuccessfull chasing of the music. Does it make sense? We teach milonga technique after we teach tango technique, this won't for work leaders unfortunately.
Advancing in musicality requires several skills such as .Manipulation and recombination of the rhythm .transition between staccato and legato concepts .developing awareness on thematic vs sequence focused patterns (cruzada, ocho cortado etc.) Here some different milonga dancing styles by great dancers If you have no idea or confused about what I'm talking about, feel free to write me directly. Burak Chicago www.tangoeclectique.com Www.chicagotangoweek.com :: Sent from my T-Mobile Sidekick Slide® :: _______________________________________________ Tango-L mailing list [email protected] http://mailman.mit.edu/mailman/listinfo/tango-l
