It seems convenient to me to divide Tango into two basic types based on the intent and focus of the partners:
1) Social Tango. In social tango the dancers dance FOR each other. It doesn't really matter what the dance looks like, what matters is how it feels. They may be striving for an intimate emotional connection, for a playful interaction, or something else entirely. But they are dancing FOR each other. Neither the shape of the embrace, nor the size of the movement really matters. It is the focus of the dancers. Running into people is not good FOR your partner, so of course good navigation is part of this focus. 2) Performance Tango. In performance tango, the dancers are dancing FOR someone outside the partnership. They are still dancing WITH one another, but they are dancing FOR someone else. I do a lot of other dances, and none of the others present themselves to me this way. Ballroom, Salsa, Swing, all have performance (or competitive, which is really the same thing) aspects deeply embedded in the philosophy of the dance. Good dancers are expected to show off. It seems to me that many Argentine Tango dancers feel that Performance Tango belongs on the stage, and Social Tango belongs at the Milonga, and never the twain should meet. In my experience, when a "Salon" couple strikes a dramatic, but obviously uncomfortable pose, many of my social tango friends are somewhat offended. They feel the same when a "Neuvo" couple is obviously showing off. I think this stems from the change of focus. These couples are obviously dancing for the audience, and not for each other. If only they knew what the "audience" really thought of them. All IMHO, YMMV. _______________________________________________ Tango-L mailing list [email protected] http://mailman.mit.edu/mailman/listinfo/tango-l
