Thank you so much for your encouragement about the delete key. It is a lovely feature and I have practiced using it over the years with such enthusiasm that I dislocated a finger.
However, I was not complaining about the useless posts. Instead, I asked a question about something that people seem to value. I would like to know what is valuable in extreme analysis of transitory experiences. Quoting "Trini y Sean (PATangoS)" <[EMAIL PROTECTED]>: > Nina, I always enjoy your posts, but please remember that you're > free to use your delete key. > > --- On Thu, 9/25/08, David Thorn <[EMAIL PROTECTED]> wrote: >> >> I don't know how you know my regular partner's >> skill level. >> I mentioned in a prior post that I can lead with >> clarity(?), and she will follow precisely what I lead. >> If I don't open the door for her to choose to over >> rotate, she doesn't do it. >> If I haven't opened the door for her to choose the back >> sacada, she doesn't do it. >> And indeed, she often does suggest things for me to lead, >> which suggestion I may accept or not. >> But generally I do because I find that level of >> conversation to be a very fun part of the dance. >> >> The point of my post was to provide a simple example to >> Mario of a different form >> of interaction than the "I talk and you listen >> one" that is often presented. >> > > Forgive me, everyone, since this is my third (and last) post of the > day, but I didn't want David to think I think ill of his partner for > the rest of the day. > > If you go back and reread your posts, David, you will see that it is > of the "I talk and you listen" variety - only she's the one doing > most of the talking. However, your current example is exactly what > I'm talking about as a good thing. In other words, you previously > presented your partner in a bad light. Glad to hear that you are > not a wuss. > > Also, it sounds to me that you do dance as Sergio prescribes. > > > Trini de Pittsburgh > > P.S. to Alexis: The average intermediate woman prefer to work on > their embellishments instead of their musicality. I will often hear > intermediate men say that they've stopped working on steps to > concentrate more on their musicality, but I don't hear women > professing the same thing. Women ask me all the time to teach them > some leg thing, but they don't ask me to help them work on their > syncopas. The guys do, though. Instead, lots of women seem to > think that musicality is mostly a man's responsibility and don't > walk the talk when it comes music. The good dancers, of course, > work on everything. > > > > > > > > > > > > > > > _______________________________________________ > Tango-L mailing list > [email protected] > http://mailman.mit.edu/mailman/listinfo/tango-l > ---------------------------------------------------------------- http://www.earthnet.net Boulder's Premier Datacenter Network, email, and web servers powered by renewable wind energy. _______________________________________________ Tango-L mailing list [email protected] http://mailman.mit.edu/mailman/listinfo/tango-l
