This discussion reminds me of dancing with milongueros in 1997-1998, I do not recall even one time when a man had corrected me at a milonga, and I had danced only aout 2-3 years then and was a rank beginner. What they did instead was magic - they lead a step again and again, until I got it and learned what I needed to do. There was grace and infinite value in that because they gave me knowledge of the dance without using any words. And they did not break the magic of the moment.
To me, there is some distasteful banality to all words, in any language that I understand. Even poetry can't compare with music and dance. Only languages that I do not understand have some music. Maybe the question that each person should ask, when an idea pops into his/her head to correct someone during a dance, is whether he/she wants to be right or to be happy. Do we value perfection over a feeling? In all human interactions, and in tango in this case, it might be useful to do a quick cost/benefit analysis in any situation. Impulsivity carries a very high cost. All the best, Nina At 07:59 AM 2/23/2009, Sergey Kazachenko wrote: >It depends on the setting and context. If we are at a practica, and I >know the partner is less skilled, I might ask "Do you want to practice >or just dance?" >If she wants to learn, we move to the center and practice. If just >dance, we will do that, and if she does something wrong, I better have >plan B ready! >Of course, this is totally inappropriate in a milonga, where "just >dance" is the only option. > >Sergey >May you be forever touched by His Noodly Appendage... ( >http://en.wikipedia.org/wiki/Flying_Spaghetti_Monster ) >_______________________________________________ >Tango-L mailing list >[email protected] >http://mailman.mit.edu/mailman/listinfo/tango-l _______________________________________________ Tango-L mailing list [email protected] http://mailman.mit.edu/mailman/listinfo/tango-l
