In NYC there are two major locations where alternative music and/or nuevo 
styles are predominant:
One is the Wednesday and some?Saturdays?Tango Cafe: Alternative Music Milonga , 
clearly labeled as such on newyorktango.com.??The other 
is?the?Saturday?Practilonga, where you seem to have a choice of practicing and 
stoppping toward the center of the room, or keeping a line of dance in the 
outer periphery of the room.?? The rest of the milongas in NYC have varied 
ratios of traditional and modern dancers, and after a while you get to know 
which one has higher percentages of which. (If you are visiting,?ask a local 
tanguero).??More open moves are usually reserved for very late into the night, 
when there is space. ??However, even so armed with information, there is no 
guarantee you wont come across the?occasional?idiot?road-raging real estate 
hog, with a high?flying boleo partner, ?at a traditional crowded milonga.? 
?Many times?the?worst offenders?are so called "teachers" of tango,?trying to 
impress students.??That really irks me, as they?clearly know what they are 
doing to the o
 ther dancers.? I cut more slack to the intermediate who just discovered some 
leg entanglement and?stops during a fast moving?vals right in front of me to 
set it up.? At least I can move around them, knowing they will be comatose and 
stationary for the foreseeable future.?But the "pro", thats another story, a 
real live wire,?you have no way of knowing which way he will dart like a soccer 
player running through a pack. Your best strategy then is for the leader to put 
his??back to them and protect the?follower.? But I am not sure of the etiquette 
in such a situation if the leader is a woman and the follower is a man.? 
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