Of course you are correct.....

And, thanks for this statement - "there are many things in nuevo that
are not in traditional..." (means new)  I spose that's why it's new...

The major teachers of the "Nuevo" were originally salon maestros.
Gustavo and Olga....

As for different postures, well, salon/milonguero is just as varied
and diversified as any 'nuevo' dancer... Often, it is cruel and
inconsiderate of the lady and her position... But if you are not a
woman being crushed having your arm contorted and twisted, then you
probably don't care or know.

Many of the older generation don't like the internet or email either,
but I guess, you don't mind it... you are on this list.....

2009/7/31  <[email protected]>:
> <  I wonder why we hypothosis that "Nuevo" is not tango, when it was only
> ever an extension of tango and a breakdown of how they danced salon
> and then using it in different ways....
>
> Devised, understood and taught by the TANGO MASTERS OF ARGENTINA?>
>
> Actually that is not true and many of the older masters of salon don't like 
> nuevo or think it borrows from the tradition at all. Most of the now-famous 
> practitioners of nuevo had rejected it as their parent's dance and had 
> listened and danced to mostly rock and roll. When they decided to capitalize 
> on the new popularity of tango, they brought to the dance more of that 
> aesthetic than the tango aesthetic.   Nuevo dancers don't have the same erect 
> posture as traditional dancers; they often watch each other's feet; they 
> stand with their feet far apart; they don't collect their feet or their knees 
> together when they walk or dance; they move their arms around and up and 
> down; they turn their heads a lot, etc.  There are in fact many things in 
> nuevo that are not in traditional salon tango.
>
> Cheers,
> Charles
>
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