--- On Sun, 8/2/09, [email protected] <[email protected]> wrote:
The good “nuevo dancers” dance anything from the
> close embrace club style to “nuevo” based on their mood
> and available space. I.e., they dance tango.
> For example, M & S did an underarm turn – they did it
> “tango like” IMHO. 

One or two underarm turns is okay for a little seasoning.  But 8? 16? 101?  How 
about the whole dance?  At that point, why not call it another dance since the 
character of the dance changes?

There's an argument that Argentines are not as nostalgic now, so the dance 
should also become happier.  If I wanted happy, I'd do milonga or vals.  I like 
the nostalgic, sadder, more introspective feeling of tango tango.  Why does 
this nostalgic feeling need to evolve into something happier?  As if, these 
sadder feeling are going to evolve out of existence?  A friend passes away.  I 
play Milonga Triste and dance out my sadness.

> I took a number of classes from Sebastian and Mariana and
> believe that what they teach and dance is tango. The
> “non  nuevo”, especially its most conservative
> forms should be called historical tango. And a dance event
> imposing the conservative limits should be called historical
> milonga. This might be hard to take for those who made an
> emotional investment at the time of their initial
> indoctrination and never got over it.

I disagree with that.  Traditionalists don't stick with the "old style" because 
that's just the way it's been done for a hundred years more or less.  They 
stick with it because they like how it feels, this particular type connection.  
Nuevo practitioners like another type of connection, but clearly their interest 
lies more in geometric forms and possibilities.  That's okay but it changes the 
character of the dance.  So why not call it something else?

Traditionalists aren't bothered by setting certain bounds, even if those bounds 
are unspecified.  Nuevo dancers do seem bothered by bounds, apparently.  That's 
a significant difference.  If nuevo dancers aren't willing to set bounds, then 
evolve it into something else.

Trini de Pittsburgh
 





      

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