Jack:
I think men and women have DIFFERENT definitions of advanced. Men seem to be
fixated on figures so advanced means being able to lead difficult figures well.
(A woman can tell if a figure is lead well, not necessarily the man.) Women
aren't focused on figures as much as men. MY definition of an advanced woman is
one who can interject her personality into the dance, connecting with her
partner and music. Personality means adding flair and style to her dancing. For
example, some women step over a man's foot like walking down the sidewalk.
Others take their time, stepping over but not immediately putting their weight
on that foot.
My teacher told me that one day I wouldn't need any more lessons from him. I
should concentrate on developing my personal style because I knew enough
figures. Milongas seem to be competitive with who can do the most difficult
figures. Occasionally while sitting out a tanda, I observe women's faces. Very
few look exhilarated with their eyes nailed shut. Some have a look of
desperation ("I don't know what he wants.") Other's have a look of boredom.
Women express their feelings with their bodies. Men should pay attention.
Michael
Going home to New York after 35+ years
> From: Trini y Sean (PATangoS) <[email protected]>
> Second thing is to put requirements up to get into an advanced workshop.>>
From: Jack Dylan
I'm not really sure what constitutes an 'advanced dancer'. But, IMHO, to
become one requires a lot of private lessons. After that, is there really any
point in
attending any type of group class, advanced or otherwise? One reason might be
to meet famous teachers / performers with whom you can't afford private
lessons. But I doubt an advanced dancer will learn much from their workshops.
Unless they're just looking for a new figure or sequence. Is that it?
Jack
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