Sunday, March 4

Palo Alto Elks Lodge, 4249 El Camino Real, Palo Alto
(nr Arastradero/Charleston junction, next to Trader Vic's)

Two workshops with Raul Cabral (Buenos Aires)
a dedicated teacher, and an exquisite dancer of improvisational social tango milonguero.

2:00 - 3:30 p.m.   Simply Milonguero - Part III - int/adv level
- the beauty of simplicity in close embrace
Baile en rotacion dentro de su eje, y dentro de la ronda.
(Rotating within the axis and within the line of dance.)
Diferente interpretacion del ritmo.
(Different interpretation/s of rhythm.)
Baile con pausas. (Dancing with pauses.)
Conocimientos de traspies en tango, vals y milonga.
(Knowledge of traspie in tango, vals and milonga.)
Elevacion energia en giros y cruces.
(Raising the energy in turns and crosses.)
Capacidad universal de expresion y comprension.
(Overall expression and understanding.)

4:00 - 5:30 p.m.  Vals
Conocimiento ritmo, su caracteristica.
(Understanding the rhythm of the Vals, and its characterisics.)
Alargue tiempo de paso y recupero posterior.
(Recovering the time used in lengthening the step.)
Ochos adelantes, voleados, o con planeo.
(Forward ochos, with boleo or planeo.)
Traspies de entrada. (Starting the step with traspie.)
Cierres de pasos con corridas.
(Closing the steps with little runs.)
Salida cruzada y giro a derecha.
(The cross, and turns to the right. )
Giro a izquierda. Contragiros
(Turns to the left, and counter-turns.)

Pre-registration  by Friday, March 2: Workshops $20 each, $40 for both
Students (with ID) $15  each, $30 for both.
Checks should be made out to "Jhoanne Loube"
Contact: [EMAIL PROTECTED] or phone: (408) 739-9737 for mailing address.

At the door: Workshops $25 each, Students $20.


The workshops at the will be followed by
La Milonga del Espiritu Libre  from 6:00 p.m. to 10:00 p.m.
with live music by Los Hombres de Tango
featuring Seth Asarnow (bandoneon) & Marcelo Puig (guitar)
http://www.stanford.edu/~dorcas/EspirituLibre

The essence of Raul Cabral's art and teaching is to develop the competence of each student through amplified awareness of musical rhythm and natural body movement. Dedicated to a non-choreographic methodology, both leader and follower learn to enrich the quality of their dance by learning to move correctly but freely, while expressing attention and sensitivity toward their partner. He makes the execution of this very complicated dance form seem easy utilizing a simple but detailed breakdown of movement techniques, balance and floor-craft. Known as “The Doctor”, Cabral guides the dancer, at any level, to discover and heighten their awareness of self and to expand their ability and confidence to dance on the social floor.

Raull Cabral's extensive knowledge of the culture, history, tradition and music of Tango make him a sought after resource for new and seasoned Tango aficionados alike. He hosts regular discussion groups to collaborate and to share experiences and perspectives with peers. Dedicated to his art form and its dissemination, he is a contributor of articles to numerous magazines and periodicals both in Buenos Aires and internationally and is currently compiling his numerous writings for a book. Cabral’s music library is one of the most extensive amongst his peers. With over 4,000 recordings, the collection spans a period
of over 60 years, with an emphasis on the 1940’s, The Golden Age of Tango.

A renowned maestro de Tango for over 13 years, Raul Cabral has taught and shared his art and pedagogy with over thirty-five international tango professors who have made the pilgrimage to Buenos Aires to learn his methodology. Over 800 of his students are currently dancing in milongas worldwide. He has given workshops and participated in festivals in Brazil, Italy, Spain, Switzerland, Germany, Holland, France and Argentina, and is a member of long standing of the Asociación de Maestros y Coreógrafos de Tango Argentino, Buenos Aires.
Raul Cabral's web site:  http://raultangocabral.com.ar/

Reply via email to