I'm one of the lurkers, too.  I get a whole lot out of reading up on and 
listening to what others have to say.  Most of the time I don't feel 
like I have much to offer other than a "me too" or "that's cool" so I 
lay back in the brush and enjoy, happy to let others keep things 
percolating.

Why's and wherefores...It's a great question.  Too often it's easy to 
get into self-perpetuating routines that make you forget the important 
stuff.  It's good to take time to go back to the well and remember why.

My musical history is much like all of yours.  I started young--cello in 
2nd grade, mostly because so many other folks picked up a violin.  After 
that, sax from 3rd-5th grade.  I played in my school orchestra in NJ but 
after I moved to MN, the band teacher stuck a big thick book of scales 
in front of me instead of tunes and a month later I quit.

I took up guitar after that--fingerstyle.  My teacher was a short stump 
of a man named Truman who had a passion for Mississippi John Hurt and 
the like.  After high school, put the guitar down for 10 years.  I 
picked it up again to play at The Renaissance Festival in Shakopee.  I 
was a solo act playing Irish stuff.

I hooked up with a band and did the pubs for 5 years or so.  When our 
fiddler left, I took up the mando so we had some more leads.  When I saw 
the McCoury's play I was inspired--that's the kind of stuff I'd been 
waiting to do.

I guess that's the "how" of it more than the why.  As to the latter, I 
suppose it's partly due to the fact that music is something I've always 
had a passion for AND it's been something I could actually do well over 
a long period of time (as opposed to something I could do poorly or 
something I could do well for a while before I got bored with it <g>).

I've always been fascinated with time.  I liked traditional Irish music 
because it transported me beyond, to distant places and times.  Same 
thing with traditional American music only the places are all around me 
and the time travel aspect takes on a somewhat eerier note--like walking 
with ghosts.

When I play covers or old traditional pieces (especially neglected or 
obscure stuff), I kind of feel like I've gone into an antique store and 
found a forgotten something that, with a little polish and a drop of 
oil, still has life to give.  I enjoy connecting then and now.  Same 
thing occurs when I write things, only it's more like reporting or a 
snapshot:  here's how things stand here and now and hope you're interested.

I seem to have an easier time writing tunes than songs, maybe because 
it's easier to paint a little picture with notes than tell the truth 
with words.  Partly it's because I have a hard time considering my 
experiences and views as terribly interesting to others.  My parents 
loved me, I never got addicted to anything interesting, and I've been 
with one woman for 23 years <g>.  It's like Tolstoy said (and I grossly 
paraphrase):  happy stories are all the same.

So I just keep plugging away.   Never had a better job but I wish I 
could figure out how to make it pay <bfg>.

mistertaterbug wrote:
> 
> Seriously folks, what drives your passion for this common interest we
> have?
> Tater
> > 
> 
> 


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