Well I played the tune on stage today, and it went pretty well I  
think. I came up with a kinda quirky but nice break that worked. Maybe  
I can record it for y'all sometime.

Thanks for all the help!

/Jonas


17 okt 2008 kl. 19.18 skrev Mike Romkey:

>
> Starting with the melody is wise.
>
> Playing it, or part of it, up or down an octave provides some
> variation and sometimes opens up new possibilities. Experiment with
> places you can add drone strings and double stops to fatten up the
> sound. If you get a second time around on the tune -- or sometimes the
> second time through the A or B part, when they repeat -- you can look
> for ways to alter the melody slightly.
>
> Try to invent -- on the fly or when practicing -- a counter melody or
> pseudo harmony part, if there are other instruments playing the melody
> or if it is strongly implied.
>
> Scale-based solos are pretty widely derided, but I think having your
> fingers really know where they can go is important and allow you to
> stretch out some beyond the basic tune. It also makes it possible to
> get out of first position.
>
> Another thing to do is to tastefully incorporate a favorite lick from
> another tune. Say a little tag in D that you can transpose to A or G
> or whatever you're doing.
>
> I try to really "feel" the chord progression. A lot of times,
> especially if I'm freely improvising away from the melody, I rely on
> the correspond note to the changes to ground whatever I'm trying to
> make up on the fly. Sometimes the root note for the key works well,
> too.
>
> Less is often more. Slower but with feeling is better than playing
> really, really fast without "saying" anything.
>
> None of this probably makes any sense. My best advice is practice a
> ton and get something you can do without freezing up on.
>
> >


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