Solo,
I think the thing I miss most about some forms of music is exactly
what you speak of. A strong rhythmic feel is missing. There are books
telling people how to listen to classical music, what to look for,
listen to, how to appreciate it. If a person has to take a course in
how to enjoy something then maybe something's missing, something
really obvious. Maybe there should be a course in how to see the
forest whilst looking at the trees. If even primitive, so-called
unrefined cultures can appreciate a "beat" then it would seem to me
that we in the western world have educated and "improved" ourselves
right out of touch.
Taterbug

On Mar 23, 1:56 pm, solofiddle <[email protected]> wrote:
> The Joshua Bell experiment was certainly interesting. What maybe some
> folks didn't consider is that fact that many people simply do not like
> Western Classical music, no matter the music or the instrument nor the
> player!
> It's often used to drive teenagers out of malls and coffee shops when
> they hang out too much. Why do you think so many symphony orchestras
> around the USA are struggling so much? Because many folks don't care
> about that music and don't support it.
>
> A friend of mine, an ethnomusicologist (and old time musician amongst
> many other things), has spent a lot of time documenting the music and
> dance cultures of very remote regions on forgotton islands around the
> world. In one rain forest, where he lived on and off for two years,
> they had no electricity, but he had a solar rig to charge his
> batteries for his video camera and he also had a cassette player. He
> played for various tribes of natives all sorts of music he had brought
> with him - folk, Bluegrass, big band, all sorts of music from around
> the world, including several types of Western Classical music. They
> responded positively to almost everything except the Classical music!
> Why? NO RHYTHM, of course! Oh, sure, you could argue that there is
> rhythm there, but often it is too buried beneath the emphasis on
> melody and harmony and thematic structure. Some guy in an orchestra
> playing a few rolls on a set of timpani or doing a couple of crashes
> on some hand cymbals is hardly my idea of rhythm.
> (Don't get me wrong - I like much Classical music, just usually in
> smaller combos.)  People respond to rhythm, so why hide it?
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