This certainly works for, too. Mine is a home-made 5-string resonator
mandolin (Rich, I can't wait to hear you try it in July at CCMC) - I
take the bridge cover off so I can palm-mute it when I don't want to
blast your fillings out. The single light strings are also really easy
on the fingers - you get hours and hours of extra stamina with this
thing, plus bluesy bends and sweet vibrato.

Topher


On Thu, Apr 9, 2009 at 4:37 AM, Rich DelGrosso <[email protected]> wrote:
> Dennis,
>
>
>
>  I play a National Resonator  mandolin, one of their new ones. I call it the
> “jaminator.” I take it with me when I work the camps and find myself in jams
> with guitar, piano and harmonica. I never have trouble being heard. Think
> about it.
>
>
>
> Rich
>
>
>
> From: [email protected] [mailto:[email protected]]
> On Behalf Of Dennis Fehling
> Sent: Wednesday, April 08, 2009 8:17 PM
> To: taterbug e-mail
> Subject: RE: Loud Jamming
>
>
>
> I have a brother in law that has a friend that was a self proclaimed rock
> star in the 80's this guy does not know the meaning of the word quiet.  He
> plays the guitar so loud that my little mandolin cannot compete no matter
> how loud I play so I just get up get another beer and wait until he stops or
> leaves.  As far as the the Banjo players if there is more than one then I
> would probably just kill myself and get it over with.
>
> Dennis
>
> www.friendsforlifedogtraining.com
>
>
>
>
>
> When will the madness stop.  Spay and Neuter your pets
>
>
> EMAILING FOR THE GREATER GOOD
> Join me
>
>
>
> ________________________________
>
> From: [email protected]
> To: [email protected]
> Subject: RE: Loud Jamming
> Date: Wed, 8 Apr 2009 21:11:58 -0400
>
> John J.
>
> You need to get a new group! We need to make music not noise-break up into
> smaller groups and play at levels that you all can hear each other.
> Remember, our objective is to play music not play louder or drown out the
> nuclear banjos or fiddles. This can be accomplished by asking your group
> mates not to play so loudly. You must not be doing any singing, because you
> would be seriously hoarse by now.
>
> What I really mean by this rant is that you and your picking buddies need to
> learn dynamics. Music doesn't have to be loud to be good. Learning to play
> backup and supporting the soloist or singer can be just as satisfying as
> playing a "hot" break. You need to listen to each other and play off of each
> other. Players who understand the subtleties of music are always more fun to
> jam with! Save your wrist and broken strings- you don't need a Spinal Tap
> amp that goes up to 11.
>
> I remember Bill Monroe in 1969 at the Philadelphia Folk Festival warming up
> to play before they went on-they were really cooking ,but they were playing
> at a very low volume so as not to disturb the people who were performing on
> stage. Great self control. Try it you may like it!
>
> To more focused and better jamming.
>
> RSB
>
>> Date: Wed, 8 Apr 2009 14:22:27 -0700
>> Subject: Loud Jamming
>> From: [email protected]
>> To: [email protected]
>>
>>
>> Hey ya'll,
>> I've been lurking around for quite a while and enjoying some of the
>> discussions but today I would like to get some feed back from this
>> great collection of fellow taterbugs.
>> Last night night I got in a really fun jam with some good
>> pickers . Unfortunately there was 3 banjos , 2 guitars and a couple of
>> mandolins.Needless to say it was pretty darn loud.Sooo when it got
>> time to take a break one had to bang away to be heard. Unfortunately
>> for me , I have a hard time pickin that loud. Consequently it was
>> usually pretty ugly. How can we practice for that situation? I tried
>> to hint to the group to tone it down some but that lasted one guitar
>> break.
>> I just got a little frustrated with my crummy pickin so I'm going
>> to Tate & get him to teach me some in your face Monroe.
>> Thanks for letting me
>> vent. John J
>> </html
> </html
>
> >
>

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