I agree......the 50-58 period has some mean sounding stuff on it....the "Sally Jo" on there is unlike any other Monroe cut I've heard. 59-69 starts to get a more polished sound when Rowan, Keith and Greene enter the scene. The first one with the Monroe Brother's and "The Band" is essential too.
Neil Rosenberg's book seems to be the source when it comes to tracking this stuff. According to that book there are quite a few cuts (some of those obscure latter day fiddle tunes) that Monroe guested. But sadly many of those records are out of print. --~--~---------~--~----~------------~-------~--~----~ You received this message because you are subscribed to the Google Groups "Taterbugmando" group. To post to this group, send email to taterbugmando@googlegroups.com To unsubscribe from this group, send email to taterbugmando+unsubscr...@googlegroups.com For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~----------~----~----~----~------~----~------~--~---
