Well, that pretty much settles it, I'm getting me an ugly capo and not talking 
about it on Mandolin Cafe. 
I haven't been on there in a long time, got kicked off twice for being too 
funny for my own good. 
I think I said something about Chris Thile's playing sound like Chinese to me. 
I thought it was hilarious. 
Apparently not everyone did. 



Clyde Clevenger 
Just My Opinion, But It's Right 
Salem, Oregon 
Old Circle 


----- Original Message ----- 
From: "erik berry" <[email protected]> 
To: "Taterbugmando" <[email protected]> 
Sent: Wednesday, November 18, 2009 7:49:42 PM GMT -08:00 US/Canada Pacific 
Subject: Re: Thinking more outside of a Jam 

It's so much nicer talking about capos here than at the Cafe. A nice 
ordinary question like, "What brand of capo do you think works best 
for mandolin?" is usually answered "Learn your fretboard, loser." 

I'm especially sensitive about it because once we hired a professional 
photographer to shoot about a half-dozen shows to get a nice, deep 
assorted grab bag of photos and he loved how my capo looked on the 
mandolin. At the time, even though I only played it on 1 song, he 
thought it looked so cool that most of the shots of me he submitted 
had the capo. Posters, our web page, there's Erik's capo. I used to 
have mandolinists asking me about it all the time. 

I keep my capo on one of those nifty clip-on trays for your mic stand. 
I also keep extra pics, strings and an extra beer in the cup holder. 

Here's a good piece of capo related advice, also related to learning 
tunes in different keys. The advice is to learn all your barn-burnin' 
banjo songs (Clinch Mt. Backstep, Sally Goodin', etc) in the key of G, 
so when you banjoist tears off into one without his capo, you don't 
sound like a fool when it's time for your break. 

erik 


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