Just a curious question. There are people with straight thumbs, and then those who have been lucky enough to get the gene for brains, charm, good looks and a curved thumb. Curiously enough, I am in the latter group. Do we curved thumbers do it different from our straight digit cousins? Just wondering. Actually, the curve means you either hold the thumb bent, or use the joint, rather than the bone. An important issue I feel
2010/1/10, Linda <[email protected]>: > I thank yall for the advice and since I have a quiet weekend here I > can try em out. > The one thing from the article, that I need to try and pay more > attention to is .. > Mike says its best to learn a tune slow, then after a time speed it > up. I do that but feel an enormous pressure to be able to play it > fast and start to do that before I really should. > > I like most tunes in slow mode for my personal enjoyment, but its the > pressure when playing with others to play fast and my wish to get > there and be able to play with others well, that seems to drive this > rushing thing that is not really doing me any good at all. And he > says it may be a long tme before I can play well ...fast, at my age, I > don't know if it will happen in time that fuels it too. > > I have thought maybe just develop a list of slow tunes and try to make > them terrific..as a way to get around that. > > Almost every tune I get ..is one that at first I feel like I could > never be able to play and by the next lesson, most times, I find I > can..and that I can do things I did not think I could. Mike is always > pushing the bar with what I am assigned to do. Seems the mind game is > a lot of the battle. I have to just calm down and approach it, see > what I can achieve and am always pleasantly surprised. > > Brian I don't have your problem with the mirror but still need a small > one ..for a different reason...<G>. > Maybe pisces look better underwater. > > linda > > On Jan 10, 3:39 am, Topher Gayle <[email protected]> wrote: >> Here are some ideas for hitting both strings in a course. Lots of >> folks have trouble with this at first. >> >> If you're not sure if you are hitting both strings, tune one of them >> quite a bit flat. Then play some sort of exercise on that pair. The >> worse it sounds, the better you're picking. Try to make both tones >> sound equally loud. Then you know you're hitting them both. Tune back >> up for the rest of your practicing! >> >> I find that using rest strokes, where the pick comes to rest against >> the next course, is useful for helping me get into the groove of >> hitting both strings. Sometimes you'll want to use them while playing, >> and sometimes not. But they're a good way to get the feel of hitting >> both strings. >> >> I like to describe the action as "pushing the pick through the >> strings," rather than plucking the strings. in other words the strings >> get pushed down towards the top of the instrument by the tip of the >> pick and then make noise on the rebound. the strings get out of the >> way of the pick, not the other way around. The only way you can do >> that is to push the tip of the pick more or less parallel to the top >> of the instrument, with no dodging up and down. A firm grip helps. >> >> It helps to rotate the pick a little bit - either with the end towards >> the neck down a little (maybe 15-20 degrees) and up (as John Reischman >> does). This way the strings slide along the end of the pick more than >> grab. You'll get less pick noise, too. Experiment with different >> picks, too. >> >> Maybe some of this might be helpful. There are many approaches. What >> matters is getting the sound, while not hurting yourself. >> >> Topher >> >> On Sat, Jan 9, 2010 at 7:36 AM, Dasspunk <[email protected]> wrote: >> > When it's going good... real good... I'll blow off everything to keep >> > it going. I try (in vain) to keep THAT in my muscle memory. Make THAT >> > my habit. Mike would probably say he does the same thing but his worst >> > days are still better than my best. He can be annoying in that way ;) >> >> > Playing back by the bridge forces me to play more evenly, more >> > accurately and apply the correct amount of force to the stroke. In my >> > experience, there's a perfect amount of force--and it's probably less >> > than you'd think-- that produces the most sound... and the right >> > sound. >> >> > Again, I'm not sure if my words will translate into the proper >> > meaning... it's tough to describe. >> >> > One bit of advice I always give that helped me a ton is this: practice >> > in a mirror. Watch your right hand. Look at Mike's right hand and try >> > to make your right hand look like his (or Bill's). Try, try, try, try, >> > try. >> >> > Now if you're practicing in the mirror you find yourself distracted by >> > your own incredible good looks, you're probably a Sagittarius like me >> > and you'll need to get a smaller mirror :) >> >> > B >> >> > On Jan 9, 8:47 am, Linda <[email protected]> wrote: >> >> I like the idea of the pencil eraser and will think on that some. >> >> >> The Tater says I am only playing the top string of two sometimes. He >> >> wants me to use the area just near the bridge more. I find it >> >> difficult to push through...push the pick through the strings in that >> >> spot. Am working on it. >> >> Sometimes when I practice, I trying playing looser and give all real >> >> attention to what the right had is doing, not worrying too much about >> >> the fretting (which gets sloppy when not attending). So far, I find >> >> there is improvement but I sure wish I had a way to know for sure when >> >> I am getting it right. >> >> Brian, you are right about getting it right and how it feels. Every >> >> now and again in the lesson I get a thumbs up, which means I am doing >> >> it the right way. >> >> Feels like going to the moon in rocket.... >> >> linda >> >> >> On Jan 10, 12:53 am, 14strings <[email protected]> wrote: >> >> >> > Maybe the mental image of striking both strings with equal force and >> >> > contemporaneously helps the process of digging in and keeping the >> >> > pick >> >> > on the stringS. Many of us have the poor technique (myself included) >> >> > of catching just one string in a pair. That will give us half the >> >> > volume and half the tone. Half the fun. >> >> >> > Perry >> >> > -- >> > You received this message because you are subscribed to the Google >> > Groups "Taterbugmando" group. >> > To post to this group, send email to [email protected]. >> > To unsubscribe from this group, send email to >> > [email protected]. >> > For more options, visit this group >> > athttp://groups.google.com/group/taterbugmando?hl=en. > -- Enviado desde mi dispositivo móvil
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