Where I live and my level of ability means I have poor to no access to
playold-time tunes in groups  with the kind of spin they need to lift
and sound like what I hear and see on youtube.

A magic thing happened here, it took a few weeks/months to solidify
but I got it now.

We play a couple of these sorts of tunes in string band but ..again,
mostly novice players, and none  to very little American Old Time
veterans on a regular basis with us means some things come out
sounding kinda irish but not quite that either as we are mainly
playing the notes but don't got the rhythm in our souls...etc.

Its the rhythm inside the tune that has been elusive.  Just now, in
lessons I am assigned Stomp tunes some and I had trouble feeling the
rhythm even though I could play the notes.  With nobody to play them
with, to get into the groove.   I felt the feeling of the brick wall.
Playing along with recordings did not work in this case for me to
really git it.


If you have access to the tunes, try this

Old Mother Flanagan, Stumptown Stomp, and Three Forks of the Reedy.

They all use the same rhythm pattern, are the kind that with double
stop strums and the strum of Monroe style too, the mando can stand out
in an Old-time group, can support the rhythm while playing the tune
and not one chord chop required.  If your fingers can't do all of it,
you can just strum and double stop chord to the rhythm of it and it
works.
A better player could find those stops up the neck and sent the tune
into the atmosphere I reckon.

If you know the names of any more Stomp tunes, please tell me..I am
ready to go and would love a few more of this style to git after.

I got there by playing each one a lot then the light bulb went on with
one ( Old Mother Flanagan)  and it easily transferred to all the
others.  So I think to just get one but have others to confirm is a
good way to approach things.

I find now I can perfect a couple of poor finger patterns and build
some speed cause its easy for me now and it sounds full, big, and very
satisfying, even with lots of fiddles and guitars cause what the mando
does is a contrast and filler and drum to the rest, in a very good
way..
Its exactly what I been chasing so ..wanted to share the good news.

linda

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