It's just great: you could build a house on tracks like 'I'd like to be over
yonder', and the double mandolin on 'My Father's Footsteps' is just
perfectly phrased, down to the little chokes.
Undeniably a good start to the day


On Thu, Mar 11, 2010 at 10:26 PM, Robin Gravina <[email protected]>wrote:

> Well I bought it as promised, an easy way to get the music quick. I'll
> listen tomorrow with luck. Difficult to spend 7 euros more wisely
>
> 2010/3/11, mistertaterbug <[email protected]>:
> > Wait a minute, was Campbell on the recording? Shizzle, I forgot.
> > Anyway, Bill was playing *a* fiddle...No, not Baker, sounded more like
> > Brother Birch.
> > Tbug
> >
> > On Mar 11, 1:18 pm, Mike Terry <[email protected]> wrote:
> >> Hey Mike, what did Bill sound like on the fiddle? Was he playin the
> >> Kenny Baker type stuff or just playin the melody? Wow, i bet that was
> >> quite a moment.
> >>
> >> On Mar 11, 9:08 am, erik berry <[email protected]> wrote:
> >>
> >> > Awesome. Thank you Mike.
> >>
> >> > erik
> >>
> >> > On Mar 11, 8:17 am, mistertaterbug <[email protected]> wrote:
> >>
> >> > > Erik,
> >> > > I think the whole thing started out as a Robins' recording, but when
> >> > > he got here he communicated with Monroe and Bill basically decided
> to
> >> > > come to the session, so the direction of the whole thing changed. I
> >> > > was there originally to keep Bill 'on track' because he was
> beginning
> >> > > to forget some of the songs we did. Funny, because I didn't really
> >> > > know a few of them that well at the time.
> >>
> >> > > We all sat "LA style" as you put it. Most of it was done in the
> middle
> >> > > of one room without the benefit of baffles. No rhythm tracks and
> >> > > layering, just all of us batting it out. On the duet stuff, I sat
> >> > > right across from Bill, say within 8-10 feet. Sure, I was nervous.
> But
> >> > > I learned more those couple days about Bill's right hand than I had
> in
> >> > > decades previous. It became obvious quickly that I had to match his
> >> > > tremolo to make the duet blend, not only the speed of it, but the
> >> > > feel, the 'lope'. Bill wouldn't even play "Tanyards", couldn't
> >> > > remember it. He told Butch to "let" me play it. I told him I didn't
> >> > > think I could do a better job of it than he could. He said, "I know
> >> > > so", so I shut up. Nothing like being put on the spot by the
> Bossman.
> >> > > Buddy Spicher was on that cut too, I believe.
> >>
> >> > > Bill came to the session dressed in a suit and one of his Stetsons.
> >> > > All the rest of us came ragged out in tee shirts and jeans. The old
> >> > > school guys came to the studio dressed up and ready for 'work'. A
> few
> >> > > of the girlfriends came along. Of course Bill flirted with them. I
> >> > > remember one of the days everybody piled out for lunch and left. I
> >> > > didn't go for some reason. After hanging out in the break area for a
> >> > > while I went back into the studio and slipped up on
> >> > > Monroe playing Campbell's fiddle, playing "Muleskinner Blues" real
> >> > > quiet. I listened a little bit and then said, "I didn't know you
> >> > > played the fiddle, Bill". He did one of those moves a possum will do
> >> > > when he's wanting to be invisible..."...you don't see me, you don't
> >> > > see me..."; he put the fiddle down really slow and turned clean
> around
> >> > > in the chair and just sat there like he'd been that way all along.
> >>
> >> > > All in all it was sort of a whacky project. Randy Howard played some
> >> > > pretty spectacular 'contest' style solos, Dewey Farmer did his
> >> > > psychedelic hotrod style mandolin, Buddy Spicher brought integrity
> to
> >> > > the tunes, Butch ran around keeping it moving along despite all the
> >> > > rest of us giving him a fun-loving hard time.
> >>
> >> > > I reckon it was the first time I'd worked with Butch and certainly
> >> > > with Bill. Seems like we did another batch of tunes someplace else,
> >> > > the one that included "...Over Yonder". I don't know where any of
> that
> >> > > stuff went.
> >> > > Tbug
> >>
> >> > > On Mar 10, 10:24 am, erik berry <[email protected]> wrote:
> >>
> >> > > > I just bought my first-ever download MP3 record (welcome to 2010
> >> > > > Erik!) and it was Butch Robins' record. It's really cool. I'm
> pretty
> >> > > > sure I can tell which tracks have just Mike on them, but boy, the
> >> > > > Monroe-Compton duets are really slick. Hard to tell where one
> starts
> >> > > > and the other stops. I like Butch's banjo playing and singing a
> >> > > > whole
> >> > > > lot too, which is great, since I basically got the record for the
> >> > > > mandolinin' on it. A number of cuts I can't wait to share with my
> >> > > > banjo player (Doin' My Time and Short'nin' Bread, to name two).
> >>
> >> > > > Mr. C--great work on that disc. If you have a notion and a few
> >> > > > minutes
> >> > > > to talk about it, I'd appreciate hearing some stories. If you need
> a
> >> > > > question or two I'll pitch some at you. Was this the first time
> you
> >> > > > worked with Bill and/or Butch? Did you and Monroe sit right next
> to
> >> > > > each other and play together? Where you nervous? Do you still play
> >> > > > two
> >> > > > of my favorite new tunes, "My Father's Footsteps" or "I'd Like to
> Be
> >> > > > Over Yonder," ? Was disc recorded "Nashville Style" or "LA Style?"
> >>
> >> > > > Cool stuff. I got it off CDBaby for 10 bucks, if anyone else is
> >> > > > curious about it. Simple website to use and 10 minutes after I
> >> > > > decided
> >> > > > to get the thing, it was on my MP3 player. Cool, cool, cool.
> >>
> >> > > > erik- Hide quoted text -
> >>
> >> > > - Show quoted text -
> >
> > --
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> >
>
> --
> Enviado desde mi dispositivo móvil
>

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