On Tuesday, April 29, 2014 3:58:30 PM UTC-4, John Culleton wrote: > > in my first attempt I get these messages: > bash-4.2$ tesseract 81.png 81. > Tesseract Open Source OCR Engine v3.02.02 with Leptonica > Error in boxClipToRectangle: box outside rectangle > Error in pixScanForForeground: invalid box > > I get some output but most of it is garbage. > > Two questions: > > How do I get rid of the error messages? > > What is the correct command line to start to train the program on this > particular input? > I get output but it is mostly garbage. > ----------------------------------------------------------------------------------
Well an online video tutorial taught me one magic trick. I resized the file using imagemagick and put it in tiff form. convert 81.png resize 5000 81.tiff This got rid of the error messages and gave me a close to correct result. Now what is the next step in training tesseract? > > > John Culleton > -- You received this message because you are subscribed to the Google Groups "tesseract-ocr" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. To post to this group, send email to [email protected]. Visit this group at http://groups.google.com/group/tesseract-ocr. To view this discussion on the web visit https://groups.google.com/d/msgid/tesseract-ocr/215671fd-278b-4249-a87f-becfb082d579%40googlegroups.com. For more options, visit https://groups.google.com/d/optout.
[8.5] (9-01 (3.71 interpenetration of physical, mental, psychological and spiritual forces. In this sense, reality is both the one and the maty. spirihtal and material. with no partictlar type being given greater importance. In fact. the elaborate Tan- tric rituals aim at realizing the absolute in the spiritual sense through the physical and material world.‘ The Dara Mahavrdyus are found in the Saltta Purwras.’ Smsltrit Upaprrrrma.r," aid Tantric texts.’ mostly composed in the middle of the secortd millermium CB As a category of texts, tlte earliest reference to Cttinnarnmta may have come from the Buddhist Mahayana tra- dition." Benoytosh Bhattachnrya is of the opinion that the violent Buddhist Vajrayana deity Vajrayogini was the prototype for Chinnarnasta. " 11te Dasa Mahavidya refers to a group of deities within the Tantrlc tradi- tion: Kali. Tara, Sodasi, Bhuvanesvari, Bhairavi, Chinnamasta, Dhurnavati. Bagala, Matangi and Kanala. Each of these embodies different aspects of creation and destruction: liberation (mrotrl, mafia), knowledge (vidya, jna- na), prosperity (Iaksmi. dhauam), happiness (savor). etc." Due to this difl'er- ence in conceptual emphasis, they are placed within the Kali-ltula and Sri- ltula categories." However, even if the dominant conceptualization is of one type, the other categorization is also worked into the characterization of the goddess. These goddesses are linked to Siva as forms of his consort. They are also linked to Vlsnu as the concept itself is seen as deriving from the datum- rara tradition. " However. all the goddesses do not correspond with the Vais- nava avarams. ‘liars. Kali is the equivalent of Krsna, Tara of Rama. $odasi of Siva. Bhtrvanesvarl of Brahman, Bhairavi of Rudra, Chinnarnasta of Mat- sya, Dhumavatl of Varaha, Bagala of Vanana, Matangi of Brahma and Ka- malrt of Visnu." An esoteric interpretation of the v~la)r:a’;r would indicate their association with supreme knowledge. thereby paving hie way for aloha or liberation. As far as the origins of this group of deities is concerned, two medieval Upapm-anar—al-Ialrablragauara Parana and Brhaddlrar-ma Purann~—re fer to the myth of Daksa's sacrifice, where Satl on being denied permission to attend the sacrifice by Siva takes on ten horrilic forms that surround Siva. "' In these tellings. Sati is all pervasive. horrific in appearance and has an overpowering presence. Siva tries to hide from her, runs in all directions and shuts his eyes but cannot get away from her. Ultimately, Siva realizes that Syama, the dark one, is none other than Sati, and that she supports the unlverse——Jagaddhatri. and is the supreme goddess or Paramesvari. " In the Siva Purarta, the demon Durgama is slayed by Devi. from whose body the Mahavidyas emanate in the course of her duel with the demon. " They are described in the Bnlrrrddltamra Parana as capable of bestowing certain powers on the worshipper such as killing, causing sickness and im- mobilizing people by merely wishing for it. i’ It has also been argued that the man-ta concept may have had some bearing upon the Dara Mahavta)-a one, fin.) C)
