On Thu, 23 Jan 2003 16:29:26 +0100, Jean-Pierre Coulon
<[EMAIL PROTECTED]> wrote:
>I think this requires less efforts:
>
>\startextract
>\notes\ibbu0L6\roff{\qb0p}%
>\hqsk\islurd1K\qb0{^K}\tslur1L\tbbu0\qb0L\nbbu0%
>\qb0b\qb0d\tqh0g\en
>\endextract
>
This would be perfect if it weren't for the extra white space caused
by the \roff at the beginning of the figure -- not very noticeable in
a single-bar extract but unsightly in the context of a continuous
score
If you compare the following multi-bar versions, you'll see that a
\qsk *backwards* fixes the problem:
\startextract % your version, with an empty bar inserted before it
\notes\sk\sk\en\bar
\notes\ibbu0L6\roff{\qb0p}%
\hqsk\islurd1K\qb0{^K}\tslur1L\tbbu0\qb0L\nbbu0%
\qb0b\qb0d\tqh0g\en
\endextract
\def\lqsk{\off{-1\elemskip}}%
\startextract % the solution I eventually came up with
\notes\sk\sk\en\bar
\notes\lqsk\ibbu0J6\smallroff{\qb0p}%
\hqsk\islurd1K\qb0{^K}\tslur1L\tbbu0\qb0L\nbbu0%
\qb0b\qb0d\tqh0g\en
\endextract
>(Eva, I hope you appreciate my ceasing to contradict your style :-)
>
<grin>
Jean-Pierre, you can contradict *my* style as much as you like. It's
the thought of contradicting the *composer's* style that worries me.
Now there's an artist who knows exactly what he wants!
Eva
Downloadable guitar edition of J.S. Bach, Lute Suite BWV 995:
http://icking-music-archive.sunsite.dk/scores/bach/bwv995/bwv995cg.pdf
--
"People think that I can teach them style. What stuff it all is!
Have something to say, and say it as clearly as you can. That is
the only secret of style."
--- Matthew Arnold (1898), quoted in David and
Hilary Crystal's "Words on Words" (2000)
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