Kurt Kehler wrote > I think > this means that the only way to keep a B-natural in a concert pitch > parent score, and a C-sharp in a scor2prt transposed Bb trumpet score, > would be something like this: > > % nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig, > 1 1 4 4 4 4 0 -1 > % npages,nsyst,musicsize,fracindent > 1 1 20 0 > > t > ./ > %1Ar K+1+1 > %% > b2 bn | bs0 / > %1 b2 bs | bss0 / >
That's one way, but not the only way. When you use the system the way it was intended to be used, you don't have to enter anything twice: ================================ % nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig, 1 1 4 4 4 4 0 -1 % npages,nsyst,musicsize,fracindent 1 1 20 0 t ./ Ar %1 K+1+1 b2 bs | bss0 / ================================ --Don Simons _______________________________________________ Tex-music mailing list [EMAIL PROTECTED] http://icking-music-archive.org/mailman/listinfo/tex-music
