Andre Van Ryckeghem wrote:
Hi all,

To clarify the problem (or to do just the opposite), here is a testfile with a number of possibilities. The file is made for 3 music lines in order to see a behaviour when an automatic new line occurs.
This are my taughts on this



Bar 1 - multiple meters

this is an example of 'variable meters'. Another notation practice is 'alternating meters' denoting a pattern of meter changes, eg. '4/4 + 3/4'

bar 1 beat 2 and 3 signature change is this common?

according to Gardner Read, Music Notation, modern practice is to omit 'cancelling signatures' (naturals) at key changes. There are a few exceptions to that rule, most important when changing from a key with signatures to a key with no signatures (c major and a minor). The general rule (according to G. Read) is to precede key changes with double (bar) lines. I've seen key changes without double lines, though.

bar 1 beat 4 the 'f' in the lower staff shows how confusing this is

bar 2:  i vote OK

there should be no cancelling key


bar 3: autoamatic new line this i vote OK, but not the different signatures in the instruments

what is the problem? Different keys will inevitably occur in scores with 'transposing instruments', eg. clarinets and French horns


bar 4: OK
bar 5: better

not IMHO, there is no reason for omitting double bar lines and the cancelling keys are unnecessary

bar 6: rather not? or is it forbidden? Select one ot the 3 lines in the source to see other behaviour.

the key changes should be after the double line


bar 7: OK except on beat 3 (keychange on only 1 instrument, signature change without bar line)

bar 8 and 9 : both OK or is there a preference?

in case of clef change at the start of a new bar the clef should be placed before the bar line


bar 10: a meter without fraction

belongs to modern notational practice. Furthermore you'll often find fractionless meter '3' in modern edtions of early music at triple meters.


bar 11: Ok except the bass clef schould be repeated, is this possible?

bar 12: probably not.

there is no real key change. Therefore the key signatures should be omitted.

--
Christian Mondrup, Sheet Music Editor
Werner Icking Music Archive
http://icking-music-archive.org/
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