Thanks a lot for the examples! I'll try to understand what you're doing
there...
First of all I found a problem using your trick to get the last double
bar line as a standard bar rule: You put \\\stdbarrule\ at the begin of
the last bar / the last line. But unfortunatey, without your various
definitions before the block, the bar rule /before/ this bar is also a
standard bar rule. Is there any possibility to put TeX-commands at the
beginning of a block instead of the end of the block that is coded
before, as the TeX-Input with \\\code\ ? Look at the following little
examples, in both examples the code is at the wrong place, before
\alaligne or before the code of the page break. And after the /last/
note, \\\code\ is simply ignored (why?).
-8<--------------------------------------
Style: SATB
Meter: C
Bars/line: 1
%%\input musixlit \interbarrules
c0
g0
e0
c0
%%\\\stdbarrules\
c0
g0
e0
c0
-------------------------------------->8-
-8<--------------------------------------
Style: SATB
Meter: C
Pages: 2
Systems:2
%%\input musixlit \interbarrules
c0
g0
e0
c0
%%L2P2
%%\\\stdbarrules\
c0
g0
e0
c0
-------------------------------------->8-
I typeset the piece included at the end of this message (with m-tx).
But as the last note in the highest voice I'd like to have a longa
instead of the tied notes. The last notes in the other voices should
be brevis instead of whole notes. Is it possible to get these notes here?
The next problem is the "barless" music itself. I'd like to have bar
lines between the voices every second whole note. Unfortunately there
are many notes that begin in a bar and end in the next one, so I can't
code it straight forward as in music with bars. Has anybody an idea
how to get the bar lines and avoid tied notes (I think this would be
ugly in this piece)?
You may find examples of solutions to both problems in some of my M-Tx
typesettings of renaissance music. They make use of a mensural notation
collection of MusiXTeX macros distributed from the WIMA Ravenscroft
index, http://icking-music-archive.org/scores/ravenscroft/common.zip and
an adaption of a Lilypond TeX font, distributed from the WIMA software
index,
http://icking-music-archive.org/software/musixtex/add-ons/old-feta.tar.gz.
One of my editions of German chorale settings By M.Praetorius, "Christe
der du bist Tag und Licht"
(http://icking-music-archive.org/scores/praetorius/musaesioniae/christe.pdf)
has note values across bar lines. The score is published in 2 versions,
one based on drawing inter-staff barlines 'by hand' with TeX pstricks
macros and one based on a mix of built-in inter-staff bar lines and bar
lines drawn 'by hand' with MusiXTeX vertical rules. There is typesetting
software available with both versions.
PS I recommend omitting slurs in melismas in music like this. The
MusixLyr syllable extension lines and syllable division dashes are
indicating melismas anyway.
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