On Mon, 2011-06-20 at 06:46 -0400, Bob Tennent wrote:
> >|On Sun, 19 Jun 2011, Bob Tennent wrote:
> >|
> >|> If you already have a musixtex score and don't want to start again using
> >|> pmx, you can "suppress" instruments as follows: [...]
> >|
> >|Could you please provide an example with 3 or 4 instruments and 3 or 4
> >|measures?
>
> The original source is in
>
> http://icking-music-archive.org/scores/bach/bwv988/quod.zip
>
> Note that the other parts are indeed suppressed, but the note spacing
> has to be corrected in the resulting part score. Also multiple-bar
> rests.
Neat; it works!
But what would you change to print one of the other three parts instead?
(Yes, I am treating this as a magic incantation of which I understand
little, and yes, I do feel like the sorcer's apprentice.)
Thanks,
Terry.
>
> Bob
>
> ______________________________________________________________________________
>
> \input musixtex.tex
> \input musixsty.tex
>
> \def\tr#1{\zcharnote{#1}{\ppff tr}}%
> \def\pince#1{\shake{#1}}%
> \vsize9.75in
> \voffset-0.5in
> \hsize7.0in
> \hoffset-0.25in
> \smallmusicsize
> \bigaccid
> \advance\parindent by 10pt
> \def\writebarno{\llap{\ninebf\the\barno\barnoadd}}%
> \def\raisebarno{4\internote}%
> \def\shiftbarno{1.5\Interligne}%
> \nobarnumbers
> \geometricskipscale
>
> \def\omit#1{}%
>
> \def\tql#1#2{\tbl{#1}\qb{#1}{#2}}
> \def\tqu#1#2{\tbu{#1}\qb{#1}{#2}}
> \def\nbbqu#1#2{\nbbu{#1}\qb{#1}{#2}}
> \def\nbbql#1#2{\nbbl{#1}\qb{#1}{#2}}
>
> \def\nqql#1#2{\roffset{0.25}{\tbbl{#1}\tbbl{#1}\qb{#1}{#2}}}
> \def\nqqu#1#2{\roffset{0.25}{\tbbu{#1}\tbbu{#1}\qb{#1}{#2}}}
> \def\tqql#1#2{\roffset{0.25}{\tbbl{#1}\tbl{#1}\qb{#1}{#2}}}
> \def\tqqu#1#2{\roffset{0.25}{\tbbu{#1}\tbu{#1}\qb{#1}{#2}}}
> \def\tqqql#1#2{\roffset{0.25}{\tbbbl{#1}\tbl{#1}\qb{#1}{#2}}}
> \def\tqqqu#1#2{\roffset{0.25}{\tbbbu{#1}\tbu{#1}\qb{#1}{#2}}}
>
> \instrumentnumber1
> %\setclef1\bass\setbassclefsymbol1\bassoct
> %\setclef4\treble\settrebleclefsymbol4\trebleoct
> \catcodesmusic
> \generalsignature{+1}
> \generalmeter\meterC
> \setname1{A}
> %\setname2{T}
> %\setname3{A}
> %\setname4{S}
> %\songtop4
> %\songbottom1
> \fulltitle{Quodlibet}
> \subtitle{Variation 30 of the Goldberg Variations for Clavier}
> \title{Quodlibet}
> \author{J. S. Bach (1685-1750)}
> \shortauthor{J. S. Bach}
> \othermention{Arranged for Recorders by R. D. Tennent}
> \maketitle
> \startbarno=0
> \nobarnumbers
> \stafftopmarg=4.0\Interligne%
> \staffbotmarg=4.0\Interligne%
> %\setinterinstrument3{2.5\internote}%
> \startpiece\addspace\afterruleskip%
> \makeatletter
> \def\vnotes#1\elemskip#2\en{\noteskip#1\@l@mskip\@vnotes#4\en}%
> \makeatother
> \systemnumbers%
> \Notes\ds&\cu d&\ds&\ds\en
> \bar%1
> \Notes\hl N&\ibu1g2\qb1{ghi}\tqu1j&&\hpause\en
> \Notes\hl M&\ibl1k{-2}\qb1k&&\en
> \notes&\nbbl1\qb1j\tql1i&&\qp\en
> \Notes&\ibu1h0\qb1h&&\ds\en
> \notes&\nbbu1\qb1g\tqu1h&&\cu d\en
> \def\atnextbar{\znotes&&\centerpause&&\en}%
> \bar%2
> \Notes\hl L&\ibu1i{-2}\qb1i\tqu1h&\ql n&\ibu3g2\qb3{gh}\en
> \Notes&\itied1g\qu g&\ql n&\qb3i\tqu3j\en
> \Notes\ql{.K}&\ttie1\qu g&\ql o&\ibl3k{-2}\qb3k\en
> \notes&&&\nbbl3\qb3j\tql3i\en
> \Notes&\ibu1f0\pince{n}\qb1f&\cl o&\cu h\en
> \notes\cu J&\nbbu1\qb1e\tqu1f&\ds&\ds\en
> \bar%3
> \Notes\hu I&\qu g&\ibl2n{-1}\qb2{no}&\ql k\en
> \Notes&\ds\cl k&\qb2{n}\tql2{=m}&\ql k\en
> \Notes\hu J&\ibu1j{-2}\qb1{ji}&\ibl2j{0}\qb2{lk}&\ql l\en
> \Notes&\qb1h\tqu1g&\qb2j\tql2p&\ql l\en
> \bar%4
> \Notes\hl K&\itied1f\pince{n}\qu f&\ibl2o{-1}\qb2{on}&\ibl3k{-1}\qb3{kl}\en
> \notes&\ttie1\ibbu1e{-2}\qb1f\tbbu1\qb1e&\qb2o&\qb3k\en
> %\vnotes1.5\elemskip&\nbbbu1\qb1e\tbbu1\qb1f&&\en
> \Notes&\itied1d\tqu1d&\tql2m&\tql3j\en
> \Notes\qu G&\ttie1\qu
> d&\ibl2n{-2}\qb2n\tql2m&\ibu3h{-1}\pince{p}\qb3i\tqu3h\en
> \Notes\ds&\qp&\ibl2n{-5}\qb2n&\qu g\en
> \notes\ibbl0b{-1}\qb0b\tql0a&&\tql2k&\en
> \bar%5
> \endpiece%
> \eject
> \end
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