On Fri, 2011-06-24 at 08:30 -0700, Don Simons wrote:
> Terry--
> 
> Someone did work out the ossia and it might be in Cornelius Noack's "tips
> and tricks". If not and if no one else provides a link, let me know and I'll
> ferret it out. It wasn't easy to do...lots of inline TeX required.

I do not see it in the TOC of his tutorial under the heading Tips and
Tricks, but the section PMX and LaTeX talks--for a different
purpose--about creating encapsulated postscript from the pmx and then
including the result as a graphic in a LaTeX document.  This is well
beyond my current knowledge, but I imagine that getting the alignment
right will be fiddly (which is okay) and subject to breakage whenever
anything changes (which I think is much less okay).

Which technique do you think would be easier to do in the first place,
and which would be easier to maintain through changes?

> 
> On the slurs and ties in chords, I certainly respect both Grieg's intentions
> and Jean-Pierre's more realistic view. But there's a third way of looking at
> the question, from the standpoint of "accepted typesetting practice,"
> whatever that means. Many folks on this list swear by Gardner Read's "Music
> Notation", and quite coincidentally, I had an interchange with Cornelius
> about this very question within the week, which prompted me to see what Read
> had to say. He says that if individual chord notes are tied, then draw the
> individual ties, and if there are more than two of them, the outer ones
> should curve oppositely. But if any notes of successive chords are slurred,
> then only one slur should be drawn, either above or below the chord. It's
> obvious from your tiff that Grieg didn't follow that advice.

I'll see if my library can find a copy.

Meanwhile, I am finding some of Grieg's eccentricities of notation quite
charming.  At least until he took a pencil to it, the writing is very
clear.


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