That's more or less the effect of the tenor clef (which is a C clef) in the
autograph facsimile of the lute suite BWV 995. But hardly any modern
keyboard players, including your truly, are comfortable reading from tenor
clef, or any other C clef except maybe alto clef.

>-----Original Message-----
>From: [email protected] [mailto:[email protected]] On
Behalf Of
>Cornelius C. Noack
>Sent: Monday, May 14, 2012 6:30 AM
>To: Werner Icking Music Archive
>Subject: Re: [Tex-music] Keyboard edition with modern clefs
>
>For what it's worth (probably not much):
>
>I have seen a modern edition of a baroque sonata (I believe for a flute and
B.C. -- I
>haven't seen the autograph, and unfortunately didn't keep the score) in
which the
>problem of choice between too wide ledgers and frequent clef changes is
`solved' ( at
>least for professionals of baroque style):
>whereever the harpsicord notes tend to go off the staff awkwardly, the clef
is changed
>to a so-called `old C clef' , i.e. a c clef (viola) ON WHATEVER LINE IS
APPROPRIATE
>for that case. That means you have 4 extra choices for a clef! Looks
practically
>unreadable to me, at least for sightreading;
>  but apparently baroque players were quite used to that.
>
>Isn't that interesting?
>
>ccn.
>--
>..................................................................
>
>   Prof.Dr. Cornelius C. Noack
>   Inst. f. Theor. Physik FB 1
>   Universit"at Bremen               Phone    : +49 (421) 218-62031
>   Otto-Hahn-Allee                   Fax      :              -4869
>   D - 28334  Bremen                 home     : +49 (421)  34 22 36
>                                                     Fax:  346 7872
>   E-mail: noack at itp.uni-bremen.de   or   ccnoack at mailaps.org
>   WWW-page: www.itp.uni-bremen.de/~noack
>..................................................................
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