Thanks again, Andre. I can say pretty confidently that the beams extending over rests at the end of xtups will be very low on my priority list. Have you ever seen those in any published music?
--Don > -----Original Message----- > From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Andre > Van Ryckeghem > Sent: Thursday, March 16, 2017 10:03 AM > To: Werner Icking Music Archive <tex-music@tug.org> > Subject: Re: [Tex-music] trio with interstaff beam puzzle > > This is the pmx file with the pdf > > Andre > > -----Oorspronkelijk bericht----- > From: Don Simons > Sent: Thursday, March 16, 2017 3:54 PM > To: 'Werner Icking Music Archive' > Subject: Re: [Tex-music] trio with interstaff beam puzzle > > Thanks for the suggestions, Andre! You obviously spent a lot of time > compiling this. And now I won't have to worry about how to spend my time > once I retire :-). > > But because of line folding in Outlook, I had some trouble processing your > file. I do have something that compiles, but it's messed up somewhere. > Could you provide a separately attached pmx file? > > --Don > > > -----Original Message----- > > From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Andre > > Van Ryckeghem > > Sent: Wednesday, March 15, 2017 11:17 PM > > To: Werner Icking Music Archive <tex-music@tug.org> > > Subject: Re: [Tex-music] trio with interstaff beam puzzle > > > > Thanks to everyone for looking at it. > > > > Don's solution is a handsome discovery, but had a drawback that i > > cannot read the value of the 3th note in the trio (it comes on the > > wrong line if > in the > > lower staff). > > > > Now i humbly ask for allowing rests at the end of xtuplets. And also > > for combined flags and beams in xtuplets. > > > > Here are a few examples of what are my wishes. > > > > Andre > > > > =============== > > 2 1 2 4 0 6 0 0 1 3 20 0 > > > > tt > > ./ > > AT > > %Method: Put an any note where the rest should come. > > %(if beamed, the hight defines the slope. > > %Then replace the note by the musixtex dummy note (*) %The put a > > normal rest (ie. \ds) % \\\staffbotmarg6\Interligne\ > \\\stafftopmarg10\Interligne\ > > \\interstaff{20}\ %definitions > > \\let\cusav\cu\let\clsav\cl\let\ccusav\ccu\let\cclsav\ccl\ > > \\let\qusav\qu\let\qlsav\ql\let\qbsav\qb\ > > \\let\tbusav\tbu\let\tblsav\tbl\ > > \\let\iblsav\ibl\let\ibblsav\ibbl\let\ibusav\ibu\let\ibbusav\ibbu\ > > \\let\tblsav\tbl\let\tbusav\tbu\ > > % > > %NOT BEAMED > > %replace a 4th note by a dummy (*) > > \\def\trioq{\def\qu##1{\let\ql\qlsav\let\qu\qusav\qu{*}}\ > > \\def\ql##1{\let\qu\qusav\let\ql\qlsav\ql{*}}\qp}\ > > % lower the rest > > \\def\trioql#1{\def\qu##1{\let\ql\qlsav\let\qu\qusav\qu{*}}\ > > \\def\ql##1{\let\qu\qusav\let\ql\qlsav\ql{*}}\lower#1\Interligne\qp}\ > > > > %replace an 8th note by a dummy (*) > > \\def\trioc{\def\cu##1{\let\cl\clsav\let\cu\cusav\cu{*}}\ > > \\def\cl##1{\let\cu\cusav\let\cl\clsav\cl{*}}\ds\bsk}\ > > % lower the rest > > \\def\triocl#1{\def\cu##1{\let\cl\clsav\let\cu\cusav\cu{*}}\ > > \\def\cl##1{\let\cu\cusav\let\cl\clsav\cl{*}}\lower#1\Interligne\ds\bs > > k}\ > > > > %replace an 16th note by a dummy (*) > > \\def\triocc{\def\ccu##1{\let\cl\cclsav\let\ccu\ccusav\ccu{*}}\ > > \\def\cl##1{\let\ccu\ccusav\let\ccl\cclsav\ccl{*}}\qs\bsk}\ > > % lower the rest > > \\def\trioccl#1{\def\ccu##1{\let\cl\cclsav\let\ccu\ccusav\ccu{*}}\ > > > \\def\cl##1{\let\ccu\ccusav\let\ccl\cclsav\ccl{*}}\lower#1\Interligne\qs\bsk > > }\ > > % > > % BEAMED > > % replace an 8th beamed note by a dummy (*), then put a musixtex rest > > % the \bsk adapt the lenght of the beam > > \\def\triods{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\ds\bsk}\ > > % lower the rest > > \\def\triodsl#1{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\lower#1\Interlig > > n > > e\ds\bsk}\ > > % shorter beam > > \\def\triodsb{\triods\bsk\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\sk}}\ > > \\def\triodsbl#1{\triodsl#1\bsk\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1} > > }\ % replace an 16th beamed note by a dummy (*) > > \\def\trioqs{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\qs\bsk}\ > > % lower the rest > > \\def\trioqsl#1{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\lower#1\Interlig > > n > > e\qs\bsk}\ > > % shorter beam > > \\def\trioqsb{\trioqs\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\sk}}\ > > \\def\trioqsbl#1{\triodsl#1\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\qs}} > > \ > > % > > % BEAMS and FLAG combined > > % 8th note up > > \\def\triobuc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cu{##2}}\bsk}\ > > \\def\triobubc{\bsk\let\ibu\ibusav\def\ibu##1##2##3{\sk\ibusav{##1}{## > > 2} > > {##3}\bsk\bsk}\ > > \\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cu{##2}}\sk}\ > > \\def\triobucc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccul{##2}}\bsk}\ > > > \\def\triobubcc{\bsk\let\ibbu\ibbusav\def\ibbu##1##2##3{\sk\ibbusav{## > > 1 > > }{##2}{##3}\bsk\bsk}\ > > \\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccu{##2}}\sk}\ > > % 8th note low > > \\def\trioblcc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccl{##2}}\bsk}\ > > \\def\trioblbcc{\bsk\let\ibbl\ibblsav\def\ibbl##1##2##3{\sk\ibblsav{## > > 1}{# > > #2}{##3}\bsk\bsk}\ > > \\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccl{##2}}\sk}\ > > \\def\trioblc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cl{##2}}\bsk\tbl1}\ > > > \\def\trioblbc{\bsk\let\ibl\iblsav\def\ibl##1##2##3{\sk\iblsav{##1}{##2}{## > > 3}\bsk\bsk}\ > > \\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cl{##2}}\sk}\ > > % > > \\def\st{\smalltype}\def\bs{$\backslash$}\ > > %1 > > %rest at the end of a trio, not beamed > > d44ax3nf+1 D"\st d4ax3 e $\backslash$trioc f"-3 e \trioc\ f > > b4-ax3nf D"\st b4ax3 e $\backslash$triocl2 g"-3 e \triocl2\ g | %rest > > at > the > > end of a trio, beamed ex3nf D"\st ex3 b \bs triodsl2\ g"-3 d > > \triodsl2\ g > ex3nf > > D"\st ex3 d \bs triodsbl3\ g"-3 d \triodsbl3\ g // % normal ones > > d45ax3nf-2 r e rx3nf-2 r e | > > % other examples > > g-Dx2 D"\st gDx2 \bs trioc\ g"+19 \trioc\ g > > cx3 D"\st cx3 b \bs triodsb\ g"+21 D"voices not sychron"+26 b > > \triodsb\ g > / % > > %2 end rest, low beam > > g44x3 D"\st g+x3 r \bs triodsl2\ g"-3 r \triodsl2\ g % end rest, no > > beam > gax3nf > > D"\st g+x3 r \bs triocl2\ f"-5 r \triocl2\ f | % testing other cases > > rDx3n+1 D"\st rDx3 \bs triocl2\ b"-7-5 \triocl2\ b > > rx3 D"\st rx3 \bs trioql2\ bD"-7-5 \trioql2\ bD // % normal one > > r2x3 r b+ | > > % exotic ones > > [u-2 c8x3n-3 D"\st [ c8x3 \bs triods\ bD ]"+22-4 \triods\ bD ] > > b8ax3n-3 D"\st b8ax3 \bs trioc\ bD "+22-1 \trioc\ bD > > rx3n-3 bD > > baDx3n-3 D"\st baDx3 \bs triocc\ b "+22-1 \triocc\ b / rp rp / % > > %3 beam and flag > > e8-x3nf sf D"\st e8-x3nf sf d s \bs trioblcc\ c "-7 d s \trioblcc\ c > \trioblbcc\ > > e8x3nf D"\st \bs trioblbcc\ e8x3 d sf c s"-3+3 d sf c s % > > \\\def\trioblcns{\def\qb##1##2{\let\qb\qbsav\tbl##1\qb##1##2}}\ > > \\\def\trioblcnsi{\def\qb##1##2{\cl##2}\def\tbl##1{}}\ > > % > > e4x3nf D"\st e4x3 sf \bs trioblcns\ d s \bs trioblcnsi\ c"-2 sf > \trioblcns\ d s > > \trioblcnsi\ c | \trioblbc\ e4x3nf D"\st \bs trioblbc\ e4x3 d sf c s > > "-6+6 > d sf c s > > % end rest, low beam shorted > > bl4Dx3nf+2 D"\st b4Dx3 \bs triocl4\ b"-4 \triocl4\ b // > > r8ax3n-2 D"\st r8ax3 r \bs trioccl{-1}\ g "+22-5 r \trioccl{-1}\ g > > r8 r D"voices not sychron"+16 r1 r | r8 r1 r > > b4x3 D"\st b4x3 a \bs triobuc\ c"+21 a \triobuc\ c / % > > %5 > > \\\interstaff{12}\ > > % > > % this line messes up the trios > > %r8 r r r r r r r // > > rb4 [jl f8+ ] r \ibl3{20}0\ [l rb4x3 rb XS-1 > > \def\cu{\qu}\stemlength5\ fu > ] > > r4 / > > r8+6 r+6 r+6 r+6 r8+0 r+0 r r // > > [l b8- a ]j rb r-4 [jl b4x3nf a \triodsl4\ b- ] r4 / > > ==================== > > > > ------------------------------- > > TeX-music@tug.org mailing list > > If you want to unsubscribe or look at the archives, go to > > http://tug.org/mailman/listinfo/tex-music > > ------------------------------- > TeX-music@tug.org mailing list > If you want to unsubscribe or look at the archives, go to > http://tug.org/mailman/listinfo/tex-music ------------------------------- TeX-music@tug.org mailing list If you want to unsubscribe or look at the archives, go to http://tug.org/mailman/listinfo/tex-music
