Here comes that sinking feeling

By Mark Jenkins

Friday, February 4, 2011
Remember the climax of "Titanic,'' which seemed to consist mostly of Kate and 
Leo scurrying around below deck, discovering that every path was blocked by 
cascading water?
Well, "Sanctum" is nothing like that, because a) there are five people 
scurrying around, and b) they're in submerged caverns, not submerged corridors. 
Plus, it's in 3-D.
Executive producer James Cameron might not have had much to do with "Sanctum," 
which is a relatively low-budget production. But the movie, directed by Alister 
Grierson, does use Cameron's 3-D cinematography techniques (which worked a lot 
better in "Avatar") and reflects his preference for spectacle over 
screenwriting.
Set in Papua New Guinea (but filmed in Australia with a largely Australian 
cast), "Sanctum" sends about a dozen divers on an expedition into sprawling, 
partially flooded catacombs. The ones who count are crusty master spelunker 
Frank (Richard Roxburgh); his resentful teenage son, Josh (Rhys Wakefield); 
cocky American Carl (Ioan Gruffudd), who's financing the dive; Carl's athletic 
girlfriend, Victoria (Alice Parkinson); and George (Dan Wyllie), a veteran 
caver who's savvy but burned out.
The sequences introducing these explorers are ineptly written; the dialogue 
mixes cliches with phony tough-guy banter and TV-sports mottos. (One supporting 
player rarely says anything but "let's do it.") The movie is most convincing 
when the characters have air tubes in their mouths, and it's always cause for 
alarm when the adventurers stop swimming to talk out some conflict.
A typhoon is moving in, which is good reason to exit a subterranean cave 
system. But Frank is in no hurry, and the colleagues he sends toward the portal 
find it inundated by heavy rain. The survivors head back to their leader, who 
vows to lead them to the surface by another, uncharted course. Not all of them 
will make it, of course.
The subsequent action scenes are well staged, with moments that are certain to 
jangle anyone with even mild claustrophobia, acrophobia or aquaphobia. The 
underground mishaps soon make their point, however, and only the most dedicated 
X-treme sports fans will thrill to every stumble, slip and fall. The sensation 
of being trapped shifts from the vicarious to the actual.
"Sanctum" opens with the claim that it's inspired by a true story; that 
real-life incident actually involved co-writer Andrew Wight. But Wight's 
adventure was a lot less grisly than the one he and John Garvin have devised. 
This is a movie that features not one, but two graphic mercy killings. Forget 
"127 Hours": "Sanctum" makes sawing off your own arm look like a minor penalty 
for the crime of spelunking while clueless.
Contains strong language, violence and disturbing images.                       
                  

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