You lead a very interesting life, and I would like to see that script
sometime, see how it compares with the new movie.

On Fri, Jul 11, 2008 at 3:41 PM,  <[email protected]> wrote:
> Charles,
>
> Why thanks.  True story.
>
> Bill
>
> ---- Charles Goldsmith <[email protected]> wrote:
>> Bill, you amaze me with your stories.  That is a great one!
>>
>> On Thu, Jul 10, 2008 at 8:39 PM,  <[email protected]> wrote:
>> > Here's a story for you all.
>> >
>> > A few days after Christmas 1993 I got a phone call from a man who said he 
>> > was a producer with Disney films. I thought some caving friend of mine was 
>> > putting me on, like I've done a time or two (like the time Rick Bridges 
>> > was on TV talking about Lechuguilla, so I called him and in my best fake 
>> > French accent told him it was Jacques Costeau, and "we should do zee 
>> > projects togezer.") Anyhow, this guy said that Disney had a script and an 
>> > approved budget and they were going to make another Journey to the Center 
>> > of the Earth. Their premise was that the Jules Verne story had happened, 
>> > and now modern cavers were going to go back. It was to be a new story, not 
>> > the same one. They invited me to come to LA and bring a duffel of caving 
>> > gear, slides, and ideas of what sorts of gadgets cavers in the future 
>> > might use. So I took them up on it and went to LA a couple of weeks later.
>> >
>> > The morning I was to meet at the Disney studios was the morning of the 
>> > Northridge Earthquake. It happened in the wee hours of the morning. I was 
>> > staying in well known cavers Matt Oliphant and Nancy Pistole's guest house 
>> > behind Matt's parent's house on the north end of the LA basin. I didn't 
>> > know what to do about the scheduled meeting at the Disney studios. The 
>> > phones were out. So I picked my way around closed roads and made it to the 
>> > studio in Burbank, which was closed. Eventually I managed to get through 
>> > to an associate producer and we planned to meet at the director's home in 
>> > Burbank later the next day.
>> >
>> > The director's (Charlie Haid) chimney on the side of his house was laying 
>> > flat in his yard. For several hours I met with him, two producers, a set 
>> > designer from England (who had designed the sets for the movie Willow), 
>> > and a couple of other people. I showed them gear, slides of Huautla, 
>> > Cheve, Golondrinas, Honey Creek, etc., and entertained them with caving 
>> > stories. They got me to speculate about what cavers of the future might 
>> > have, like lightweight lights with very bright beams (this was pre-LEDs), 
>> > radio headsets in helmets like in Sylvester Stallone's movie Cliffhanger, 
>> > and so on.
>> >
>> > The movie was a go and they started planning locations. They were in 
>> > constant touch with me and offered to hire me away from my job for one 
>> > year. I named a price, which I thought they would think would was too high 
>> > ($250K) and they agreed to it. They let me read their script and I told 
>> > them there were lots of things that cavers would scoff at. They let me 
>> > re-write it to the point that I thought cavers would like it.  I still 
>> > have a copy of that script.  I've thought about donating it for the TCMA 
>> > auction.
>> >
>> > Then the whole project fell through when Disney president Frank Wells, who 
>> > had climbed the Seven Summits, and was somewhat the outdoorsman, who 
>> > planned on making a series of outdoor adventure films and had already made 
>> > Iron Will, which Haid directed, was killed in a helicopter crash while 
>> > remote skiing. The Journey project was immediately shelved. About a month 
>> > later the producer called me and said he was going on to other projects 
>> > and he didn't know what would happen to the movie. He said, and I quote, 
>> > "My guess is that they'll change direction and start making goofy animated 
>> > films instead." Michael Eisner got Frank Wells job, and the rest is 
>> > history..
>> >
>> > Bill
>> >
>> > PS - I asked them if Kurt Russell could play me, and they said they 
>> > probably could do that.
>> >
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