This article was published in Hindustan Times on December 28, 1997

*What the Islamic Invaders Did to India*
*
**by **Rizwan Salim*





http://www.islam- watch.org/ Rizwan_Salim/ What-Islamic- Invaders-
Did-to-India. htm
12 Nov, 2007

On the anniversary of the Babri Masjid demolition (December 6, 1992), t is
important for Hindus (and Muslims) to understand the *importance of the
event in the context of Hindustan 's history, past and recent, present and
the future.*

Savages (the Islamic terrorists) at a very low level of civilisation and no
culture worth the name, from Arabia and west Asia, began entering India from
the early century onwards. Islamic invaders demolished countless Hindu
temples, shattered uncountable sculpture and idols, plundered
innumerablepalaces and forts of Hindu kings, killed vast numbers of Hindu
men and carried off Hindu women. This story, the educated-and a lot of even
the illiterate Indians-know very well. History books tell it in remarkable
detail. But many Indians do not seem to recognise that the alien
Muslim terrorist
marauders destroyed the historical evolution of the earth's most mentally
advanced civilisation, the most richly imaginative culture, and the most
vigorously creative society.

It is clear that India at the time when invaders turned towards it (8 to
11th century) was the earth's richest region for its wealth in precious and
semi-precious stones, gold and silver, religion and culture, and its fine
arts and letters. Tenth century Hindustan was also too far advanced than its
contemporaries in the East and the West for its achievements in the realms
of speculative philosophy and scientific theorising, mathematics and
knowledge of nature's workings. Hindus of the early medieval period were
unquestionably superior in more things than the Chinese, the Persians
(including the Sassanians), the Romans and the Byzantines of the immediate
proceeding centuries.
The followers of Siva and Vishnu on this subcontinent had created for
themselves a society more mentally evolved-joyous and prosperous too-than
had been realised by the Jews, Christians, and Muslim monotheists of the
time. Medieval India , until the Islamic invaders
destroyed it, was history's most richly imaginative culture and one of the
five most advanced civilisations of all times.

Look at the Hindu art that Muslim terrorist iconoclasts severely damaged or
destroyed. Ancient Hindu sculpture is vigorous and sensual in the highest
degree-more fascinating than human figural art created anywhere else on
earth. (Only statues created by classical Greek
artists are in the same class as Hindu temple sculpture). Ancient Hindu
temple architecture is the most awe-inspiring, ornate and spell-binding
architectural style found anywhere in the world. (The Gothic art of
cathedrals in France is the only other religious architecture that is
comparable with the intricate architecture of Hindu temples). No artist of
any historical civilisation have ever revealed the same genius as ancient
Hindustan 's artists and artisans.

Their minds filled with venom against the idol-worshippers of Hindustan ,
the invaders destroyed a large number of ancient Hindu temples. This is a
historical fact, mentioned by Muslim chroniclers and others of the time.. A
number of temples were merely damaged and
remained standing. But a large number-not hundreds but many thousands-of the
ancient temples were broken into shreds of cracked stone. In the ancient
cities of Varanasi and Mathura , Ujjain and Maheshwar, Jwalamukhi and
Dwarka, not one temple survives whole and intact from the ancient times.

The wrecking of Hindu temples went on from the early years of the 8th
century to well past 1700 AD a period of almost 1000 years. Every
Muslim terrorist
ruler in Delhi (or Governor of Provinces) spent most of his time warring
against Hindu kings in the north and the south, the east and the west, and
almost every Muslim Sultan and his army commanders indulged in largescale
destructions of Hindu temples and idols. They also slaughtered a lot of
Hindus.
It is easy to conclude that virtually every Hindu temple built in the
ancient times is a perfect work of art. The evidence of the ferocity with
which the Muslim invaders must have struck at the sculptures of gods and
goddesses, demons and apsaras, kings and queens, dancers and musicians is
frightful. At so many ancient temples of Rajasthan and Madhya Pradesh,
for example, shattered portions of stone images still lie scattered in the
temple courtyards. Considering the fury used on the idols and sculptures,
the stone-breaking axe must have been applied to thousands upon thousands of
images of hypnotic beauty.

Giving proof of the resentment that men belonging to an inferior
civilisation feel upon encountering a superior civilisation of individuals
with a more refined culture, Islamic invaders from Arabia and western Asia
broke and burned everything beautiful they came
across in Hindustan . So morally degenerate were the Muslim Sultans that,
rather than attract Hindu "infidels" to Islam through force of personal
example and exhortation, they just built a number of mosques at the sites of
torn down temples-and foolishly pretended they had triumphed over the minds
and culture of the Hindus.
 I have seen stones and columns of Hindu temples incorportated into the
architecture of several mosques, including the Jama Masjid and Ahmed Shah
Masjid in Ahmedabad; the mosque in the Uparkot fort of Junagadh ( Gujarat )
and in Vidisha (near Bhopal ); the Adhai Din Ka Jhonpra right next to the
famous dargah in Ajmer -and the currently controversial Bhojshala "mosque"
in Dhar (near Indore ). Hindu culture was at its imaginative best and
vigorously creative when the severely-allergic- to-images Muslims entered
Hindustan .  Islamic invaders did not just destroy countless temples and
constructions but also suppressed cultural and religious practices; damaged
the pristine vigour of Hindu religion, prevented the intensification of
Hindu culture, debilitating it permanently, stopped the development of Hindu
arts ended the creative impulse in all realms of thought and action, damaged
the people's cultural pride, disrupted the transmission of values and
wisdom,
cultural practices and tradition from one generation to the next; destroyed
the proper historical evolution of Hindu kingdoms and society, affected
severely the acquisition of knowledge, research and reflection and violated
the moral basis of Hindu society. The Hindus suffered immense psychic
damage. The Muslims also plundered the wealth
of the Hindu kingdoms, impoverished the Hindu populace, and destroyed the
prosperity of Hindustan .

Gaze in wonder at the Kailas Mandir in the Ellora caves and remember that it
is carved out of a solid stone hill, an effort that (inscriptions say) took
nearly 200 years. This is art as devotion. The temple built by the
Rashtrakuta kings (who also built the colossal sculpture in the Elenhanta
caves off Mumbai harbour) gives proof of the ancient Hindus' religious
fervor.

But the Kailas temple also indicated a will power, a creative imagination,
and an intellect eager to take on the greatest of artistic challenges..

The descendants of those who built the magnificent temples of Bhojpur and
Thanjavur, Konark and Kailas , invented mathematics and brain surgery,
created mindbody disciplines (yoga) of astonishing power, and built mighty
empires would almost certainly have attained technological superiority over
Europe .

It is not just for "political reasons" that Hindus want to build grand
temples at the sites of the (wrecked) Babri Masjid in Ayodhya, the  Gyanvapi
mosque in Varanasi , and the Mathura idgah. The efforts of
religion-intoxicate d and politically active Hindus to rebuild the Ram
Mandir, the Kashi Vishwanath Mandir, and the Krishna Mandir are just three
episodes m a one-thousand year long Hindu struggle to reclaim their culture
and religion from alien invaders.

The demolition of the Babri Masjid in Ayodhya on 6 December 1992 was just
one episode in the millennial struggle of the Hindus to repossess their
religion-centered culture and nation. Meanwhile, hundreds of ancient Hindu
temples forsaken all over Hindustan await the reawakening of Hindu cultural
pride to be repaired or rebuilt and restored to their original, ancient
glory.

This article was published in Hindustan Times on December 28, 1997
------------ --------- --------- --------- --------- --------- -
*Rizwan Salim** is a reviewer of New York Tribune, Capitol Hill reporter,
assistant editor of American Sentinel.*

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