A very good parable!

Sent from my iPhone

> On 31-Jan-2021, at 11:49 AM, Rajaram Krishnamurthy <[email protected]> 
> wrote:
> 
> 
> Kalidasan
> 
> Mr Srinivasan Saraswathi dialogue in Sanskrit is with me in my book shelf and 
> when I lay hand shall release it; in the meantime, Kalidasan whom I like more 
> than the Milton (simile) and Shakespeare (dramatic) charm with the Bhojan can 
> be seen . These verses are translated in Tamil too.
> 
> It was a common saying that in Raja Bhoja’s kingdom, Dhara everyone was a 
> poet. An ambassador from a far-off country was highly skeptical of this, and 
> decided to verify it for himself. So off he went into the kingdom far away 
> from the king’s palace. After a long search, he found a poor weaver hard at 
> work. At last, the ambassador thought that he had finally found someone who 
> would certainly not be able to do justice to the tag of a poet. So, taking 
> the weaver with him, he arrived at the palace of Bhoja.
> 
> Here are the lines sung by the weaver at the palace:
> 
> काव्यं करोमि नहि चारुतरं करोमि यत्नात् करोमि यदि चारुतरं करोमि ।
> भूपालमौलिमणिमन्डितपादपीठ हे भोजरोज कवयामि वयामि यामि ।।
> 
> Translation: I compose poetry but not very well. If I make an effort, I would 
> be able to do well. Oh One whose footrest is encrusted with jewels from the 
> crowns of kings, Oh Raja Bhoja, I compose poetry, I weave, (and now) I leave.
> 
> In the palace of Bhoja was that jewel among poets, Kalidasa. One day Bhoja 
> decided to play a nice trick on our unsuspecting friend. Bhoja took a 
> courtier with him to Kalidasa’s home. When Kalidasa opened the door, Bhoja 
> hid himself behind it. The courtier entered Kalidasa’s home and broke the 
> news that their beloved Raja Bhoja had passed away. Kalidasa was overwhelmed 
> with emotion, and composed the following verses impromptu:
> 
> अद्य धारा निराधारा निरालम्बा सरस्वती।
> पंडिताः खंडिताः सर्वे भोजराजे दिवंगते।।
> 
> That is,
> 
> “Today Dhara is without support. The Goddess of Learning, Saraswati is also 
> without support. All scholars are overwhelmed with grief at the departure of 
> Raja Bhoja to heaven.”
> 
> On hearing these beautifully composed lines and overcome with emotion at the 
> grief felt by his faithful poet at his passing away, Bhoja revealed himself 
> from behind the door. Color returned to Kalidasa’s face on seeing his beloved 
> master. Bhoja asked Kalidasa to repeat the lines he had composed just a few 
> moments back.Kalidasa, the most versatile among those who can be called 
> versatile, replied thus:
> 
> अद्य धारा सदाधारा सदालम्बा सरस्वती।
> पंडिताः मंडिताः सर्वे भोजराजे भुवंगते।।
> 
> which means,
> 
> “Today Dhara is ever supported, and so is Goddess Saraswati. All scholars are 
> adorned now that Raja Bhoja has descended on earth.”
> 
> स्मयमानमायताक्ष्याः किञ्चिदभिव्यक्तदशनशोभि मुखम् ।
> असमग्रलक्ष्यकेसरमुच्छ्वसदिव पङ्कजं दृष्टम् ॥(माल. २.१०)
> smayamānamāyatākṣyāḥ kiñcidabhivyaktadaśanaśobhi mukham ।
> asamagralakṣyakesaramucchvasadiva paṅkajaṃ dṛṣṭam ॥ (māla. 2.10)
> The face of the girl with big, beautiful eyes, and whose teeth are slightly 
> seen because her smile is looking like a lotus flower, which has just started 
> blossoming, and whose fibers are partially visible.
> 
> कस्यात्यन्तं सुखमुपनतं दुःखमेकान्ततो वा
> नीचैर्गच्छत्युपरिच दशा चक्रनेमिक्रमेण।
> kasyātyantaṃ sukhamupanataṃ duḥkhamekāntato vā
> nīcairgacchatyuparica daśā cakranemikrameṇa।
> No one gets always sorrow or always happiness.
> States (of happiness and sorrow) keep turning around just as the spokes of a 
> wheel keep going up and down.
> 
> Kalidasa's Kumarasambhava, which describes the advent of the vernal season 
> providing an effective excitant for Siva's love for Parvati: …
> 
> “The Palasa flowers, not fully opened and hence curved like the crescent moon 
> and exceedingly red, looked like the fresh nail-imprints of the Spring 
> (Vasanta, in masculine gender) as it were on the limbs of the Sylvan Lands 
> (Vanasthali, in feminine gender) during their first intimate union.”  The 
> expressions, balendu-vakrani, atilohitani and sad yo vasantena samagatani, 
> have, in a delicate manner, been used just to present a simple description of 
> natural state of things; still the delightful figure of speech (i.e. simile) 
> involved in the words, nakhaksataniva, gets naturally related to them without 
> the slightest strain on the reader's mind, and creates genuine aesthetic 
> delight. Again, the sukumara marga consists in giving prominence to the 
> intrinsic or natural form of an object in preference to the external and 
> artificial touch given to it by learning or technical skill (vyutpatti).  KR 
> IRS  31121
> 
> 
> On Sun, 31 Jan 2021 at 01:32, 'venkat giri' via iyer123 
> <[email protected]> wrote:
>> 
>> Respected Sir,
>>                          Kalidasa ( कालिदास:  4th–5th century CE)
>>  was a Classical Sanskrit author who is often considered ancient India's 
>> greatest playwright and dramatist. His plays and poetry are primarily based 
>> on the Vedas, the Ramayana, the Mahabharata and the Puranas. His surviving 
>> works consist of three plays, two epic poems and two shorter poems.
>>    Kālidāsa is the author of two mahakavyas, Kumārasambhava and Raghuvaṃśa .
>> Kālidāsa also wrote two khandakavyas (minor poems):
>> Ṛitusaṃhāra , Meghadūta.
>> Kālidāsa wrote three plays.
>>  Abhijñānaśākuntalam, Mālavikāgnimitram, Vikramōrvaśīyam 
>> 
>>        Once upon a time, a proud princess rejected many souls of men due to 
>> her beauty and knowledge. Indeed, the local pundits who could not defeat her 
>> of knowledge, planned to marry her with a fool. Revenge was the cause, may 
>> be defeat too. United they were in search of a foolish man. One day they 
>> came across a man who was cutting a branch of a tree sitting on the same 
>> branch. He was innocent, they thought him fool.
>>        They decided and choose him as a foolish man to be married with the 
>> proud princess and accordingly presented kalidas as a man of wisdom. They 
>> were married and later on princess realized that she has been duped. She 
>> drove away KALIDAS out of her palace. Innocent, poor KALIDAS  could not 
>> realize any thing but felt insulted.       
>>                   Goddess Saraswati appeared before him and wanted to know 
>> the reason behind of his act to kill him. Goddess came to know every thing, 
>> she requested him to take a bath in the river. KALIDAS was amazed to his 
>> surprise; he was uttering the difficult verses of literal value. Goddess 
>> Sarasvati's blessing made all these possible.
>>                         Thus proudness, negative thoughts and revenge 
>> transformed an innocent man to a man of wisdom, a great poet of his time. 
>> Ultimately a blessing in disguise which he never knew of.
>>  In RAGHUVAMSA KALIDAS says
>> 
>> 
>>       The sky is full of stars and planets, but yet one moon gives more 
>> light than others in the night.
>>           Likewise there are one thousand kings, but yet they say that this 
>> king of Magadha (Bimbisara) is the best
>> 
>> (Raghuvamsa 6-22).
>> 
>> उपमा कालिदासस्य भारवेरर्थगौरवम् ।
>> दण्डिनः पदलालित्यं माघे सन्ति त्रयो गुणाः ॥
>> 
>> upamā kālidāsasya bhāraverarthagauravam |
>> daṇḍinaḥ padalālityaṃ māghe santi trayo guṇāḥ || 
>> 
>> “Simile is Kalidas’ forte, Bharavi – density of meaning;
>> Dandi – simplicity and Magha possesses all three qualitites!”
>> 
>> 
>> Regards
>> V.Sridharan
>> Trichy
>> 
>> 
>> On Saturday, 30 January, 2021, 10:04:44 pm IST, cnu pne 
>> <[email protected]> wrote:
>> 
>> 
>> 
>> 
>> 
>> Sent from ex excdc WHO ARE YOU?
>> 
>> 
>> 
>> During one of his travels, Kalidasa felt very thirsty and looked around for 
>> water. He saw a woman drawing water from a well. He went up to her and asked 
>> her for water. She agreed to give him water, but asked him, “Who are you? 
>> Introduce yourself.”
>> 
>> Now Kalidasa thought that an ordinary village woman was not worthy of 
>> knowing who Kalidasa was. So he said, “I am a traveller.” But his lady 
>> replied, “In this world there are only 2 travellers – the Sun and the Moon. 
>> Both Rise and Set every day and keep travelling perpetually.”
>> O
>> Then Kalidasa said, “Alright then, I am a guest.” The lady promptly replied, 
>> “In this world there are only 2 guests – Youth and Wealth … both are 
>> temporary and hence can only be called as guests.”
>> 
>> Intrigued Kalidasa said, “I am a Tolerant person (sahansheel vyakti).” Now 
>> the lady replied, “In this world only 2 truly know the meaning of Tolerance 
>> – Bhoomi (Earth) and Tree. How much ever you stamp the earth or throw stones 
>> at the tree (for the fruits), both continue to nurture us.”
>> 
>> Now Kalidasa was completely perplexed. He said, “Fine. I am a stubborn 
>> person (hatavaadi).” The lady smiled and said, “There are only 2 truly 
>> stubborn personalities – our nails and our hair. We keep cutting them 
>> non-stop, but they continue to grow.”
>> 
>> Kalidasa had been patient so far, but now in anger he said, “I am a fool”. 
>> Now the lady gave a wide smile and said, “There are only 2 kinds of fools in 
>> this world – a King who rules without having any capability or knowledge & a 
>> Minister who is a sycophant to such a King and lavishes praises on such a 
>> useless king.”
>> 
>> Kalidasa realised that he had been outsmarted. He fell at the feet of the 
>> lady and when he touched her feet and then got up, whom did he see? Mata 
>> Saraswati – the Goddess of Learning and Wisdom. She said, “Kalidasa, you are 
>> wise. But only if you know yourself do you become a Manushya (human being). 
>> A person without any awareness of self has not reached the pinnacle of being 
>> a Human.
>> 
>> The Guru who recounted this story in His Pravachan said, “Children should 
>> become a Manushya & know themselves. More than teaching them how to earn 
>> more money and become rich, parents should teach them to become aware of 
>> themselves and become better Human beings.” 😊🙏
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