Pranam
Before the paths of the Vedas, Brahmam path is the origin for the
manifestations of the spread all over space and time, sprawling 25% on
known paths and 75% on unknown to minds, but can be known by the mind's
eye, rather than the third eye. No one even thinks how the village was
determined with the entry from the 4th circle into the 3rd one ,entering
into the 2nd one reaching the epi-center the head; all villages looked only
like the modern USAA counties; where the traffic is far avail the travel is
far away; one has to converge for human life and diverge out for the
travel. One lived not only in peace but refrained away from the
pollution too as the winds of mixed air, stayed far away from the living
center of a village. Head was a brahmin who drove out the pollution and
maintained cleanliness through the ygnam. The kshatriyan raised the agni
and yagnam for the arms and living from the outer circle and watched the
movements all over. The vysyas travelled a lot to sell and buy and retained
their residences outside as a shortcut to retain their travel and vehicles
away from causing the pollution. Shudras did their work, right across the
agricultural fields, walking over and guarding the products and access to
water on beck and call maintaining the village in the barter. The artistry
,creators and manufacturers used the forests and the earth as source as a
biodegradable process. Thus the brahminism as head and kshatriya as
shoulder , vysya as stomach and others as feet were conceived from the
format of a village and Temple. HARAM WAS THE WORD USED; PRAHARM, AGRA,
PARI, ANTHA SO MANY WHICH SURROUNDED THE NECK TO EARTH AND DEEDS. Kshatriya
place was known as Rajogruha; Vysya included the farmers, artistries, pot
makers and tool makers and were residing in VASTAVYATA; and the shudras
were in ANTARUSHYA. Then all were secured by forts. And thus trivarnas had
the brahma yagnam. Pottery maker was not a shudra but a vysya; brahmanikam
means etymology: Sanskrit Brahman (an *n*-stem, nominative *bráhmā*) from a
root *bṛh*- *"to swell, expand, grow, enlarge"* is a neutral noun to be
distinguished from the masculine *brahmán*—denoting a person associated
with Brahman, and from Brahmā. The later Vedic religion produced the
Upanisads, a series of profound philosophical reflections in which Brahman
is now considered to be the one Absolute Reality behind changing
appearances. It is the universal substrate from which material things
originate and to which they return after their dissolution.
In that arose the KULALA tribe. Kulala are the pottery makers and
there is a myth that they asked a boon to GOD that they shall produce and
destroy the same day as a profession and so the potters came to be. As they
also create srishti and destroy samhara as earth back through the art of
pottery, they had the poonal and had the right to scriptures within the
vedas as education-vid to know. In AP they are Kummara and Kummari speaking
telugu as Vysya (not shudra); in TN they are telugu chettiars; in Kerala
they are Salian, Uppan, Pancharan ending with the Nairs title; in Karnataka
they are the Kumbara @ Shetty. The pottery also maintained the atmosphere
clean but can we forego today's vessels to save the atmosphere?.
Regarding the term Caste-path, casting the profession may fit in if so
meant, but there was never any caste path in our dharma. Varna is color;
though English meaning is the differentiation or discriminations of colors,
the VARNA (वर्ण) refers to “colour”, as in, a visible trait or
characteristic of a human being. Varṇa (वर्ण, “color”).—There are original
(natural) colors, according to Nāṭyaśāstra chapter 23
<https://www.wisdomlib.org/hinduism/book/the-natyashastra/d/doc210153.html>
. The four colors are *sita* (white), *nīla* (blue), *pīta* (yellow),
*rakta* (red). Besides these, there are also many derivative and minor
colors (*upavarṇa*). 4) Varṇa (वर्ण) refers to the production of notes in a
particular way, according to the Nāṭyaśāstra chapter 29
<https://www.wisdomlib.org/hinduism/book/the-natyashastra/d/doc210189.html>.
The *varṇas* are used to make up the *alaṃkāras* (embellishments)
<https://www.wisdomlib.org/definition/alamkara#natyashastra> of a song. There
are four *varṇas* defined:*ārohin* (ascending), *avarohin*
(descending),
*sthāyin* (lit. ‘staying’; monotonic), *saṃcārin* (lit. ‘moving together’;
mixed). According to the Nāṭyaśāstra, “these four *varṇas* having clearly
defined aspects,* are taken (lit. born of) from the human *(lit. physical)
voice and they relate to the quality of the three voice registers (*sthāna*).
When a regular (lit. having a characteristic) song (*pada*) adds at least
two *varṇas* to it, then the *varṇas* give rise to sentiments (*rasa*)”. The
four kinds of pronunciation (*varṇa*) were divided into the high (*udātta*),
low (*anudātta*), melodic (*svarita*) and vibrant (*kampita*) ones. Varṇa
(वर्ण) refers to “occupational division, or caste, which is ascertained
according to one’s nature”.( Kula karma vibaga:) (*cf*. Glossary page from
Śrīmad-Bhagavad-Gītā
<https://www.wisdomlib.org/hinduism/book/shrimad-bhagavad-gita>). Arjuna
lamented that war will destroy the kulam meaning kulam nasti; not jati
nasti; human tribe is human kulam; women specie is women kulam; trade
groups are vysya kulam whether selling diamonds, or paddy or fish or
pottery; learning students are vidyarthi kulam; so B G had used both the
words Kulam and Jati very carefully and only hardcore jihadis would cry
from the roof top to die unsung. Hence Caste is an erroneous term in
English trickly introduced by the British to divide the people, which
continued to hold the traits in Dravida, communise and regional parties to
divide the people. In music or any other art we dont use trickly the word
Varna but only in indicating some thing to provoke we use the word caste;
and without that pariah (again coined by the British) and there is no word
in Sanskrit like that; there is a Chandala word denoting an outcast,
meaning one who committed the KRURA ACTS on the society, demanding the
keeping out of the rest, outside; Chanda means ANGER, ALA means away; even
that does not denote a caste; but ostracised by the judge. As a matter of
fact only a Chandala taught the lesson to Adi Shankara. Thus caste word is
also erroneous to have been used here in the beginning. KR IRS 26222
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