Vide the word doc attachment sent by a friend and there is a question
whether we need such talent in carnatic music.
KR Talents always appear as a cranky and the real crankys who thinks,
they are not within the straight jacket, names the real a s cranky and
write 3 pages. Generally what is our nature when we become adult after the
marriage?.
We change in tune with the sagadharmini version 2.0 in majority and
set aside the parents whom we worshipped so long as a bachelor. Is that
wisdom filled?. Or is she so full of wisdom?. Neither. We change to portray
that we care for the woman entered in our life and both assume that we have
become the LEARNT. And we start advising others; listen to only jarring
local language songs to project and dance.
In the office, we abuse our bosses whatever talents he might possess,
-ignoring all in toto; and impress with our modulations :ivanukellam.....We
do it because we want to become BIGG BOSS in a small way. We never
thought we were /are cranky.
Have you seen the full bucket or Kudam, walks in silence?. And the
above majority would call him with so many titles ,unsuited to him; and
that guy in silence is cranky. Talent is silent; talents feel why the
general always attributes the mannerism of a person, INSTEAD OF
FULFILLING THE PURPOSE FOR WHICH THEY CAME?. I am not attributing anything
but I wrote a long time back, that Vigneswara as the opening was never
there in existence till 3000 BCE and nobody knows ,since when and who
introduced that?. Take Ramayanam; It never starts with suklam baradharam;
Take Mahabharatham, it does not; take Rig vedam opening-it starts only with
AGNI and "A" and not suklam baradharam. Tirukkural 2000 year old does not
start with suklam but agara and "A" only. Suklam bharatharam is found in
the middle of the vedas as Gananam.......which means GANAS and in no way is
attributed to Vigneswara. So all the LEARNT DECIDED ONLY THAT WAY; BUT THE
CRANCKYS DECIDED TO ALTER IN THE RITUALS WHICH BECAME A FASHION. SO
CARNATIC KUTCHERI SHOULD START ONLY WITH GANAPATI AND END WITH MANGALAM?.
CARNATIC IS A SHOW OF RAGAS. Once there were no percussions; later added
strings like different kinds of Veenas; morsing was not there; dancers
participated with the vocal; so as and when certain advances were sited,
some started the novelty as today youngsters play the carnatic on drums.
Sabha secretaries arte only the trusteed of administration and not the
regulators of the talents. People are less knowledgeable , including the
critics, and they are there to listen to the talents; not to check whether
the flute Mali who walks off is a cranky to attribute. Old musicians, whom
even todays' 80s might not have seen (as told by my elders) used to raise
themselves where they were seated; used to pull water from the well; used
to make ashta vakram of their faces; used to bow and vow; yet all of them
were addressed as talents. But when a talent starts with the MADHYAMAVATHI,
SOURASHTRAM SRUTHI WHICH IS ALSO ADORN THE MANGALAM VERSES, what is the
taboo? Why Ganapatim? Who set it so?. How the music started and was sung in
Raja Raja cozha kingdom?; does anyone know?; What was first sung by
Thiagaraja?; has anyone seen it?; Muthusami dikshitar 1st krithi was not
Maha Ganapatim but Guru Guha subramanyam, Maya Malava Gowla Raagam.
Rajaratnam used to stop playing the nadaswaram ( there is a
controversy Nagaswaram or Nadaswaram) in the middle of the street if there
were religious fervour sounds more. Kalidasan lived with a prostitute alll
the nights , just to listen his own verses ssung si sweetly by her. What is
there if she is kept behind or on the left side?. TALENT IS SEEN ONLY BY
THE TALENT. KATRARAI KATRARE KAAMURUVAR. Others need not waste 3 pages. Are
you going to make him your son in law?; even if your daughter loves him,
you cannot do better. KR IRS 51222
On Mon, 5 Dec 2022 at 08:22, Rangarajan T.N.C. <[email protected]>
wrote:
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