KR:  contrasted article and youtube I & II

I       AI Is a Waste of Time

The newest AI tools are accelerating basic research and scaring the general
public. But many people are simply using them as toys.

By Derek Thompson <https://www.theatlantic.com/author/derek-thompson/> The
Atlantic APRIL 28, 2023, 7 AM ET

Last week, a tiktok user named Ghost-writer used AI voice-emulating
technology to make a song that sounded like a collaboration between the
artists Drake and The Weekend. The result was surprisingly non-awful. The
track blew up on social media, generating hundreds of thousands of listens,
before several platforms took it down at the request of the Universal Music
Group.

Naturally, the AI song triggered a spasm of panicked hermeneutics: What did
this strange achievement in synthetic art *mean?*

Some observers took
<https://www.semafor.com/article/04/18/2023/is-ai-generated-music-legal> things
in a dystopian direction. It didn’t take much to imagine a near future
where fake songs and real songs intermingled, where, for every authentic
Taylor Swift track, the internet was replete with hundreds, thousands, even
millions of plausible Taylor Swift knockoffs. Inundated by AI, pop culture
would descend into a disinformation hellscape.

Alternatively, one could lean into optimism. Ghost-writer (probably) isn’t
one of the great musical geniuses of the world, yet here he had produced
something catchy. If anonymous internet users can make bangers in their
basement using AI, what does that mean for actual hitmakers? Researchers
studying the introduction of AI in the game Go have found
<https://www.pnas.org/doi/abs/10.1073/pnas.2214840120> that the rise of
superhuman machines has “improved human decision-making” as the top players
have learned to incorporate the novel strategies of AI to become more
creative players. Similarly, one could imagine the best songwriters in the
world honing their skills with a superhuman co-writer.

But lately I’ve become a little bored by the utopia-dystopia dichotomy of
the AI debate. What if writing a song and dubbing in celebrity voices
doesn’t clearly point us toward a disinformation hellscape or a heaven of
music-writing creativity? What if the ability to send media that make you
sound like a celebrity to your friends is, fundamentally, just kind of
neat? As the tech writer Ben Thompson has pointed out
<https://stratechery.com/2023/ai-nil-and-zero-trust-authenticity/?access_token=eyJhbGciOiJSUzI1NiIsImtpZCI6InN0cmF0ZWNoZXJ5LnBhc3Nwb3J0Lm9ubGluZSIsInR5cCI6IkpXVCJ9.eyJhdWQiOiJzdHJhdGVjaGVyeS5wYXNzcG9ydC5vbmxpbmUiLCJlbnQiOnsidXJpIjpbImh0dHBzOi8vc3RyYXRlY2hlcnkuY29tLzIwMjMvYWktbmlsLWFuZC16ZXJvLXRydXN0LWF1dGhlbnRpY2l0eS8iXX0sImV4cCI6MTY4NDMzOTM2MSwiaWF0IjoxNjgxNzQ3MzYxLCJpc3MiOiJodHRwczovL3N0cmF0ZWNoZXJ5LnBhc3Nwb3J0Lm9ubGluZS9vYXV0aCIsInNjb3BlIjoiZmVlZDpyZWFkIGFydGljbGU6cmVhZCBhc3NldDpyZWFkIGNhdGVnb3J5OnJlYWQiLCJzdWIiOiI1ZFVjQ2NLV0FXcktzd0FOUVZ1NkUxIiwidXNlIjoiYWNjZXNzIn0.JLiuVVAq7eSDLCyxwjt0mAReQAV3rfvZSMq9KWVfkyGlR5QIPDjgCP02t2sRj9jLtoegqX5Nyct8xzDwj_tLrKeb-tjIkbngIJov7nF8KgMZ6EzgbMfyZhzyAV--lwUwp4gMomEAZNMLeSGThVs85pu-EtaYwI3eGPNFJA7didjm0C4oVKpfMiclx-apGFtijZxTfQST9MYPbMibaeSwSYY8AuVtLa0rR5RGInqkSgGwzFuwuvTS8HZTK1306__WHHvFE2WI1GRQ_98Beh0CV9TMzP86lgLVxFtSkMn8GqF8giVpsuS2eLyWR9wdXHKCjG6Doh6m21Amn7ilGxSUbw>,
artists like Grimes
<https://www.npr.org/2023/04/24/1171738670/grimes-ai-songs-voice> and Drake
could stand to make a lot of money if they sold licenses of their AI-generated
voices and let their fans share little songs with one another, provided
that any money made from the music would be split between the original
artist and the user. Sure, you might get some surprise bangers. But mostly,
you’d get a lot of teenagers recording high-school gossip in the style and
voice of Drake. That’s not dystopian or utopian. That’s just the latest
funny way to waste time.

Xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

II        https://youtu.be/bgimBXYfaqA    A robot from Hanson touring the
world and giving interview to newspaper Dina-thanthi

KR  IRS     28423

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