*KR:  The write up of Mr sekar and Sri YM are the latest film The kerala
story movie, whose review and the words used against the screening and
remark of a single star, may show WHO IS WHO?*

*The Kerala Story** Review: Distorted*

By DEEPA GAHLOT <https://www.rediff.com/author/DEEPA%20GAHLOT>

May 05, 2023 12:59 IST

Top of Form

*Any aware viewer, who might wander into the film, will be repulsed by this
unabashed spewing of communal hatred, feels Deepa Gahlot.*

The idea of censorship is abhorrent in any civilised society but in times
of easily fanned communal violence, a film like *The Kerala Story* just
begs to be banned, or at least suitably criticised for its crude propaganda.

Director-writer Sudipto Sen made a documentary, *In The Name Of Love*,
which claimed that thousands of Hindu and Christian women in Kerala and
Mangalore are being brainwashed, converted to Islam to be sent to ISIS
camps in Afghanistan and Syria, as sex slaves or suicide bombers.

There may have been a few cases and this could have been a cautionary tale
but Sen demonises a whole community.

The religious leaders are evil, the men are hunters and the women are
recruiters for the so-called Islamic cause.

The story is narrated by Shalini (Adah Sharma: sincere) to interrogators at
the Iran-Afghan border post, where she has been found and arrested.

Through flashbacks, it is revealed that she enrolled in a nursing college
in another town, where she shared a room with Geetanjali (Siddhi Idnani), a
Christian girl (Yogita Bihani) and a Muslim, Asifa (Sonia Idnani).

Since Asifa is a local, she is extra warm and hospitable towards the
homesick roommates.

She invites them home and introduces them to her 'cousins'.

After an obviously staged molestation incident in a mall, the two Hindu
women (Shalini and Geetanjali) are easily persuaded to wear a *hijaab*.
Then she starts criticising their religion, insisting that only Islam can
protect them and save them from hellfire.

The women are not young enough to be so gullible but they listen to Asifa,
wide-eyed, and believe everything she says.

To make the indoctrination simpler, they are also drugged.

The trap closes fully when they are wooed by two Muslim men, who have been
assigned to bed and impregnate them.

Shalini, renamed Fatima after conversion, finds herself pregnant, is
abandoned by her boyfriend and made to marry the sadistic Ishak (Vijay
Krishna).

Trapped and isolated -- women are not allowed phones in a village in
Afghanistan -- Shalini witnesses the horrors of fundamentalism, where women
are mutilated and men beheaded for not obeying Taliban rules. Her infant
daughter is taken away and she is forced into sexual slavery.

The other two girls suffer a worse fate.

The disputed statistics of this mass conversion and exodus of women are
bandied about; Sen and his writers (Suryapal Singh and ‘creative director’
Vipul Amrutlal Shah) have a one-point agenda: Paint the Muslim community as
regressive and barbaric.

By exaggerating everything, tamping down any debate that could have arisen
and shooting rapes in disturbing detail, the film ends up doing the
opposite of what it intended. Any aware viewer, who might wander into the
film, will be repulsed by this unabashed spewing of communal hatred.

A filmmaker has the right to pick the story they want to tell but not to
twist and distort the way Sen has done in *The Kerala Story*.

Hopefully, films like this and *The Kashmir Files* will remain exceptions.

*The Kerala Story** Review Rediff Rating:  single star*

*KR IRS 6523*

On Fri, 5 May 2023 at 09:50, 'N Sekar' via iyer123 <[email protected]>
wrote:

> https://www.opindia.com/2023/05/the-kerala-story-islam-isis-radicalisation-terrorism-brainwashing-women/
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