There is a story of Crow and sparrow and Garudan @ Eagle.
The Crow and the Sparrow: A Tale of Diverse Spirits
In the realm of avian folklore, two iconic birds, the crow and the sparrow,
hold distinct places in tales, symbolizing contrasting traits and
teachings. Both revered in their own right, these creatures embody diverse
virtues and offer profound lessons that resonate beyond their physical
forms.
The crow, with its glossy plumage and sharp wit, has been a symbol of
intelligence and adaptability across cultures. Its distinct cawing often
echoes in narratives as a harbinger of change or a messenger between worlds.
*This bird, often associated with mystery and cunning, inspires tales of
survival and resourcefulness.* In fables, the crow is depicted as a clever
strategist, utilizing its keen intellect to overcome obstacles. Its ability
to navigate complex situations and find solutions symbolizes the importance
of wisdom and cunning in the face of adversity.
On the other wing, we have the humble sparrow, a small yet resilient bird
celebrated for its simplicity and community spirit. Sparrows are often
portrayed as social creatures, gathering in flocks and building nests in
unity. Their persistent chirping in the backdrop of everyday life signifies
joy, companionship, and the beauty found in the ordinary. In folklore, the
sparrow teaches the value of togetherness, reminding us of the strength
that comes from unity and the significance of finding happiness in the
little things.
While their traits may seem disparate, the stories featuring the crow and
the sparrow often intertwine, offering complementary lessons. One such tale
recounts the narrative of a cunning crow befriending a group of sparrows.
The crow, with its strategic prowess, helps the sparrows protect their
nests from predators, while the sparrows, in turn, teach the crow the
importance of community and sharing. This narrative beautifully
encapsulates the symbiotic relationship between intelligence and
simplicity, showing how diverse virtues can complement each other.
*Beyond their individual characteristics, the crow and the sparrow stand as
metaphors for the human experience*. The crow’s intellect urges us to seek
knowledge and wisdom in the face of challenges, while the sparrow’s
camaraderie reminds us of the importance of compassion, unity, and finding
joy in simplicity.
In conclusion, the crow and the sparrow, though distinct in their traits,
converge in their ability to offer timeless wisdom and lessons that
resonate deeply with human existence. Their tales serve as reminders of the
diverse virtues that enrich our lives, urging us to embrace both the
complexity of intellect and the simplicity of compassion in our journey
through the tapestry of life.
A Comparative Analysis of the Crow and Sparrow: Feathered Friends in Urban
Landscapes
Introduction:
Birds have always captivated the human imagination, and among the diverse
avian species, crows and sparrows hold a special place. These feathered
creatures are found in various ecosystems, but they particularly thrive in
urban landscapes, showcasing their adaptability to human-altered
environments. This essay explores the characteristics, behaviors, and
significance of crows and sparrows, shedding light on their coexistence
with humans.
Body:
Crow: The Intelligent Sentinel
Crows, members of the Corvidae family, are renowned for their high
intelligence and problem-solving abilities. Their jet-black plumage and
distinctive cawing make them easily recognizable. Crows exhibit social
behavior, often forming tight-knit family groups. They are scavengers,
feeding on a varied diet that includes insects, small animals, and even
human food scraps.
In urban settings, crows are observed displaying remarkable adaptability.
They have been known to use tools, recognize human faces, and solve complex
puzzles. Their scavenging habits, while sometimes deemed a nuisance,
contribute to urban waste management by cleaning up discarded food.
Sparrow: The Tiny Songster
Sparrows belong to the Passeridae family and are characterized by their
small size, brown or gray plumage, and distinctive chirping. Unlike crows,
sparrows are granivores, primarily feeding on seeds and insects. Their
association with human dwellings dates back centuries, as sparrows often
build nests in the nooks and crannies of buildings.
Sparrows are known for their close association with human habitation, and
their melodious chirps add a pleasant soundtrack to urban life. However,
the decline in sparrow populations in some areas has raised concerns,
prompting conservation efforts to protect these charming birds.
Coexistence and Adaptability: Urban Ecosystem Dynamics
Both crows and sparrows have demonstrated an impressive ability to adapt to
urban environments. As cities expand and green spaces diminish, these birds
have found innovative ways to thrive amidst human activity. Crows, with
their intelligence, navigate the urban landscape efficiently, while
sparrows find refuge in the crevices of buildings and utilize human-made
structures for nesting.
The coexistence of crows and sparrows in urban areas highlights the
intricate relationship between humans and wildlife. While some view them as
pests, these birds play essential roles in controlling insect populations,
contributing to the ecological balance within cities.
Symbolism and Cultural Significance:
Crows and sparrows have different cultural connotations. Crows are often
associated with mystery, intelligence, and even omens in various cultures.
In contrast, sparrows symbolize simplicity, companionship, and the beauty
of the ordinary. Both birds have found a place in folklore, literature, and
art, reflecting their impact on human imagination.
Conclusion:
In conclusion, the crow and sparrow, though seemingly ordinary, are
fascinating creatures that have carved out a niche for themselves in the
urban jungle. Their adaptability, intelligence, and cultural significance
make them noteworthy subjects of study. Understanding and appreciating the
coexistence of these birds with humans not only enriches our knowledge of
avian behavior but also underscores the importance of maintaining harmony
between urban development and the natural world.
The Eagle: Majesty in Flight
In the natural world, few creatures evoke the same sense of majesty,
power, and grace as the eagle. Revered across civilizations and cultures,
the eagle stands as an emblem of strength, freedom, and unyielding
determination. Its soaring flight and keen eyesight have made it a symbol
of nobility and inspiration, embodying traits that have captivated human
imagination for centuries.
Physically striking with its formidable beak, sharp talons, and expansive
wingspan, the eagle commands attention. Its mastery of the skies,
effortlessly riding thermal updrafts with unparalleled grace, paints a
picture of freedom and boundless exploration. This magnificent bird’s
ability to ascend to great heights mirrors aspirations and the pursuit of
excellence, urging us to reach beyond our limitations.
The eagle's symbolism extends beyond its physical prowess. In various
cultures, it holds a revered status, often representing strength, courage,
and vision. For indigenous peoples, the eagle embodies spirituality and is
seen as a messenger between humanity and the divine. Its presence in myths,
folklore, and religious beliefs underscores its significance as a symbol of
divine intervention, wisdom, and foresight.
Beyond its symbolic value, the eagle’s behavior and characteristics
offer profound
lessons. Its keen eyesight symbolizes vision and clarity, encouraging us to
see situations with precision and foresight. The eagle’s stoic demeanor
during storms, often using the wind to rise higher, teaches resilience and
adaptability in the face of adversity. Moreover, its solitary nature
reflects the importance of self-reliance and independence.
Conservation efforts and environmental awareness have also embraced the
eagle as a symbol. Once endangered due to habitat destruction and human
interference, concerted efforts have led to successful recovery and
repopulation of several eagle species. The story of the eagle's resurgence
serves as a beacon of hope, illustrating the positive impact of
conservation and human intervention in preserving biodiversity.
The eagle’s presence in national symbols and flags further emphasizes its
significance. It adorns emblems of countries like the United States,
symbolizing freedom, strength, and the pursuit of lofty ideals. This
association ties the eagle not just to nature but to the ideals and
aspirations of entire nations.
In conclusion, the eagle’s magnificence transcends its physical form,
encapsulating values and lessons that resonate deeply with humanity. Its
symbolism as a creature of strength, freedom, and vision inspires us to
aspire to greatness, reminding us of the importance of resilience, clarity
of purpose, and the pursuit of noble ideals. The eagle, with its regal
presence, remains an enduring symbol of majesty in flight, urging us to
soar to new heights in our own endeavors.
The flying heights of the sparrow, crow, and eagle are as diverse as their
characteristics and behaviors. Each bird, with its unique abilities and
traits, navigates the skies in its distinct way, symbolizing different
aspects of flight and life.
The sparrow, though small in size, exhibits remarkable agility and
manoeuvrability in flight. Its flight pattern is characterized by quick,
darting movements, often in groups, creating a synchronized dance in the sky.
Sparrows fly at lower altitudes, gracefully weaving through trees and urban
landscapes. Their flight represents a sense of groundedness, emphasizing
the beauty found in the everyday and the importance of community. Their
flights, though closer to the ground, speak volumes about unity,
companionship, and the appreciation of life's simple pleasures.
Contrasting the sparrow's flight is the crow, known for its intelligent
and purposeful flight. Crows display a more deliberate and calculated
approach to flying, utilizing their strong wings to soar with precision and
control. Their flight tends to be more direct, often flying at moderate
heights, occasionally ascending higher to catch thermal updrafts for
efficient gliding. Their flight patterns reflect strategic thinking and
adaptability, symbolizing the ability to navigate challenges with cunning
and wisdom. Crows' flights represent intellect, resourcefulness, and the
pursuit of survival in changing environments.
In stark contrast to both the sparrow and the crow, the eagle commands the
skies with unparalleled grace and majesty. With its immense wingspan and
powerful flight, the eagle soars to great heights, effortlessly riding
thermal currents in vast, expansive circles. Eagles' flights take them to
lofty altitudes, symbolizing a pursuit of excellence, freedom, and a
connection to the heavens. Their flight embodies a sense of independence,
vision, and an unyielding spirit, representing the ability to rise above
challenges and embrace a broader perspective.
These birds' flights, varying in altitude and style, mirror different
philosophies and approaches to life. The sparrow's flight emphasizes the
beauty in simplicity and the importance of unity and companionship. The
crow's flight embodies intellect, adaptability, and strategic thinking in
navigating life's complexities. The eagle's flight, soaring to great
heights, symbolizes ambition, freedom, and the relentless pursuit of
aspirations.
Indian views: As per legend, once a beautiful sparrow laid her
eggs on the ocean shore, but a big wave carried all the eggs into the deep
of the ocean. Due to that, the sparrow was very much worried and prayed to
the ocean god, Lord Varuna to return back the eggs to her. But the ocean
god, Varuna didn’t appear before the sparrow, and as a result the sparrow
wanted to punish Lord Varuna, and decided to empty the entire water
contained in the ocean. Though its act is considered as foolish, but its
determination was highly appreciated by Lord Garuda, the divine bird and
the vehicle of Lord Vishnu.
Lord Garuda wanted to help the small bird, and hence he appeared before the
sparrow, consoled it, and then he ordered Lord Varuna to return the eggs
which was taken by the waves. Lord Varuna didn’t want to fight with Lord
Garuda, and hence he appeared before them, and gave back those eggs to the
sparrow, and disappeared in the ocean.
B. BIRDS OF THE SIZE OF A SPARROW 1. Coming to the smaller members
of the family there is, first, the widely distributed Iora¹ of the
road-side trees, groves and gardens of the plains and lower hills,
wandering up to the outer Himalayas. It is black and greenish-yellow above
and deep yellow beneath, duller and greenish below the breast. The wings
have two white bars. The male has a variety of pleasant and powerful
whistling notes some of which resemble the (soo) and others the ft
(see)call, uttered as a single or multiple whistle, up to eight notes in
succession. It has besides a long drawn wee-e-e-e-tu or see-e-e-e-u-
whistle. It is mentioned as a bird of augury under the name or सूकरिका (सू
इति शब्दं करोति) in बृहत्संहिता, 85.37; 87.9 where it is described as a
small Sparrow-like bird ("जात्या चटिका च सूकरिका"). वसन्तराज also mentions
it at 4.51. Hindi alfam for the bird is from Prakrit gfam for Sans. ,
incorrectly rendered as the मैना ( starling ) in पा० स०, महण्णवो. शुकिका is
thus another name for the Iora. But the most beautiful and fully
appropriate names for it are and aft, descriptive of its sweet whistling
notes, given in देशी नाममाला where महओ (मधुक: मधुना मधुरं वा कायति ) is
defined as "श्रीबदाख्यः पक्षी, थीः इति वदति वाश्यते". 2. The Black-headed
Sibia of Nepal has a "Loud" ringing call Tit- teree, titteree, tuceyo" and
its local name for (fara?) is clearly reminiscent of stre, the titteree
note being the st call. If so it would be simply श्रीवद and the far swecter
Tora, मधुक श्रीवद. 2 1. Probably from Latin Io-a cry of joy. 2. For other
birds bearing the name si sec Art. 10, 13.
Kalaviṅka (कलविङ्क).— 1) A sparrow; Manusmṛti 5.12; Y.1.174. कलविङ्कस्वर
उत्तरं बभाषे (kalaviṅkasvara uttaraṃ babhāṣe) Bu. Ch.5.34.
Tamra’s six daughters are Gridhri, Bhasi, Shuki, Kraunci, Shyeni and
Dhritarashtri. Of these Gridhri is known as the wife of Aruna and the
remaining are the wives of Garuda. Jatayu and Sampati were the sons of
Gridhri Bhasi’s children are Bhasas, owls, crows, chicken, peacocks and
peahens, ‘kalavinkas’, pigeons, taithiris, Brahmani goose, hippopotamus,
kites, swallows and cranes. Dhritharashtri gave birth to swans, kalahamsas,
Brahmany geese, and water birds. Shuki gave birth Shukas and love birds.
Shyeni produced kites. In Mahabharata and Ramayana, Shyeni is said to be
the mother of Jatayu.
Crow (House Crow) Corvus splendens It is usually identified with
departed souls or ancestors. The bird is the vehicle of Shani (Saturn). In
Buddhism, the Dharmapala Mahakala is represented by a crow in one of his
physical/earthly forms. It is believed that crows heralded the birth of the
First, Seventh, Eighth, Twelfth and Fourteenth Lamas.
Kāka (काक).—(crow) Origin. Kaśyapa was the son of Marīci, who was the son
of Brahmā. Kaśyapa’s wife Tāmrā had many daughters like Kākī, Śyenī, Bhāsī,
Gṛdhṛkā, Śukī and Grīvā. From Kākī were born the crows in the world. (Agni
Purāṇa, Chapter 19). *Crows—the symbol of sin.*
There are so many portrayals of kaka in Sanskrit poetry. It seems that the
bird was commonly seen and it was mainly related to the augury.
When Vibhishana warns Ravana that if he is not ready to free Sita, he would
end up in trouble.
He tried to show the various inauspicious events.
“Crows in flock utter harsh cries on all sides and are seen gathered in
swarms on the tops of seven storied palaces.”
When Sita was seized by the demon king Ravana, Rama was very much depressed.
He lamented and when he saw a crow in the forest, he said,
“In the past the younger crow emitted a hoarse cry while flying through the
air. Now in the absence of Sita the crow is crying most delightfully while
remaining perched on the tree.”
*The crows are said to eat dead bodies*. It is said,
“Crows and beasts of prey will eat up my body when I, having sat down for
fasting till death, shall be engaged in my attempt to extricate the soul
from the body.”
There are many references to the crow in the Ramayana. The crow troubling
Sita was driven out by Rama with an arrow of small durbai. Valmiki
Ramayana. 4.1.55, 6.23.11, 6.41.20, 7.18.26-28
There are 12 varieties of crows.
The first variety is called Kaka because their cry resembles 'kaka'. In
other words Kaka is an onomatopoeic name. Onomatopoeia indicates that the
meaning of the word can be guessed from the way it is pronounced, like
bow-wow' or 'meow-meow'. They are jet black in colour. They have big rough
feathers and long beaks. They like to go places by flying. Their cry is a
little harsh. They like to be in groups. They are lazy and cowardly. They
are far-sighted as they can see long distances. They eat a lot and so they
can be called gluttons. Their bodies emit a foul smell.
The 2nd variety is known as Karata. They are also jet black and long
winged. They would be constantly producing their crying noises. They are
very strong birds, but their beaks are small. They can fly fast in the sky.
They are seen everywhere. They are not voracious eaters like the Kakas.
The 3rd variety is Balipushta. They are blue in colour and have smooth
bodies. They are good to look at. They have small tails, beaks and
stomachs. They eat very little. They are interested to be in places where
there are people. They are not afraid of people and they close to them.
They like to remain single. Sacrificial food is given to these crows and
that is why they are called Balipushta.
The 4th variety is Sakritpraja. They are so called because they lay eggs
only once in their life time. They are jet black in colour, except their
necks which are whitish. They are tall and have broad wings. They can fly
fast and high. Their diet consists of flesh, fruits and food grains. We can
also see them in the forests.
The 5thvariety is known as Dhvaksha.Theyare deep blue in colour. They have
long beaks and legs. They are capable of flying in different postures and
can fly very high. While attacking their enemies they scream loudly. They
are not gluttons and are satisfied with small amounts of food.
The 6th variety is Atmaghosha. Their colour is midway between black and
blue. They cry in different modes. They like to be alone, unlike other
crows which like to congregate. They build their nests on trees that are
close to water bodies. They eat mainly small fish. They are found both in
villages and forests.
The 7th variety is known as Parabhrit. They are so called because they
hatch the eggs of cuckoos without knowing that they are not their own eggs.
They are blue in colour except the tip of their wings which are whitish.
They are very good at building nests. They are afraid of two things -people
and the rainy season. They can fly in various postures and they are fond of
bathing themselves at any time of the day. They possess certain good
qualities and are easily trainable.
The 8th variety is Vayasa. These crows have very dark bodies and rough
feathers. They eat the flesh of dead bodies. They are not good to look at.
They beaks are long, sharp and strong. They are often seen perching on
goats, cattle, buffaloes and other quadrupeds, trying to get some pests
that live there. Their cries are harsh and unpleasant. Their flight is
slow. They prefer to live in villages and are hardly found in forest areas.
They are mean minded and do mean things and they are scared of thunder and
lighting.
The 9th variety is called Ciranjivin. These crows live for long periods and
that is why they are called by this name. Their bodies are jet black, but
their necks, breasts and wings are a bit whitish. They do not fly high in
the sky. They are afraid to fly over water bodies. They are gluttons and
are never satisfied with their food and they can be seen eating constantly.
Their cry is very harsh and unpleasant. They eat a variety of things and
they have the advantage of side-sight. They are fickle-minded and show no
stability in their behaviour.
The 10th variety is named Maukuli. These are very small in size and are
blackish white. Their tails and wings have some other colour and also some
dots. They have small beaks. They are fond of eating powdered foods. They
often swim and play in water bodies. They are tame with people. Their cries
are not harsh. When there is a danger, they face it groups. They are easily
trainable.
The 11th variety is called Dronakaka or Raven. They have long bodies and
are jet black in colour. Their beaks and legs are long. Their wings are
broad and their feathers rough. They have sharp nails. They prefer to live
in forests. They do not like the scent of human beings and are not easy to
catch. They like to eat flesh and their cries are unpleasant and harsh.
They attack other birds even without any provocation. They are also fond of
fighting among themselves. They do not need much food. They are very cruel
and show great daring when they are in groups.
The 12th variety is known as Kakola. They dwell among mountains. They are
jet black in colour and their cry is harsh and unpleasant. They destroy all
the small birds near their nests. Their necks are long and feathers very
strong. They fly fast. They often fight among themselves. They even harm
many quadrupeds. They will be seen flying round and round. Their life span
is very short and they live for a maximum period of 5 years. It is believed
that they are one of the worst varieties of crows.
Garuḍa (गरुड).—(Garutmat)—a son of Tārkṣya (Kāśyapa) and Vinatā (Suparṇā),
and vehicle of Hari.
1 Has abode in Śālmalidvīpa
.2 Took Kṛṣṇa to Madhuvana;
3 Identified with Hari, and regarded as the embodiment of the Vedas.
4 Attacked Asura followers of Bali, and knowing Hari's mind, he bound Bali
with cords of Varuṇa.
5 Serves as a watch for Kṣīroda. When he saw Bali carrying away Hari's
crown-jewel, he pursued him and recovered it after a fight. When he saw on
his return from Gomanta, he placed it on His head and belauded him,
requesting him for opportunities of service to Him, who ordered him to go
back and come whenever He thought of him.
6 His winning nectar is compared to Kṛṣṇa winning Vaidarbhī in svayaṃvara.
7 Kālīya, the enemy of snakes, freed from fear of; entered into an
agreement with snakes of Ramaṇaka to give him bali every fortnight. Kālīya
failed to do this, and after a fight escaped to the river Kālindī where
Garuḍa could not go, as he was under a curse. It happened once that Garuḍa
took a kingfish from the river against the wish of the sage Saubhari who
cursed that Garuḍa's coming again there would mean the end of his life.
8 Attacked by Mura,
9 killed all elephants of Naraka,
10 carried Kṛṣṇa to Indra's city. Defeated Varuṇa attacking Kṛṣṇa, flung
Śiva and his bull to a distance of a hundred dhanus. Discomfited Airāvata
of Indra, and took Kṛṣṇa and Satyabhāmā safely to Dvārakā.
11 Garuḍa standard of Hari.
12 Praise of Hari.
13 Took nectar for mother's sake to Somaka hill of Plakṣa; married five
daughters of Tāmra and became father of birds in all the world.
14 Younger brother of Aruṇa.
15 Worship of, on the Bhīmadvādaśi, and in the Lakṣa homa of Grahabali.
Icon of.
16 In the Tārakāmaya: in the war with Kālanemī: performed tapas at
Kanakhala.
17 had a number of wives, sons and grandsons; the eater of all cruel
snakes—his descendants spread over largely the whole of Śālmalidvīpa, and
the mountains Devakūṭa, Maṇimanta, Sahasraśikhara, Parnamala, Sukeśa, and
Sataśruga, the five-peaked Kauraja, Hemakūṭa etc
Verse 5.9.2 Garga samhitai:
स्वतस् तयोर् बन्धनानि ययुः शिथिलितां नृप
तौ वीक्ष्य गरुडं प्राप्तं नाग-पाश-गुणा यथा
svatas tayor bandhanāni yayuḥ śithilitāṃ nṛpa
tau vīkṣya garuḍaṃ prāptaṃ nāga-pāśa-guṇā yathā
O king, seeing their condition, Lord Kṛṣṇa at once untied their bonds,
as Garuḍa
unties a knotted rope of snakes.
There isa proverbial saying: Uyara uyra uyra parandalum oor kuruvi
parundaagaadhu Hope all can understand who is who K Rajaram IRS 6 1 24
---------- Forwarded message ---------
From: Narayanaswamy Iyer <[email protected]>
Date: Sat, 6 Jan 2024 at 06:26
Subject: [iyer123] EVEN MORE ACCURSED? AND A SHOODRAN?
To: iyer <[email protected]>, Laxminarayan Sarma <
[email protected]>, gopala krishnan <[email protected]>
Cc: Narayanaswamy Iyer <[email protected]>
Dear folks
Eighty-five years-old KR ex-IRS who screeched, screamed, and shouted in
block capitals that, based on nirurukthi, the late Kaanchi Kaamakoti
Mahaa-Periyavaal has authoritatively declared that all of us, including all
vaadyaars, are cursed because we chant veda-manthrams without knowing their
meanings, has, as I have pointed out, himself earned a total of 32,469,420
curses for not even chanting a thousand gaayathreees a day as prescribed by
the Kaanchi Mahaa-Periyavaal, being:-
sandhya vandanam: 204 x 77 x 365 = 5,733,420 and
daily additional: 1,000 x 26,736 = 26,736,000.
The Kaanchi Mahaa-Periyavaal also says in "Deivaththin Kural" Vol II under
the heading "vedamum thamizhnaadum":-
"*piraamananukku (thri-kaala) sandhyaa vandanam thaan maththa
anushtaanamkalaiyum vida mukkiyamaaka iruppathu, athanaal avanudaya
karmaavaich chollum pothu atharke muthalidam koduththirukkirathu.*"
By not following this injunction, KR ex-IRS incurs another:-
365 x 3 x 77 = 47,165 curses, making it a grand total of 32,516,585 curses.
*Is KR ex-IRS a permanent shoodran?*
The late Kaanchi Mahaa-Perivaal, in "Deivaththin Kural", in the chapter
headed "tharma shaasthiram (smruthi)", under the subject-heading
"Vaidyanaatha Deekshitheeyam" refers to the supreme importance and solid
reliability of this august work.
The learned senior rishis, in this unique all-important work, say that a
braahmana male child should have his upanayanam performed at the age of
eight.
If no upanayanam is performed at all, the child becomes a shoodran
permanently.
*KR ex-IRS has consistently abused, insulted, denigrated, and dismissed the
importance and the significance of all samskaarams, including upanayanam.
So it is safe to conclude that he is a life-long shoodran.*
S Narayanaswamy Iyer
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