Chapter 22 -Kalyana Ashtapadi

Raga: Madyamavati; Adi Tala

sa sasädh-vasa-sänandam, govinde lola-locanä |

sinjäna-manju-manjiram, praviveshä niveshanam ||

Rädhä’s was in total bliss  as she glanced at Govinda with her restless
eyes. Her jewelled ankle-bells tinkled alluringly as she began to enter His
retreat. ”



radha-vadana-vilokana-vikasita-vividha-vikara-vibhagam |

jala-nidhi miva vadhu-mandala-darshana-taralita-thunga-taragam ||1||

All His emotions crested when He saw Radha’s face, like the sea waves
cresting when full moon appears.



harim eka-rasam ciram abhilashita-vilasam |

sa dadarsa guru-harsha-vasam vada-vadana managa-vikasam || dhruvapadam||

Hari blooms with jubilation on beholding her face, just as the ocean
becomes turbulent with high waves upon seeing the orb of the full moon.



hara mamalatara-tara murasi dadhatam parilambya viduram |

sphuatara-phena-kadamba-karambitam iva yamuna-jala-puram ||2||



Hari toyed with necklace of bright pearls, adorning His vast chest.  It
looked like river Yamuna churning shining swells of foam.



syamala-mrudula-kalevara-mandalam adhigata-gaura-dukulam |

nila-nalina miva pita-paraga patala-bhara-valayita-mulam ||3||

Hari has worn Pitambhara on His soft and lustrous body. It seems as if a
blue lotus flower has become drenched by its anther of golden pollen.



tarala-dhrug-añcala-chalana-manohara vadana-janita-rati-ragam |

sphua-kamalodara-khelita-khañjana yugam iva saradi tatakam ||4||

Krishna’s enchanting face is beautiful as a fully blossomed blue lotus
flower in the pure water of a lake during autumn. The expressive sidelong
glances of His restless eyes, which appear to be the sporting of a kanjana
(golden) bird upon a lotus,  are  inflaming Rädhä’s emotions.



vadana-kamala-parishilana-milita mihira-sama-kundala-shobham |

smita-ruci-rucira-samulla-sita-adhara-pallava-kruta-rati-lobham ||5||

The beauty of Krishna’s jewelled ear ornaments is carassing the beauty of
His lotus face. His sweet lips red as the morning sun, shining with the
lustre of His radiant smile, His quivering flower-bud lips are arousing
Rädhä’s emotions.



shashi-kirana-cchuritodara-jaladhara-sundara-kusuma-sukesam |

timirodita-vidhu-mandala-nirmala malayaja-tilaka-nivesam ||6||

Flowers tangled in His locks of hair, looks loke moonbeam caught in cloud
breaks.

The splendour of the sandalwood paste tilaka on his forehead looks like
moon rising to eliminate darkness.



vipula-pulaka-bhara-danturitam rati-keli-kalabhiradhiram |

mani-gana-kirana-samuha-samujjvala-bhushana-subhaga-shariram ||7||

The brilliance of His jewels adorning His splendid form, has assumed an
exceedingly

captivating aura. And Krishna responds to Radha’s loving glances.



sri-jayadeva-bhanita-vibhava-dvigunikta-bhushana-bharam |

pranamata hrudi vinidhaya harim ruciram suktruto-daya-saram ||8||

The splendour of the multitude of Krishna’s ornaments has been doubled by
the variety of ornamental expressions composed by SriJayadeva.

O tasteful devotees! Krishna is the fruit of all your pious activities.

With great care, may you hold Him within your heart and offer obeisances to
Him.

********

Atikramyä pängam, shravana-patha-paryanta-gamana-

Prayäsena eväkshyo:, taralatara-täram gamitayo:|

idäném rädhäyä: priyatama-samäloka-samaye…

papäta svedämbu-prasara iva, harshäshru-nikara: ||9||

Within moments of meeting her beloved, Rädhä’s inner jubilation overflowed
in the form of tears of joy, as if it were perspiration arising from the
exertion of her eyes.



bhajantyäs talpäntam kuta-kapata-kantüti-pihita-

smitae yäte… gehäd bahir avi, hitälé-parijane |

priyäsyam pashyantyä:, smara-shara samaküta-subhagam

salajjä-lajjäpi, vyaga mad iva düram, mriga-drisha: ||10||



Radha’s saki eager to see her happy,  tactfully concealed their smiles left
the retreat. Rädhä cast a charming sidelong glance at the face of her most
beloved Krishna. At that time, her shyness also departed.



jaya-shri-vinyastai:, mahitaiva mandära-kusumai:

svayam sindürena dvipa-rana-mudä, mudrita iva |

bhujäpida-kridä-hata-kuvalayäpida-karina:….

prakéra äshru-bindu:, jayati bhuja-danòo, murajita: ||

In the wrestling match, Krishna’s arms are beautified by killing the
elephant Kuvalayapida. From his exuberance in fighting with the elephant,
it seems as if his arms are smeared with vermilion and decorated with
mandära flowers by the goddess of victory. May those broad arms of Krishna,
the conqueror of Mura, be ever-triumphant.

Eti Sri Geetha Govindhe Shringara Mahakavye

Sri Krishna Dasa Jayadeva Kruthuav

Sa nando Godindho nama, ekadasha sarga:

Chapter 23

Raga: Nadanamakriya; Adi Tala

gatavati sakhi-brinde,mandatra-päbhara-nirbhara-

smara-paravashä-küta, sphutita-smita-snapitä-dharam |

sarasa-mänasam dristvä, rädhäm muhu:, nava-pallava-

prasava-shayane, nikship täkshim, uväca hari: priyäm… ||

“When Radha’s friends had gone, smiles spread on her lips. While in deep
love, struggled with modesty. Seeing the mood of Radha’s heart, with her
eyes fixed on His bed of flowers & tender shoots, Hari spoke to His love”



kisalaya shayana-tale kuru kamini charana-nalina-vinivesham |

tava pada-pallava-vairi-parabhavam idam anubhavatu suvesham ||1||



“Radhe, leave your flower-like feet upon this bed of newly sprouted leaves.
”



kshana madhuna Narayanam, anugatam anusara Radhe Radhe Radhe ||dhruva||

“Narayana is yours, be mine Radhe!”



kara-kamalena karomi carana maham, agamitasi viduram |

kshanam upakuru shayanopari mam iva, nupuram anugati-shuram Radhe Radhe
||2||

“My dear one, you have come here from far away. I will massage your lotus
feet with my lotus hands. Set your ankle-bells on the bed.”



vadana-sudha-nidhi-galitham amrutha miva, racaya vacanam anukulam |

viraham vipanayami payodhara, rodhakam urasi dukulam Radhe Radhe  ||3||

“O Rädhä, please speak some pleasant words that trickle like nectar from
the moon like face. To end our separation, I bare my chest of silk.”



priya-parirambhana-rabhasa-valita miva, pulakitam atiduravapam |

madhurasi kucha-kalasha viniveshaya, shoshaya manasija-tapam Radhe Radhe
||4||

“To  quench your mind agitations, rest on my chest (His very touch can
elimate mind’s distortions).  Quench love’s fire with loving embrace.”



adhara-sudha-rasam upanaya bhamini, jivaya mrutam iva dasam |

tvayi vinihita-manasa virahanala,dagdha-vapusham avilasam Radhe Radhe ||5||



“Radhe,  my mind is absorbed in you. I am burning in the fire of
separation, offer the nectar of your lips.”



shashi-mukhi mukharaya mani-rashana-gunam, anuguna-kantha-ninadam |

sruthi-yugale pika-ruta-vikale, mama shamaya chirad avasadam Radhe Radhe
||6||

“Your face is as beautiful as the moon. Make the sound of your voice soothe
my ears.”



mamapi viphala-rusha vikali-krutam, avalokitum adhunedam |

Milati lajjita vimanayanam tava, virama visruja rati-khedam Radhe Radhe
||7||

“Radhe, your eyes are ashamed to see me tortured by baseless anger. Glance
at me and end the despair.”



sri-jayadeva-bhanitam idam anupada, nigadita-madhu-ripu-modam |

janayatu rasika-janeshu manorama, rati-rasa-bhava-vinodam Radhe Radhe  ||8||

Sri Jayadeva describes the rapturous amusements of Madhuripu Sri Krishna in
every word. May his song awaken the playful pastimes of the delightful

amorous rasa in the hearts of the devotees who are expert in tasting pure
transcendental mellows.

********

pratyüha-pulakän kurena, nibila-shleshe-nimeshena ca

kridä-küta-vilokane, adhara-sudhä-päne?, kathä-narmabhi: |

änandädhi-gamena-manmatha-kalä-yuddhe’pi, yasminn abhuth

udbhüta sa tayor babhüva, suratä-rambha: priyam bhävuka: ||9||



Then they began the astonishing and supreme bliss, for which they had both
been hankering for a long time. Horripilation from the thrill of a deep
embrace seemed to be an impediment. The blinking of their eyes seemed to
obstruct their diligent observation of each other’s sweet talk.



dorbhyäm samyamita:, payodhara-bharenä, pidita: pänijai:

äviddho dashanai: kshatäadhara-puta:, shronitate-nähata: |

Hastenä navita:, kaci’m adhara-sudha-svaandena, sam-mohita:

känta: kämapi triptim äpa tad aho, kämasya vämä gati: ||10||

Rädhikä’s dear lover Krishna, was bound by her arms. She pushed His hair
back, to shower Him with the nectar of her lips.



märänke rati-keli, sankula-ranä-rambhe, tayä sähasath-

präyaàm, känta-jayäya kancid upari, prärambhi yat-sambhramät |

nishpandhä jaghana-sthali, shithilitä, dor-vallir utkampitam

vaksho militam akshi paurusha-rasa:, strinäm kuta: sidhyati ||11||

“Displaying her passion, in love play she launched a bold offensive above
Him & triumphed over  Purusha.”



tasyä: pätala-päni jänki muro, nidrä-käshäye drishau

nirdhauto adhara-shoni mä, vilulita-srasta-srajo mürdha-ja: |

känci-däma dara-shlathäm cala-miti, prätar nikhätair drisho

yebhi: käma sharai:, tad-adbhutam abhüt, tatyur mana: kilitham ||12||

Her eyes were red due to sleep deprivation. The red cosmetic on her lips
had been wiped away by prolonged kissing. The garland of flowers that had
been woven into her hair had withered. When the five arrows confronted
Krishna’s eyes in the early morning, His mind was impaled by the five
arrows of Kämadeva yet again. How astonishing it is!



vyälola: kesha-päsha staralita malakai:, sveda-loolau kapolau

dastaa bimbädhara-shri:, kuca-kalasha-ruchä, häritä hära-yasti: |

känci-känchit-gätashäm, stana-jaghana-padam, päninä cchadya sadya:

pashyanti satrapäm män, tad api vilulitä, sragdha-reeyam dhinoti ||13||

In the early morning, Rädhä’s hair was dishevelled and her curling locks
had fallen loose. Her cheeks had become wet with perspiration and the
brightness of her  lips had faded.



éshan-milita-dristi mugdha-hasitam, shét-kära-dhärä-vashäth

avyaktä-kula-keli-käku-vikasad-dantämshu-dhautä-dharam |

swasho-taptha-payodharoo pari, parish-vangii kuraìgi-drisho

harshotkarsha, vimukta-nissaha-tanor dhanyo dhayat-yänanam ||14||

Rädhä began to speak courteously to Govinda, expressing her desire to be
decorated by Him.

K RAJARAM IRS   12TH PART  8324

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