Senile Narayana who questions linga purana authors as a shudra will hold
KYV compiled by the same person and also recite mantras compiled by the
same person> dont you members tell that old haggard to shut up? KR

On Sun, 7 Jul 2024 at 01:45, Narayanaswamy Iyer <[email protected]> wrote:

>
> Dear folks
>
> Discredited and dishonoured as an inveterate liar, the notorious KR
> ex-IRS   4724, quotes at nauseating length extracts from the Linga Purana
> as recited
> by Soota.
>
> Was not the Linga Purana written by the same illegitimate Vyaasa -- triple
> rapist/adulterer (of Ambikaa, Ambaalikaa and Ambaalikaa's maid-servant) son
> of Durganthi and vagrant casteless ascetic Paraasara) -- who fathered
> illegitimate sons blind Dritharaashtra, mottled-skinned Paandoo, and
> Vidooraa, wrote the obscenities-full Mahaabhaaratham and the
> blasphemies-full (Vishnu) Bhaagavatham?
>
> Was not always-nude, uninitiated Soota the fourth son of Vyaasa, who
> emerged when Vyaasa was rubbing two sticks together to produce fire,
> ejaculated involuntarily, and his semen fell on the two sticks, thereby
> giving birth to Suta?
>
> To what degree are the Linga Puraana and the words of Soota
> credible, in the circumstances?
>
> Should they not be totally ignored, and cast into the garbage-heap?
>
> S Narayanaswamy Iyer
>
> On Thu, Jul 4, 2024 at 10:23 PM Rajaram Krishnamurthy <
> [email protected]> wrote:
>
>> The temple is one of the major Shiva temples in Kerala held in reverence
>> along with the temples in Ettumanoor, Kaduthuruthy, Vazhappally,
>> Chengannur, Ernakulam, Vadakkunathan, Sreekanteswaram Mahadeva Temple,
>> Thiruvananthapuram and Thirunakkara.
>>
>> The name of the place had its mythological origin from the word 'man oor'
>> in Malayalam, which means the place of deer as 'maan' means deer and 'oor'
>> means place. Another version is that the name originated from the 'Ettu
>> Mana Ooru', ie, 'The Land of Eight Namboothiri Manas' or 'Ashta Grihas'.
>> These Eight Manas (Brahmin families) are the original Ooralans of great 
>> Ettumanoor
>> Mahadeva Temple. Ettumanoor is a historical place as myths have said
>> that the Pandavas and the sage Vyasa had established the famous Ettumanoor
>> Mahadeva temple here.
>>
>> Kaduturuthy has an average elevation of 12 m (39 ft). Its name derives
>> from Kadal thuruth, ( kadal turuthi projection of sea) meaning near to
>> the beach as it is believed that several centuries ago, the Arabian Sea
>> extended inward into the place, and that it receded due to a tsunami.
>> Another story believed that the origin of name "Kaduthuruthy" is Demon Khara
>> got three "Shiv lingas" for his severe penance from lord Shiva, Khara
>> started a journey by carrying three Shiv Lingas, two Lingas in each hand
>> and one in his mouth. After a while he got tired as well the Lingas are
>> heavy, he placed his right-handed Linga in Vaikom, left-handed Linga in
>> Ettumanoor and from mouth.
>>
>> Vazhappally is "Vazhkai Pally" (Malayalam: വാഴ്കൈ പള്ളി) means let the
>> temple win. There are various theories as to the origin of the word
>> 'Pally'. Pally is a word in the Pali language. The Vazhappally Maha Siva
>> Temple is located in the heart of the ancient Vazhappally village.
>>
>> The name Chengannur (chem-kunnu-ur/oor) is derived from the words 'chem'
>> (Malayalam) which means red, 'kunnu' (Malayalam) which means hill and
>> 'ur/oor' (Malayalam) meaning land. The presiding deity Mahadeva in the
>> form of a lingam faces east, while the image of his consort Bhadrakali is
>> located behind it facing west.
>>
>> The word Ernakulam has a varied derivation, with some references to
>> mythology and others to temples. According to Komattil Achutha Menon, the
>> word Erangiyal got its start from a particular kind of mud. In the past,
>> Lord Shiva was referred to as Erayanar in Chennai. This was done in
>> Kerala as well, and it became known as Ernakulam after that. There are also
>> other opinions about the origin of the name, saying that Rishinagakulam
>> became Ernakulam after losing it, but that the word Ernakulam came from
>> Ernakulathappan Temple, and that it came from the word Kulam (Pond) for a
>> long time because it was full of water bodies.
>>
>> In 2012, the Archaeological Survey of India (ASI) has recommended 14
>> sites, including Vadakkumnathan Temple and palaces, from Kerala to
>> include in the list of UNESCO World Heritage Sites.[5] The temple is also
>> the first one among the 108 Shiva Temples in ancient Kerala, established by
>> Parashurama, and is mentioned in the Shiva Temple Stotra as
>> Shrimad-Dakshina Kailasam, meaning 'Mt. Kailash of the South'.Legends
>> regarding the origins of the Vadakkumnathan Temple are briefly narrated in
>> the Brahmanda Purana and these legends are referenced in some other works
>> as well.
>>
>> Sreekanteswaram Mahadeva Temple is a Hindu temple of the god Shiva
>> situated in Thiruvananthapuram, in the Indian state of Kerala. Pazhaya
>> Sreekanteswaram Temple is considered the original abode of the god.
>>
>>
>>
>> The Linga Purana 1.17 - Origin of the Linga (liṅgodbhava)(स॒द्यो जा॒त)
>>
>> Sūta said:—
>>
>> 1-5. Thus, the origin of Sadyojāta *(स॒द्यो जा॒त=immediately created) has
>> been succinctly narrated. He who reads or listens to or narrates this to
>> excellent brahmins attains identity with brahman by the grace of the
>> supreme lord.
>>
>> The sages said:
>>
>> How did Linga originate? How should lord be propitiated in Liṅga? What
>> is this Linga? What its substratum? O Sūta, you should narrate all this to
>> us.
>>
>> Romaharṣaṇa said:
>>
>> Formerly, Devas and Sages had, in reverence, asked Brahmā thus: “O lord,
>> how did Liṅga originate by itself? How should lord Rudra be worshipped in
>> the Liṅga. What is Liṅga? What its substratum?
>>
>> Brahmā said:
>>
>> Pradhāna is Liṅga and lord Siva is its substratum.
>>
>> 6-13. O excellent Devas, it was for us both—Viṣṇu and myself that Liṅga
>> manifested itself in the ocean. It was when the aerial charioteers had gone
>> to the Janaloka together with the Sages and when the period of sustenance
>> being over the creation was withdrawn and when at the end of a thousand
>> sets of four yugas, they had gone to Satyaloka and in the end, except their
>> overlords, had attained identity with me, then all immobile beings had
>> dried up due to all-round drought and other beings like men, animals,
>> Piśācas, Rākṣasas, Gandharvas including plant life were scorched to death
>> by the rays of the Sun. Everything was a single vast sheet of water. It
>> was terribly dark all round. In that vast sheet of water, the lord devoid
>> of impurities and free from calamities had gone to sleep. He had a thousand
>> heads, a thousand eyes, a thousand feet and a thousand arms. He, the
>> universal soul, omniscient, the source of origin of all, was characterized
>> by the qualities of rajas, tamas and sattva in the form of Brahmā, Rudra
>> and Viṣṇu. He was omnipresent and the supreme lord in view of his being the
>> soul of all. He was in the form of Kāla with Kala in his umbilicus. He was
>> white, black, pure, of huge arms, the soul of all and identical with Being
>> and non-Being.
>>
>> 14. On seeing the lotus-eyed deity lying thus, I was deluded by his māyā.
>> I asked him angrily:
>>
>> 15-16. Who are you? Tell me. Then with my hand I raised up the eternal
>> lord. Due to the severe and firm blow of my hands he woke up from sleep and
>> sat in his serpent couch. Within a moment he regained control of himself
>> and with his lotus-like bleary eyes he looked at me.
>>
>> 17. Enveloped that he was by a halo of brilliance he spoke to me as I
>> stood before him. He got up from bed and laughing awhile addressed me
>> sweetly.
>>
>> 18-32. “I welcome you, O dear Brahmā of great brilliance.” O leading
>> Devas, when I heard his words uttered smilingly my arrogance was provoked
>> by rajas and I spoke to him thus: “With smiles within, you call me by the
>> appellation ‘Dear’ (as if I were inferior to you). But know that I am the
>> cause of creation and annihilation of the universe. O sinless one, you
>> address me as a preceptor would address his disciple. But I am the creator
>> of the universe, the prompter of Prakṛti, the eternal, unborn Brahma, the
>> origin and soul of the universe. I am the lotus-eyed lord. Now tell me
>> quickly why you speak thus in utter delusion.
>>
>> He then replied to me—“See for yourself that I am the creator, sustainer
>> and destroyer of the universe. You are born of my eternal body. You forget
>> that I am the lord of Universe, the Supreme soul invoked and eulogised. I
>> am Viṣṇu, Acyuta, Īśāna, the origin of the universe. It is not your fault
>> that you have forgotten me. This has been effected by me through my māyā.
>> Listen to the truth, O four-faced  deity. Indeed, I am the lord of all
>> devas. I am the creator, leader and destroyer. There is no other lord like
>> me. I alone am the Supreme Brahman. O Brahmā, I am the greatest principle,
>> the greatest luminary, the supreme soul. O four-faced lord, whatever is
>> seen or heard in this universe—the mobile and immobile, is identical with
>> me and permeated by me. Formerly the unmanifest pradhāna the twenty-fourth
>> principle  from the gross to the indestructible atom was created by me. Out
>> of fury were Rudra and others created. Out of joy and sport you were born
>> as also the Cosmos: Intellect, the threefold  ego, subtle elements
>> sense-organs including the mind; and gross elements were also created by me.
>>
>> As he finished his speech, a terrible, thrilling fight ensued between us.
>> In the middle of that ocean of dissolution we were engaged in fight,
>> instigated by rajas.
>>
>> 33. In the meantime, a brilliant Linga appeared in front of us in order
>> to suppress our dispute and enlighten us.
>>
>> 34. It had thousands of clusters of flames. It was comparable to hundreds
>> of (all-consuming fires). It was stable, with no decline or increase. It
>> had neither a beginning nor an end nor a middle.
>>
>> 35. It was incomparable, inexplicable, and indistinct. It was the source
>> of the universe. Lord Viṣṇu was deluded by its thousand flames.
>>
>> 36. I too was deluded. Then Viṣṇu said to me—“Let us test this fiery
>> Being. I shall go to the root of this incomparable column of fire.
>>
>> 37-38. You should go up assiduously”. After saying this, Viṣṇu assumed
>> the form of a boar. O Devas, I assumed the form of a swan. Ever since they
>> call me haṃsa (swan) or Virāṭ haṃsa (cosmic swan).
>>
>> 39-43. He who repeatedly calls me swan, shall himself become a swan of
>> bright and white colour, with fiery eyes and feathers. O gods! I assumed
>> the speed of the wind and the mind and went higher and higher. Viṣṇu the
>> all-pervading soul assumed the form of a black boar and went lower and
>> lower. The boar looked like a heap of blue collyrium. It was a hundred
>> Yojanas in length, ten Yojanas in girth. Its body was huge as the mount
>> Meru. It had white and curved teeth. It had the refulgence of all-consuming
>> sun with long snout and loud grunt. Its legs were short and its body of
>> diverse colours. It was victorious, firm and incomparable. Assuming this
>> form of a black boar, Viṣṇu went lower and lower, hurriedly, for a period
>> of one thousand years.
>>
>> 44. Still he could not reach the root of the Liṅga. O destroyer of
>> enemies, throughout that period of time I was going higher and higher.
>>
>> 45. I hurried up my efforts to see the end of that Liṅga. I was tired.
>> Arrogant that I was I could not see the end and returned to the place of my
>> start.
>>
>> 46. Similarly, Lord Viṣṇu was also tired. His fear was evident in his
>> eyes. He, the origin of all Devas, immediately came up there.
>>
>> 47. We bowed to lord Siva. The noble-minded Viṣṇu was deluded by Śiva’s
>> Māyā and he stood there in mental dejection.
>>
>> 48. We bowed to lord Śiva at the sides, behind and in front and wondered
>> what that was.
>>
>> 49. O great Devas! then a loud sound Om issued (out of the column). It
>> was clearly a prolated sound.
>>
>> 81 Om is a mystic syllable consisting of three sounds a, u, m. It is the
>> object of profound religious meditation. The highest spiritual efficacy is
>> attributed not only to the whole word but also to each sound separately.
>>
>> 50-51. Thinking what it could be, Viṣṇu stood there together with me.
>> Then he saw the eternal first letter ‘a’ on the right hand side of the
>> Liṅga; then on the left the letter ‘u’; thereafter, the letter ‘m’ in the
>> middle and the vibratory tone in the end. That tone was ‘Om’.
>>
>> 52-55. Viṣṇu saw the first syllable ‘a’ in the south, like the disc of
>> the sun, the second syllable ‘u’ as refulgent as fire in the north, the
>> third ‘m’ in the middle as refulgent as the sphere of the moon; above it,
>> he saw the lord like the pure crystal. It was the fourth entity, devoid of
>> attributes, nectarine, unsullied, undisturbed, devoid of mutually clashing
>> opposites, unique, void, without an exterior or interior but still endowed
>> with exterior and interior, as it was stationed both without and within. It
>> was devoid of beginning, middle and end, it was the cause of bliss.
>>
>> 56-62. The three mātrās and half a mātrā called nāda, together constitute
>> Brahman. The three Vedas Ṛk, Yajus and Sāman are in the form of the three
>> mātrās. Viṣṇu contemplated on Śiva, the universal soul, through the words
>> of the Vedas. The Vedas became a sage. Viṣṇu understood the glorious
>> essence of the Vedas—the supreme lord through that sage alone.
>>
>> Brahmā said:
>>
>> Rudra is free from anxieties and worries. Speech recedes along with the
>> mind being unable to attain him. He is expressible through the single
>> syllable (om), which is the Divine order, the supreme cause, truth, bliss,
>> nectar, the supreme Brahman, greater than the greatest. Out of that single
>> syllable ‘om’, the syllable ‘a’ is Brahmā; ‘u’ Viṣṇu, and ‘m’ is Rudra. ‘a’
>> is the cause of creation, ‘u’ of illusion and ‘m’ of bliss.
>>
>> 63-65. The syllable ‘m’ is the sower, ‘a’ is the seed and ‘u’ is the
>> womb. The three symbolise the lord, Pradhāna and Puruṣa. Thus the sower,
>> the seed and the womb, together with nāda, constitute lord Śiva. The sower
>> divided itself out of his own free will. Out of the liṅga of the lord the
>> sower created the seed ‘a’ which he discharged into the womb ‘u’ where it
>> increased all round.
>>
>> 66. It turned into a golden egg enveloping the first letter ‘a’. This
>> divine egg was ensconced in the water for many years.
>>
>> 67-68. Then at the end of a thousand years the egg that had evolved out
>> of the unborn and stationed in the waters was split into two by the
>> primeval lord himself. The splendid golden skull of the egg became heaven
>> and the base became the earth.
>>
>> 69. From the egg the four-faced Brahmā was born. He is the creator of the
>> universe, the lord of three forms.
>>
>> 70-72. The wise exponents of Yajus say that Om is Brahman. The Ṛk and
>> Sāman śrutis too have declared similarly. On the lord of Devas precisely we
>> meditated and we eulogised him by reciting the Vedic mantras. Delighted by
>> our eulogy the unsullied lord delightfully stationed himself into the
>> divine Liṅga after assuming the form of sound.
>>
>> 73-82. The letter ‘a’ was his head; ‘ā’ the forehead; ‘i’ the right eye;
>> ‘ī’ the left eye; ‘u’ the right ear; ‘ū’ the left ear; ‘ṛ’ the right cheek;
>> ‘ṝ’ the left cheek, ‘lṛ’ [‘ḷ’] and ‘lṝ’ [ḹ] the pairs of his nostrils; ‘e’
>> the upper lip, ‘ai’ the lower lip; ‘o’ and ‘au’ the two rows of teeth; ‘aṃ’
>> and ‘aḥ’ the palates; the five letters beginning with ‘k’ his five hands on
>> the right side; the five letters beginning with ‘c’ his five hands on the
>> left side; the five letters beginning with ‘ṭ’ his right leg; the five
>> letters beginning with ‘t’ his left leg; the letter ‘p’ his belly; ‘ph’ his
>> right side, ‘b’ his left side; ‘bh’ his shoulder, ‘m’ his heart; the
>> letters ‘y’ to ‘s’ the seven dhātus; ‘h’ his soul and ‘kṣ’ his anger. On
>> seeing the great lord along with Umā. Viṣṇu bowed and then looked up at
>> him. He saw a mantra emerging from ‘Om’ with five digits. Resembling pure
>> crystal it contained thirty eight syllables. It was conducive to the
>> increase of knowledge, and it was the means of achievement of all righteous
>> matters. He saw the Ṛk of twenty four syllables and four digits in Gāyatrī
>> metre and in green colour, with the efficacy for gaining control. He saw
>> the Atharvan mantra of thirty three syllables, eight digits, black in
>> colour and with its efficacy of black magic. He saw the Yajus mantra of
>> thirty five syllables, eight digits, white in colour, with the efficacy for
>> peace. He saw the Sāman mantra of sixty-six syllables, of thirteen digits,
>> in the jagatī metre, in the coral-red colour, with the efficacy for
>> creation and dissolution of the universe.
>>
>> Having obtained these five mantras, lord Viṣṇu performed japa. He saw
>> lord Śiva in all digits and syllables (constituting the limbs) ith body
>> consisting of Ṛk, yajus, and sāman, with Īśāna for his coronet, Tatpuruṣa
>> for his face, Aghora for his heart, Vāmadeva for his private parts,
>> Sadyojāta for his feet, serpents for his ornaments, with eyes and hands all
>> round. On seeing the great lord (of above description) the overlord of
>> Brahmā, the cause of creation, sustenance and dissolution and the granter
>> of boons, Viṣṇu eulogized him with pleasing words.
>>
>> Ṛgveda X.90. 1.
>>
>> In Hindu Mythology Viṣṇu is represented as reclining on the serpent Śesa.
>> A vivid picture of Śeṣaśāyī Viṣṇu is depicted on the outer wall of the
>> Daśāvatāra temple at Deogarh.
>>
>> Brahmā is four-faced (Caturmukha). It is stated that originally he had
>> five heads but one was cut off by Śiva for telling a lie. According to
>> another version, the fifth head was burnt off by the fire of Śiva’s eye for
>> speaking disrespectfully of Śiva. We read in the Śatarudra saṃhitā that it
>> was Kālabhairava, a terrible form of Śiva who cut off the fifth head. Viṣṇu
>> Purāṇa (chapter 8) however gives a different version. It states that
>> Bhairava attempted to cut off the fifth head of Brahmā at the instance of
>> Śiva but gave up the attempt when Śiva intervened at the behest of Viṣṇu.
>>
>> It refers to the invisible (avyakta) Pradhāna, the twenty-fourth category
>> in Sāṃkhya philosophy.
>>
>> Ahaṃkāra (ego) is threefold: sāttvika, rājasa and tāmasa.
>>
>> Om is a mystic syllable consisting of three sounds a, u, m. It is the
>> object of profound religious meditation. The highest spiritual efficacy is
>> attributed not only to the whole word but also to each sound separately.
>>
>> Om is a symbol of Brahma: Cf. Yogasūtra: ‘tasya vācakaḥ praṇavaḥ’. In
>> later times it came to represent the Hindu triad, viz., ‘a’ (Viṣṇu), ‘u’
>> (Śiva), ‘m’ (Brahmā). But this order is not followed in some Purāṇas. For
>> instance, according to Liṅga ‘a’ represents Brahmā, ‘u’ Viṣṇu and ‘m’,
>> Rudra.
>>
>> KR    IRS   4724
>>
>> On Wed, 3 Jul 2024 at 22:18, Gopala Krishnan <[email protected]> wrote:
>>
>>> *VAIKOM SREE MAHADEVA TEMPLE-Compiled*
>>>
>>> Dear friends,
>>>
>>> In my high school days I have visited the temple many times since my
>>> late brother- in- law was native of Vechhoor, Vaikkam.  After years he
>>> settled in Tripoonithura. But the memories of that period are a fading one
>>> for me.
>>>
>>> In 2002, I visited the temple along with the Inspection of exchanges
>>> along with my colleague Mr Sankara narayanam and DGM Mr Bala Subramoniam.
>>> In fact we are very close till today, since we worked together at Tutucorin
>>> Cross bar exchange as Junior Engineers. Later he passed AMIE, wrote
>>> UPSC examination and got selected as ITS. Later period he joined as DGM
>>> in Kerala circle office.
>>>
>>> Recently I saw a you-tube video about Vaikkam temple. I thought today my
>>> posting can be about Vaikkam temple. The information is compiled from
>>> different sites. Certain lengthy/ minute information are not included.
>>>
>>> I start with the morning and evening prayers of Lord of Siva at Vaikkam,
>>> which was a must in my childhood days. Lines by Poonthanam nampoothiri-
>>>
>>> 1.Naranayingane  janichu bhoomiyil,
>>>
>>> Naraka varidhi naduvil Jnan,
>>>
>>> Naraksthil ninnenne kara  ketheedenam,
>>>
>>> Thiru vaikam   vaazhum  Shiva shambo
>>>
>>> 2.Marana kalathe bhayathe   chinthichal,
>>>
>>> Mathi marannu pom Manamellam,
>>>
>>> Mana  tharil  vannu  vilayadidenam,
>>>
>>> THiru Vaikam Vaazhum   Shiva  Shambo
>>>
>>> 3.Shiva Shiva yonnum  parayaavathalla,
>>>
>>> Mahaa  maya  than prakruthikal,
>>>
>>> Mahaa Maya  neekkitarulenam Nadha,
>>>
>>> THiru Vaikam Vaazhum   Shiva  Shambo
>>>
>>> 4.Valiyoru kaattil akapetten jnanum,
>>>
>>> Vazhiyum kaanaathe  uzhalumbol,
>>>
>>> Vazhiyil ner vazhiyaruleedenam  Nadha,
>>>
>>> THiru Vaikam Vaazhum   Shiva  Shambo
>>>
>>> 5.Yeluppamayulla  vazhiye kkanumbol,
>>>
>>> Idakkide yaru padiyundu,
>>>
>>> Padiyaarum  kadannu avide  chrllumbol,
>>>
>>> THiru Vaikam Vaazhum   Shiva  Shambo
>>>
>>> Shiva Shambho Shambho , Shiva  Shambho Shambho ,
>>>
>>> Shiva Shambho Shambho , Shiva  Shambho Shambho ,
>>>
>>> Hope a divine reading
>>>
>>> Gopalakrishnan 04-07-2024
>>>
>>> 1 Introduction
>>>
>>> In Vaikom, Shiva is fondly called as Vaikkathappan, the lord of Vaikom.
>>> The lingam here is believed to be from the Treta Yuga, the second age of
>>> Hinduism and is considered one of the oldest temples in Kerala where puja
>>> has not been broken since its inception.
>>>
>>> Probably, Vaikom Mahadeva Temple may be the only temple devoted to Lord
>>> Shiva which has been equally revered by both Shaivaites and
>>> Vaishnavaites. It is one of the oldest temples in Kerala where the
>>> rituals have never been stopped since its inception.
>>>
>>> Vaikom is a temple town located in the Kottayam District of Kerala and
>>> about 32 Km away from Ernakulam on the NH to Trivandrum. The temple is one
>>> of the most popular and one of the largest temples too in Kerala.
>>>
>>> It is one of the oldest temples in Kerala and is famous for its Vaikom
>>> Ashtami festival.
>>>
>>> The temple is one of the major Shiva temples in Kerala held in reverence
>>> along with the temples in Ettumanoor, Kaduthuruthy, Vazhappally,
>>> Chengannur, Ernakulam, Vadakkunathan, Sreekanteswaram Mahadeva Temple,
>>> Thiruvananthapuram and Thirunakkara.
>>>
>>> 2. Legend
>>>
>>> The legend behind the temple is mentioned in the ancient text Bhargava
>>> Purana and the Sanalkumar Samhita.
>>>
>>> Kharasura (The Demon with the name Khara) was an ardent the devotee of
>>> Lord Shiva and he went to Chidambara to worship Lord Shiva after attaining
>>> Shaiva Vidya Upadesh from Saint Malyavan. He underwent a severe penance
>>> there and pleased with his devotion and dedication, Lord Shiva appeared in
>>> front of him.
>>>
>>> The Lord gave all the boons asked by Kharasura and also gave three Shiva
>>> Lingas. Lord asked him to consecrate the lingas at suitable places and
>>> start worshiping them. He promised that he will appear in front of anybody
>>> who worship these lingas and eradicate the agony and troubles.  Happy
>>> with the boon, Kharasura started his journey with three llingas.
>>>
>>> He held one linga in his left hand the other one in the right hand. The
>>> third one he kept on his neck. On the way, he felt tired and sat in a calm
>>> and serene place to take rest. After some time, he decided to start his
>>> journey. When he tried to pick up the idols, he realized to his utter shock
>>> that they have got fixed to the ground.
>>>
>>> Saint Vyaghrapada was following him invisibly throughout the journey and
>>> at this juncture, he appeared in front of Kharasura and asked him to leave
>>> the lingas there and start worshipping there. The linga which he was
>>> carrying in his right hand is believed to be the one at Vaikom Temple. The
>>> one in the left hand is the idol at Ettumanur Temple and the one he was
>>> carrying on his neck is the one at Kaduthuruthi Temple.
>>>
>>> The fact that the distances from Vaikom to Kaduthuruthi and Kaduthuruthi
>>> to Ettumanur is almost equal, gives this legend a high level of
>>> credibility. Besides, the belief is that praying at all these three temples
>>> in a single day is more auspicious.
>>>
>>> Later Kharasura attained salvation and Vyaghrapada Maharshi remained
>>> there worshipping the idol installed with the right hand of Kharasura. On
>>> an Ashtami day of Malayalam Month Vrischikam, Lord Shiva along with his
>>> consort Parvathy appeared in front of the saint and blessed him. Lord told
>>> him that this place will soon be called Vyagrapadapuram and will attract a
>>> lot of pilgrims.
>>>
>>> Years have passed and the Saint too got salvation
>>>
>>> Once, Parasurama, the sixth incarnation of Lord Vishnu was moving by the
>>> sky, he experienced the presence of divine rays at a particular place on
>>> the earth. He came down and searched for the source of the rays and found
>>> it to be a Shiva Linga immersed in water.
>>>
>>> He picks up the Linga and did rituals chanting many holy hymns. Pleased
>>> with this act, Lord Shiva and Goddess Parvathi appeared in front of him and
>>> asked him to construct a temple and consecrate the linga there. Lord told
>>> him that as the consecration was done by Parasurama, the Linga will have
>>> both the energies or Chaitanyas of Lord Shiva and Vishnu.
>>>
>>> Full of joy and gratitude, Parashurama performed puja there for some
>>> days. Then he built a temple here and entrusted a noble Brahmin man from
>>> the Taruna village. He taught the brahmin, the holy chants, mantras,
>>> procedures and shlokas necessary to perform puja to Shiva and initiated him
>>> as the chief priest of the temple. Parashurama donated the whole temple to
>>> the brahmin and disappeared.
>>>
>>> 2. History
>>>
>>> I could not get any details from internet about the period of
>>> construction. However Perumthachaan has constructed the temple.
>>>
>>> Two times fire occurred in the temple as listened in You-tube and temple
>>> has been reconstructed.
>>>
>>> 3Architecture
>>>
>>>  Vaikom temple is built in the typical Kerala style architectural and
>>> is well-known for its unique cultural performances and elephant pageant.
>>> Architecture
>>>
>>> One of the biggest temples in Kerala, the temple has a courtyard of
>>> about eight acres of land. The premises levelled with river sand is
>>> protected by compound walls with four gopurams or entrance towers on all
>>> the four sides. Even though temples are generally constructed near perfect
>>> East-West direction (e.g., the temples in Ettumanoor and Kaduthuruthy), the
>>> Vaikom temple is built a tilt of five degrees in the North-South
>>> direction.
>>>
>>> There is a golden flag staff and once we enter the temple is the
>>> ‘Stambha Ganesha’ to the north east corner. There is a namaskara mandapa,
>>> with episodes from Ramayana sculpted in the inner roof. A huge Nandi  idol
>>> is placed just outside the main sanctum santoram.
>>>
>>> 4 Sanctum
>>>
>>> The sanctum sanctorum is apparently round in shape roofed with copper
>>> sheets and with two chambers. In fact, this is the only temple in Kerala
>>> with an oval shaped sanctum, though externally it appears like a
>>> circular temple. This oval shape is evident when the width of antharaala is
>>> measured. Only builders with exceptional skill can execute such marvellous
>>> architectural structures. It is believed that the temple was  built by
>>> Perumthachan, who was an exceptional architect of his time.
>>>
>>> The Mukha Mandapa, the first pillared hall and chamber is built in
>>> shaped stone and single piece woods. The walls and pillars are very strong.
>>> The garbhagriha or the sanctum sanctorum – the second chamber is built
>>> completely in stone including the roof in a square shape.
>>>
>>> Six steps-It is a very curious and peculiar fact that we are unable to
>>> obtain the darshana of the lingam from the sanctum without passing through
>>> a staircase with six steps, either from the entrance or the sanctum. It
>>> signifies the six vikaras (impurities) which are Kama (lust), Krodha
>>> (anger), Lobha (power), Moha (attachment), Mada (ego) and Matsarya (envy).
>>> Crossing the staircase signifies the devotee letting go of these six
>>> impurities and attaining liberation or moksha.
>>>
>>> This is well depicted in the famous Malayalam song, Naranayingane
>>> Janichu Bhoomiyil, written about the deity of this temple by Poonthanam
>>> Nampoothiri.
>>>
>>> 5 Main deity
>>>
>>> The lingam here is believed to be from the Treta Yuga, the second age of
>>> Hinduism and is considered one of the oldest temples in Kerala where puja
>>> has not been broken since its inception.
>>>
>>> It is the belief that the temple and its connected customs and rites are
>>> planned and fixed by Parashurama himself. It is believed that Shiva, also
>>> known here as Vyaghralayesha (the lord of Vyaghrapadapurma), gives His
>>> blessings to the devotees in three incarnations or avatars, in the morning
>>> as Dakshinamurthi, in the afternoon as Kiratamurthi, and as Shakti
>>> Panchakshari in the evening.
>>>
>>> 6. Upadevathas
>>>
>>> Unlike other temples there are no upa devathas except one Yakshi
>>> enshrined in the southwest corner in a small sanctum in a later period.
>>>
>>> The temple of Sri Kochalumchuvdu Bhagavathy Amman, who is considered as
>>> a form of Kali and the consort of Vaikathappan.
>>>
>>> 7 Darsan timings
>>>
>>> The darshan opening time of the temple is 4 AM and close at 8 PM. You
>>> can perform daily rituals of the temple and also visit for darshan.
>>>
>>> 8 Puja/ Aarti Offerings
>>>
>>> 3:30 AM   Palli Unarthal 4.00 AM    Nadathurappu
>>>
>>> Nirmalya Darsana Ethirthu Pooja Usha Pooja
>>>
>>> 6.30 AM   Ethirthu Sribeli 7.30 AM Panthiradi Pooja
>>>
>>> 9.00 AM   Navakam Pooja 10.00 AM       Ucha Pooja
>>>
>>> Abhisheka – PanchagavyamNavakam, and special Abhishekas
>>>
>>> 11.30 AM         Ucha Sribeli
>>>
>>> 12:00 PM          Temple Closing time
>>>
>>> 5:00 PM   Temple reopens  6.30 PM          Deeparadhana
>>>
>>> 7.00 PM   Athaza Pooja 8.00 PM     Athaza Sribeli
>>>
>>> 9:00 PM   Temple closing time
>>>
>>> 9 Abhishekam Timings
>>>
>>> 10 AM
>>>
>>> 10 Offerings in the temple
>>>
>>> 1 Jala Dhara
>>>
>>> Just like the Ksheera Dhara, pure water is used instead of milk and the
>>> Abhisheka is done continuously with the recital of Manthras.
>>>
>>> 2 Prathal
>>>
>>> The most important and Holy ‘Prathal’ is the main offering to the
>>> Vaikkathappan. Prathal is the most Holy Anna Dana among all other Danas.
>>> The first leaf is placed in the Manya Sthana before distribution. To give
>>> Prathal as an offering and eating of the Prathal is very auspicious and
>>> makes the receiver holy. All who observe any fast have to eat the rice of
>>> this Prathal. Then their Vritha will be fruitful and all sins remitted as
>>> per Bhargava* Purana.
>>>
>>> Ananda Prasada
>>>
>>> After the Prathal there is a custom to give Ananda Prasada to the
>>> devotees. The Melsanthy brings some Bhasma on a plate and gives it to the
>>> people after Prathal. It is called the Ananda Prasada.
>>>
>>> Once while cooking the items for the Prathal a poisonous snake fell in
>>> the cooking vessel and died. Because of the poison those who ate the
>>> Prathal fell unconscious. It is said that then a Brahmin smeared in Bhasma
>>> instructed them to take the dry Bhasma from inside the Sreekovil and give
>>> it to the unconscious people, assuring them that the poison will be
>>> removed, He disappeared. When the people were given the dry Bhasma all the
>>> people got cured and rose as if awaken from sleep. It was believed that the
>>> Brahmin was really Vaikkathappan. As the Brahmin Bhojan is rare nowadays
>>> the Ananda Prasada is also rare.
>>>
>>> Sahasra Kalasa
>>>
>>> The Sahasra Kalasa is performing Abhisheka with 1001 pots of water and
>>> other holy items. It is continuously done for 10 days with 101 pots of
>>> Abhisheka every day. It is done in the Mandapa. After marking Padma, a
>>> golden pot is placed in the middle for Brahma Kalasa and eight pots are
>>> placed around it within the Sankalpa of seven seas and Karana Jala around
>>> them on eight parts, each part is pilled with Panchagavya, butter milk,
>>> milk, ghee, honey, Navarathna Jala (water with Navarathna), water with Kusa
>>> the grass and water with Astaganda. All of these are used every day. When
>>> Sahasra Kalasa is performed there will be feasts every day for ten days. On
>>> the eleventh day Rudra Pooja is performed. The next day Udayasthamana Pooja
>>> is performed in Udayanapuram Temple.
>>>
>>> Dravya Kalasa
>>>
>>> The Abhishekas of one day of Sahasra Kalasa is called Dravya Kalasa.
>>> Kalasa Pooja is done on the Mandapa like Sahasra Kalasa.
>>>
>>> Aayira Kalasa
>>>
>>> One thousand and eight Kalasas filled with different materials are used
>>> for this Abhisheka. It is completed in one day.
>>>
>>> Ayirakudam
>>>
>>> At the Sreekovil or at the Navakapura. On Brahma Kalasa and a large
>>> copper vessel is filled with fresh water and jaladrony pooja is one. Then
>>> ten poojas are continuously performed. For each Pooja one hundred and eight
>>> Jala Kumbhas are used for this Abhisheka. It is the ‘Aayirakudam’ of
>>> Vaikkathappan.
>>>
>>> Vilwapatra mala
>>>
>>> Vilwapatras are offered to Lord Vaikkathappan as a special offering
>>> which is so dear to Him. He grants gladly what the devotee asks.
>>>
>>> Bhasma Mala
>>>
>>> It is also a special offering in this Holy Temple reminding us about the
>>> importance of Vaikom Bhasma
>>>
>>> Vilakku or Lamps
>>>
>>> Some devotees offer Vilakku as an offering in this Temple. They donate
>>> oil for the lamps lit in the Sannidhya.
>>>
>>> Appam Nivedya
>>>
>>> Unniyappams are offered to the Sthamba Ganesh for the removal of Vighnas
>>> or obstacles. It has started recently.
>>>
>>> Ksheera Dhara
>>>
>>> One hundred and one measures of milk after jaladrony pooja is poured in
>>> Dhara Kidaram made of silver and this Abhisheka is done on the Sivalinga.
>>>
>>> Aluvilakku
>>>
>>> A lamp with three hundred and sixty five wicks in the shape of a pipal
>>> tree is lighted using ghee or oil. It is becoming popular among the
>>> devotees nowadays. This lamp is lighted at the Sreekovil yard. It is the
>>> belief that the desires would be fulfilled by this offering.
>>>
>>> 11 Festivals
>>>
>>> This temple is famous and visited by thousands of devotees daily for the
>>> darshan of Lord Shiva. There are many festivals celebrated in Vaikom
>>> Mahadeva temple but Vaikom Ashtami is one of the famous festivals that
>>> starts in Vrishchikam month.
>>>
>>> 11A Vaikom Ashtami
>>>
>>> The legend behind this festival is that years ago a saint man named
>>> Vyaghrapada prayed to God siva for years after many years God siva and his
>>> wife Parvathy Devi appeared in front of him. It is believed that god Siva
>>> appeared in front of him in the day of Krishna Ashtami.
>>>
>>> Vaikathashtami, observed in the Malayalam month Vrishchikam on the eight
>>> day after full moon day, is one of the most popular temple festivals in
>>> Kerala.
>>>
>>> On the day of Vrichika Ashtami (According to Malayalam calendar), Shiva
>>> and his consort Parvati appeared before Vyaghrapada. The Lord proclaimed,
>>> "This place shall be known as Vyaghrapadapurma", and disappeared. The
>>> world-famous Vaikkathashtami festival and all connected holy festivals are
>>> observed here even to this day on the same Vrichika Ashtami.
>>>
>>> 12 ‘Manya Sthana’
>>>
>>> Manya sthana  is where the saint Vilwamangalathu Swamiyar, who could
>>> see Gods spotted the Lord while having food. The main kitchen is towards
>>> the east of the ‘Manya Sthana’.
>>>
>>> 13 Closed Door at Vaikom Shiva Temple
>>>
>>> There is a door in the western courtyard of the temple which always
>>> remains closed. Here is the legend behind that. Parasurama awarded the
>>> rights on the temple to one hundred and eight families. As time passed they
>>> got divided into two groups supporting and opposing the ruler. The quarrel
>>> between these two groups intensified day by day.
>>>
>>> The temple was in the ownership of 108 families in olden days. The
>>> owners were divided into two groups and one group joined the king's side.
>>> Their disputes and quarrels increased day by day. One day a section of the
>>> divided group came to the temple at noon. The chief of one of the groups,
>>> Njallal Namboothiri barged into the temple to stop the puja. At that time
>>> the naivedyam, the food offered to the deity, was used to be placed in the
>>> western side of the Namaskara Mandapa hall. Njallal Namboothiri barged
>>> through the western door, kept his shawl above the western door and spat
>>> the remains of his paan on the food. Thus, the puja was disrupted. On
>>> return, while he was taking his shawl from the door top, he was bit by a
>>> highly poisonous snake. He crawled himself outside the western door and
>>> died. The door automatically closed itself and a heavenly voice was heard
>>> from inside the sanctum sanctorum saying, "This door should not be opened
>>> anymore!". The door remains closed to this day to show the wrath of Shiva
>>> against the disruption of his worship.
>>>
>>> 14 The Vaikom Satyagraha
>>>
>>> Vaikom is also one of the oldest townships in South India, and was the
>>> venue for the Vaikom Satyagraha, the much-famed civil rights movement in
>>> Indian history. The Vembanad Lake and the Murinjapuzha Backwaters are
>>> sights to behold in Vaikom. Periyar reached Vaikom on April 13. The
>>> rest, as they say, is history.
>>>
>>> Paved the way for temple entry proclamation of Kerala in 1936; Symbol of
>>> fight against caste barriers
>>>
>>> Before India attained independence, untouchability and casteism was
>>> prevalent across all the princely states of Kerala. The roads around Vaikom
>>> temple became the venue for the agitation known as the Vaikom Satyagraha.
>>> Many national leaders including Mahatma Gandhi talked to the kings of
>>> Travancore who later signed the Temple Entry Proclamation which is
>>> considered as a milestone in the history of the land. Vaikom temple was
>>> among the first to open its doors to all.
>>>
>>> 15 Contact Details
>>>
>>> Address – Vaikom Shiva Temple, Travancore Devaswom Board, Vaikom,
>>> Kottayam – 686141
>>>
>>> Phone Number – 04829-215812
>>>
>>>
>>>
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