Ancient Babylonian Tablets Are Finally Deciphered. They’re Full of Bad News

The tablets date back 4,000 years.
[image: a cuneiform tablet with a black background.]
Original tablet as translated in the recent study. Photo: courtesy the
British Museum.

Richard Whiddington
<https://news.artnet.com/about/richard-whiddington-26560>August 9, 2024

For the Ancient Babylonians, astrological divinatio[image: Share]n was a
tool of serious statecraft. The mercurial gods were believed to place coded
signs in the heavens above that foretold the fate of kings, their families,
and the lands they ruled over.

In time, astronomers and scholars developed a body of celestial-omen texts
that connected these phenomena with their earthy predictions. They were, in
essence, troubleshooting manuals for pious kings that came in the form of
clay tablets etched with cuneiform script
<https://news.artnet.com/art-world/a-i-translates-ancient-cuneiform-2299128>
.

Lunar eclipses were one such astrological event closely watched by those
who advised Babylonian kings. The four oldest examples of texts centered on
the occurrence of the Earth passing between the sun and the moon have now
been translated. These belong to the British Museum. Andrew George, a
professor at the University of London, and Junko Taniguchi, an independent
researcher, teamed up to decipher the 4,000-year-old tablets that are
believed to be from Sippar, a prosperous city on the banks of the
Euphrates, in what is modern-day Iraq.

“Omens arising from lunar eclipses were of great importance for good
statecraft and well-counseled government,” the authors wrote in a paper
recently published in the *Journal of Cuneiform Studies
<https://www.journals.uchicago.edu/doi/epdf/10.1086/730483>*. “In later
periods there is ample evidence to show that astrological observation was
part of an elaborate method of protecting the king and regulating his
behavior in conformity with the wishes of the gods.”

Lettered A through D, the researchers were able to use spellings and case
endings to date the tablets. A and D were made in the 18th century B.C.E.,
roughly during the reigns of Hammurabi and his son Samsuiluna. B and C date
to the 17th century B.C.E.

The tablets largely repeat their information and in total contain up to 61
omens. These are comprised of an observation, “if X happens,” followed by a
prediction, “then Y will happen.” Factors used to decipher an eclipse
include time of night, the movement of the shadow, duration, as well as the
month and day of the year. While some divinations connected to lived
experiences, for the most part it was based on a theoretical system that
linked the characteristics of an eclipse to various omens.
[image: example in black and white of the copy of the text on Tablet A used
to translate the lunar eclipse omens]

Tablet A as copied by by Junko Taniguchi for the translation of the
Babylonian text. Photo: Journal of Cuneiform Studies/Taniguchi/ George;
https://doi.org/10.1086/730483.

The futures foretold were almost uniformly bad news for the empire
<https://news.artnet.com/art-world/art-bites-first-museum-labels-2467975>,
though some signaled destruction for Babylon’s enemies. They range from
inclement weather, with the warning “the deluge will occur everywhere”; to
famine, as in “people will trade their children for silver, there will be a
reduction in population”; to general chaos, cautioning “there will be evil
in the land, its bounty will disappear.”

Fortunately for the kings, there were ways to counteract these omens, such
as seeking out oracles—specialists would be called in to examine the
entrails of animals—and performing the proscribed rituals.

First identified in the 1970s by Douglas Kennedy, a Babylonian scholar, the
tablets had previously served as a reference used by scholars to show how
the genre of lunar eclipse texts evolved over time. They are similar in
content to Old Babylonian tablets translated a decade ago connected with
Dur-Abiesuḫ, a fortress on the Tigris river near the ancient city of Nippur.

The provenance of the tablets remains murky and are believed to have been
purchased by the British Museum from a range of Babylonian antique traders
predominantly during the final decade of the 1800s.
K R IRS 11824

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