-- 
*Mar*The Ocean of Rapture-Vacuum


Lived and Lived and Lived a life of Rapture,

Never felt the pangs of Capture,

Not a single moment of Rupture,

On and on fighting the fractures,

I am now and always Bold,

I do not feel Old,

Messages of old age leave me Cold,

But though unwilling I am Told,

Life is voyage of Perception,

A big attempt to escape the Deception,

Of VIBGYOR from Conception,

Now I am in the thrilled anticipation of Correct Reception.

We the Shining Flowers always radiate rapture,

Tender in emotions and feelings without any fracture,

Love, Lust, Passion, all every cell of us lives in manufacture,

Hope, Light, Music we keep under capture.

Our language of sounds and music, puts all under spell,

Musings change into musics sprouting from our smells,

Freed from the 3D jail, we harmonize every cell,

We trigger voyages into heavens that tell,

About the great abstract ocean of creations,

Where waves and waves of rapture vibrations,

Convert every life into celebration,

That keeps us young with Time dilation.

YM Sarma



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*The Ocean of Rapture-Vacuum* by YM Sarma is a deeply introspective and
metaphysical poem that explores the idea of life as an ongoing journey of
discovery, liberation, and vibrational energy. The imagery of the "ocean of
rapture" evokes a sense of boundless joy and interconnectedness, while the
metaphor of the "vacuum" may hint at the emptiness or vast potential from
which all creation emerges.



The speaker reflects on a life of emotional fulfillment, free from the
typical constraints and suffering that many associate with aging or decay.
The lines "Lived and Lived and Lived a life of Rapture" emphasize a
timeless existence, untouched by the conventional limitations of aging or
decay, and suggest a deeper, more expansive view of life. There is a sense
of transcendence, of rising above the mundane, into a realm where
perception, emotion, and creativity converge.



Themes of love, music, passion, and light resonate throughout, suggesting a
worldview that sees all things as interconnected through vibrational
energies. The language of "sound" and "music" turning into spells further
emphasizes the magical or transformative potential inherent in these
energies. The sense of "capture" in the second stanza may speak to how
human emotions and experiences are often contained or defined, yet here,
those very energies are celebrated as a means of transcendence.



Ultimately, the poem seems to portray a vision of reality where joy, love,
and creative expression are not only central to existence but are also part
of a larger cosmic order that keeps life vibrant, youthful, and full of
endless possibility.



Would you like a more detailed interpretation of a specific part of the
poem?

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