Balarama 1
1 RGK: As I intimated earlier to the groups, I ignore all negative
comments about my postings by any member. Positive comments and suggestions
will be replied and acknowledged by me. Gopalakrishnan, 14-06-2026
-----------------------------------------------------------------------------
-KR SPOKEN THE TRUTH; ACCORDING TO HIS LEXICON, HIS WRITEUP AND CONTENT
IF SUPPORTED IT IS POSITIVE AND IF NOT IT IS NEGATIVE; AND IT IS NOT ABOUT
RGK’S NEGATIVE KNOWLEDGE BUT SIMPLY COPYING PASTING STYLE, SHIFTING THE
GUILT ON THAT POOR GOOGLE.
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2 RGK tyrant King Kansa
KR Kamsa? North Harivamsa purana only uses this, not Smd
Bhagavatham.
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3 Samvartaka and sounanda
During the military campaigns described in the Harivamsha and the Bhagavata
Purana, Balarama relied heavily on Samvartaka and Sounanda to devastate
enemy ranks. When the tyrannical King Jarasandha of Magadha besieged
Mathura 17 times with massive, multi-phalanx armies, these celestial
weapons manifested directly from the heavens to aid Balarama. Balarama
wielded his iconic weapons in specific tactical ways across major conflicts:
1. The Siege of Mathura (Against Jarasandha)The Manifestation: During
Jarasandha's first massive assault, Balarama and Krishna stood outnumbered.
Suddenly, two celestial chariots equipped with divine weapons descended
from outer space. Balarama received the Samvartaka plough and the Sounanda
mace.
Mass Annihilation: Balarama used the Samvartaka plough like a giant
grappling hook, using its celestial curve to hook, pull, and drag entire
phalanxes of enemy chariots, elephants, and infantry into chaotic heaps.
Crushing the Vanguard: Once the army was disoriented by the plough, he
used the Sounanda mace to smash the skulls of war elephants and shatter the
armor of enemy generals.
The Capture of Jarasandha: In one of the early battles, Balarama used
his immense strength to physically overpower Jarasandha, binding him with
the divine cords of Varuna. He raised his mace to deliver a fatal blow, but
Lord Krishna intervened. Krishna secretly wanted Jarasandha alive so he
would repeatedly gather the earth’s corrupt kings into one place, making it
easier for the Yadavas to systematically eliminate the world's evil forces.
Balarama desisted and let Jarasandha return to Magadha in disgrace.
2. The Battle for Rukmini (Against Jarasandha and Rukmi)The Archery
Counter: During Rukmini’s Swayamvara, Jarasandha and his ally Rukmi pursued
Krishna's chariot. Balarama acted as the rear guard.
Sthunakarna Deployment: When Jarasandha launched a volley from a
celestial mace, Balarama didn't just swing his own club; he intercepted it
mid-air by casting a specialized mystical counter-weapon called
Sthunakarna, completely neutralizing Jarasandha’s offensive. He then used
Sounanda to utterly scatter Jarasandha's secondary forces.
3. Other Legendary Uses of the Plough
While Jarasandha felt the blunt force of both weapons, Balarama
used the Samvartaka plough for unique feats of terraforming and siege
warfare in other conflicts:
Dragging Hastinapur: When the Kauravas unjustly imprisoned Balarama’s
nephew Samba, Balarama arrived at Hastinapur to demand his release. When
they arrogantly refused, he drove Samvartaka into the ground and began
dragging the entire capital city toward the Ganges River to drown it. The
terrified Kauravas immediately surrendered and freed Samba.
Diverting the Yamuna: During a festival in Vrindavan, a intoxicated
Balarama wanted to bathe, but the Yamuna River flowed too far away. He
hooked the riverbed with Samvartaka and dragged the river closer to the
forest, permanently altering its geographical course.
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4 RGK BALARAMA LIKES WINE
KR: Again Harivamsa purana says so: CHAPTER XCVII. BALARAMA GETS
DRUNK.
Vaishampayana said:—
Thereupon recollecting the drinking of ambrosia in the days of yore, he,
searching the wine, saw the Kadamva tree (9). Deposited in its cave, the
water, that the clouds showered on the tree in the rains, had become a
delightful wine (10). The powerful Baladeva was over-powered by thirst, so
drinking that wine again and again, like a sick person drinking water he
grew inebriete and his body began to reel (11). On account of his being
drunk his eyes and face, resembling an autumnal moon, began to roll (12).
The goddess Vāruni, who was the churning rod of ambrosia unto the gods, was
born in that Kadamva cave in the shape of wine. And so she passed by the
name of Kādamvari (13). Inebriete with Kādamvari wine while Krishna's elder
brother began to speak in indistinct but sweet words the wine incarnate
Kānti, the beloved spouse of the moon, the goddess Sree the foremost of
damsels having the emblem of a cloud on her flag, these three celestial
ladies approached him with sweet words (14–16). First of all coming before
the inebriete son of Rohini the goddess Vāruni, with folded hands,
addressed to him words conducive to her own well-being (16):—"O Baladeva, O
foremost of gods, do thou consume the host of Daityas. I am here thy
beloved lady Vāruni (17). O thou having a pure countenance, thou used
always to reside by the forest fire, but now thou hast disappeared. Hearing
this, I am ranging on the face of the earth like one whose religious merit
has been dissipated (18). For a long time I lived in the filaments of
flowers and spring flowers whose bunches were never touched. But I am fond
of pleasures, therefore at the advent of the rains, hiding my own true
form, I was lying in the Kadamva cave in expectation of thy arrival
stricken with thirst (19–20). O sinless one, as I was despatched with
consummate beauty reigning over all my limbs, by my father Varuna at the
time of the churning for ambrosia, so I have been sent by him now (21). O
lord, thou art my beloved preceptor, so I wish to live by thee as I was
residing by the forest fire in the ocean (22). O god, O sinless Ananta,
save thee I shall not be able to serve any other people. And so I shall not
leave thee even if thou dost remonstrate with me (23)."
--------------------------------------------------------------------------------
4 RGK: My note- Father initiating son to Gayatri mantra as
guru is a later procedure. Mother has no part while initiating. She gives
Mathru bhojana before initiation.
KR IT IS STRANGE FROM WHICH AUTHORITY HE WRITES MY NOTE AS READ
ABOVE? ONLY MY FATHER TAUGHT ME AND I DID TO MY SON AND ONLY MY GRANDSON
THRO MY SON. SO WHAT IS MEANT BY “GURU IS LATER PROCEDURE” UNCLE CAN DO IT .
During the Upanayanam (sacred thread ceremony), the father of the vatu
(the boy undergoing the ceremony) or the designated priest/teacher performs
the Brahmopadesham. The father assumes the role of the Guru and is
traditionally the person who whispers the sacred Gayatri Mantra into the
right ear of the boy, marking his spiritual "second birth". Who else can
teach it? If the father is not present or is unable to perform the ritual
due to specific circumstances, an elder male relative who acts as a father
figure (such as a paternal uncle or grandfather) can take on this sacred
duty. Alternatively, the chief Vedic priest officiating the ceremony acts
as the Guru to initiate the boy.
Preparation: According to Vedic tradition, to gain the spiritual
authority to impart this mantra to his son, the father is expected to
perform a designated number of additional Gayatri Japas prior to the
ceremony.
Brahmopadesham (often spelled Brahmopadesam) is the most sacred
ritual core of the Hindu Upanayanam (sacred thread) ceremony. It marks the
precise moment a young boy (vatu) is initiated into spiritual life through
the transmission of divine knowledge.
Meaning and PurposeLiteral Translation: In Sanskrit, Brahma refers
to the Ultimate Reality or Vedic knowledge, and Upadesham means instruction
or advice. It translates to "instruction regarding the Divine.
"The Spiritual Birth: This ritual grants the boy the status of a
Dvija (twice-born). His physical birth was from his mother; this is his
spiritual birth into intellect and wisdom.
The Ritual: The father acts as the first spiritual Guru. Under a
protective silk cloth, *he whispers the sacred Gayatri Mantra into his
son's right ear. *Why is it Performed This Way?
Absolute Privacy: The cloth ensures that the powerful vibrations of
the mantra are directed solely from the Guru to the student without any
external distraction or interference.
The Right Ear: In Vedic tradition, the right ear is considered
highly sacred and is believed to have a direct spiritual connection to
memory and internalizing Vedic hymns.
Daily Responsibility: Receiving Brahmopadesham officially makes the
boy eligible and duty-bound to perform Sandhyavandanam (prayers and
meditation) three times every day.
SO, ONLY FATHER IN ALL THE SRAUTHA SUTRAS .
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5 RGK: Smd Bhagavatham chap 65 vol10 Rasa leela
KR [ Srimad Bhagavatam Canto 10, Chapter 65, details Lord Balarama’s
visit to Vrindavana to console the grief-stricken cowherd residents and
family ]]
SB 10.65.4-6
gopa-vrddhams ca vidhi-vad
yavisthair abhivanditah
yatha-vayo yatha-sakhyam
yatha-sambandham atmanah
samupetyatha gopalan
hasya-hasta-grahadibhih
visrantam sukham asinam
papracchuh paryupagatah
prstas canamayam svesu
prema-gadgadaya gira
krsne kamala-patrakse
sannyastakhila-radhasah
*Translation: *
Lord Balarama then paid proper respects to the elder cowherd men, and the
younger ones all greeted Him respectfully. He met them all with smiles,
handshakes and so on, dealing personally with each one according to age,
degree of friendship, and family relationship. Then, after resting, the
Lord accepted a comfortable seat, and they all gathered around Him. With
voices faltering out of love for Him, those cowherds, who had dedicated
everything to lotus-eyed Krsna, asked about the health of their dear ones
[in Dvaraka], and Balarama in turn asked about the cowherds’ welfare.
According to the authentic text of the Srimad Bhagavata Purana (Canto
10, Chapters 29-33) and commentaries by top Vedic scholars (acharyas), the
Rasa Leela is entirely religious, transcendental, and spiritual. It is
explicitly not material "fun and frolic" or worldly lust. Authentic
references provide this exact scriptural reality:
1. The Direct Scriptural Verdict When the narrative was originally
spoken, King Parikshit raised the exact same question to Sage Shukadeva:
* How could Lord Krishna, the protector of Dharma, dance with the wives
of others?*
Shukadeva replied (Bhagavata Purana 10.33.39-40): The Ultimate Cure
for Lust: He explicitly declared that anyone who hears or describes the
Rasa Leela with faithful devotion will conquer the disease of the heart
(worldly lust and material desires).
According to the *Padma Purana and Vaishnava commentaries*, the Gopis
were not ordinary village girls:
1 Shruti-rupa Gopis: The personified verses of the sacred Vedas who took
form to intimately experience the Supreme.
2 Rishi-rupa Gopis: Great sages who performed thousands of years of strict
penance in previous lifetimes to attain a direct, uninhibited relationship
with God.
3. The Theological MeaningThe Metaphor:
The sound of Krishna’s flute is the call of the Divine. The Gopis running
into the dead of night symbolizes the individual human soul (Jivatma)
shedding all material attachments, ego, and bodily consciousness to merge
into the Supreme Soul (Paramatma).
The Multiplication: Krishna multiplied himself into millions of forms so
each Gopi was dancing with him individually. This illustrates that God is
fully accessible to every single soul at the same time without division or
exclusion.
The Non-Physical Nature: The text notes that Krishna was a child of
roughly seven or eight years old when this took place, completely removing
any material or physical connotations.
Authentic Vaishnava Verdict For Your Reference In the Chaitanya
Charitamrita (Adi 4.165), the clear boundary is drawn: "Lust and love have
different characteristics. Lust is for the sake of one's own sense
gratification, whereas love is for the gratification of the senses of Lord
Krishna." The Gopis had absolute, zero self-interest—making it the highest
form of Bhakti Yoga.
The exact question regarding the nature of this pastime was
raised anciently by King Parikshit to the self-realised sage Shukadeva
Goswami. The authoritative response settles any ambiguity:
Srimad Bhagavata Purana (10.33.39):
"Vikrīḍitaṁ vraja-vadhūbhir idaṁ ca viṣṇoḥ, śraddhānvito ’nuśṛṇuyād atha
varṇayed yaḥ, bhaktiṁ parāṁ bhagavati pratilabhya kāmaṁ, hṛd-rogam āśv
apahinoty acireṇa dhīraḥ."
Authorized Translation:
"Anyone who faithfully hears or describes the Lord’s playful affairs
with the young gopis of Vrindavana will attain pure devotional service unto
the Supreme Lord. Thus, such a person will quickly become sober and conquer
the disease of the heart, which is material lust."
Theological Conclusion: Mundane entertainment or material "fun and
frolic" stimulates worldly desires. Because the authentic scriptural text
guarantees that meditating on the Rasa Leela destroys worldly desire, the
event is chemically and spiritually distinct from material behavior.
----------------------------------------------------------------------
K RAJARAM IRS 14626
On Sun, 14 Jun 2026 at 11:29, 'gopala krishnan' via Thatha_Patty <
[email protected]> wrote:
> *LORD BALARAMA- PART 1*
>
> Dear friends,
>
> This is a posting about Lord Balarama, half-brother of Lord Srikrishna. *All
> information is compiled from websites and Google QA.*
>
> This is first part of the posting. Hope an interesting reading. As I
> intimated earlier to the groups*, I ignore all negative comments* about
> my postings by any member. Positive comments and suggestions will be
> replied and acknowledged by me.
>
> *Gopalakrishnan, 14-06-2026*
>
> *Introduction*
>
> Balarama is the elder half-brother of Krishna and a central figure in
> Hindu mythology, revered as an *incarnation of Adi Shesha (the divine
> serpent*). He is celebrated as the epitome of divine strength, *an
> agricultural deity,* and the ultimate companion to Krishna, standing by
> His side through his childhood and the Mahabharata war.
>
> *Birth and Origin of Balarama*
>
> The Divine Transfer: Balarama was originally the *seventh son of Devaki
> and Vasudeva*. *To save him from the tyrant King Kansa, the embryo was
> miraculously transferred to the womb of Rohini, Vasudeva's other wife*.
>
> Appearance: Unlike Krishna's dark, cloud-like complexion, *Balarama was
> born with a fair complexion*, which is often interpreted as a symbol of
> purity.
>
> Names: He is called Rama. The prefix Bala was added to denote his
> superior physical strength. He is also known as Baladeva, Balabhadra, and
> Haladhara.
>
> *Lord Krishna younger brother of Balarama*
>
> *Krishna was the eighth son of Vasudeva and Devaki*. Balarama was their
> seventh child.
>
> The birth order and history of the brothers is as follows:
>
> *The First Six Children*: Devaki and Vasudeva were imprisoned by the
> tyrant King Kansa, who was warned by a prophecy that Devaki's eighth son
> would be his downfall. *Kansa murdered their first six children to thwart
> this prophecy.*
>
> Balarama (The 7th Son): Balarama was conceived as the seventh child.
> Through divine intervention, the embryo was transferred from Devaki's womb
> into the womb of Rohini (*Vasudeva's other wife*), where he was born
> safely and raised away from Kansa's wrath.
>
> *Krishna (The 8th Son*): Krishna was the eighth son born to Devaki. Following
> his birth, Vasudeva secretly spirited the baby away to Vrindavan, where he
> was raised by Nanda and Yasoda.
>
> *Childhood and Leelas of Balarama*
>
> Cowherd Life:
>
> Balarama spent an idyllic childhood with Krishna in the pastoral lands of
> Vrindavan, tending cows and playing with the cowherd boys.
>
> Demon Slaying: He wielded immense power and defeated several demons sent
> by Kansa, including the *asura Dhenuka and the wrestler Mushtika*.
>
> The Divine Bond: The bond between the brothers is legendary. Krishna held
> Balarama in deep reverence, viewing him as a source of great support and an
> embodiment of brotherhood.
>
> * Weapons and Attributes-The Plough and Pestle:* Balarama is usually
> depicted holding a plough (hala) and a mace or pestle (musala). His primary
> weapons are Samvartaka (his plough) and Saunanda (his club).
>
> *Connection to Nature*: He is deeply associated with agriculture,
> fertility, and the earth. Legends say he used his mighty plough to carve a
> path for the Yamuna River, bringing it closer to the groves of Vrindavan.
>
> Love for Festivity: He is known for his love of nature, strength, and
> *occasionally,
> wine*.
>
> *Education of Balarama*
>
> Balarama had his education with Srikrishna under *sage Sandipani*
>
> According to ancient Hindu scriptures like the *Bhagavata Purana*, after
> King Kansa was killed, the two brothers were sent away to school. This
> meant *the education was delayed* for Lord Balarama and Lord Krishna.
>
> *The details of their education include:*
>
> The Location: They studied at the Sandipani Ashram, which was located in
> *Avantipura,
> a region near modern-day Ujjain in Madhya Pradesh*.
>
> *Their Companions:*
>
> They studied alongside their close friend, *Sudama**(Kuchela*).
>
> *The Rapid Learning*: Despite being divine avatars, they lived as humble,
> normal students. They mastered 64 different arts and sciences (including
> politics, archery, Vedas, warfare, and music) in just 64 days and nights.
>
> *Guru Dakshina*: As a token of gratitude at the end of their studies,
> Balarama and Krishna used their divine powers *to travel to the
> underworld and resurrect Sage Sandipani’s young son, who had drowned in the
> ocean*.
>
> It means their education was late after killing king Kansa by the age of
> 12 by Lord Krishna
>
> The formal education happened later than normal, right after the death of
> Kansa. However, according to the major scriptures like the Srimad
> Bhagavata Purana, Krishna was actually around 11 years old (specifically 11
> years and 52 days) when he killed Kansa
>
> Life in Hiding:
>
> Balarama and Krishna spent their entire childhood in the rural village of
> Vrindavan hiding from Kansa's assassins. Because they were living under
> the guise of cowherd boys (Gopas), *they could not undergo the
> traditional sacred thread ceremony (Upanayana) or receive a formal royal
> education during their early years*.
>
> The Delayed Initiation:
>
> *Immediately after slaying Kansa, Vasudeva and Devaki were freed from
> prison.* They immediately arranged for the brothers' Upanayana ceremony,
> which officially marked them as Kshatriyas (warrior-princes) eligible for
> Vedic education.
>
> *Sent to the Sandipani Ashram for studies along with Krishna:*
>
> Following the ceremony, they were immediately sent to the Sandipani
> Ashram in Avanti. While 11 years old was technically late to begin an
> ancient schooling system, they made up for lost time by famously
> mastering all their lessons in just 64 days.
>
> *Sacred thread ceremony of Lord Balarama and Srikrishna*
>
> The Sacred Thread Ceremony, historically known as Upanayana or
> Yajnopavita, was the turning point that transformed Krishna and Balarama
> from simple cowherd boys into recognized princes.
>
> Because they spent their childhood in hiding, this rite of passage was
> delayed until they returned to Mathura.
>
> *Why the Ceremony Was Crucial*
>
> *The Second Birth (Dwija)*: In Vedic tradition, the Upanayana signifies a
> spiritual rebirth. *A boy is considered a Dwija (twice-born) only after
> receiving the thread.*
>
> *Vedic Eligibility*: Without this ceremony, no one—not even royalty—was
> permitted to study the Vedas, learn advanced warfare, or enter a Gurukul
> (ashram school).
>
> *Reclaiming Royal Status:*
>
> By undergoing the ceremony, Krishna and Balarama formally shed their
> rustic Gopa (cowherd) identities and took up their true responsibilities as
> *Kshatriyas
> (warrior-princes) of the Yadu dynasty.*
>
> *How the sacred thread Ceremony was Carried Out for Lord Balarama and Lord
> Krishna.*
>
> The Rituals: Conducted by their *family priest, sage Garga*, the ceremony
> involved traditional rituals like shaving their heads, taking sacramental
> baths, and wearing simple celibate garments.
>
> *The Sacred Thread*: They were invested with the Yajnopavita (a
> three-strand sacred thread worn over the left shoulder), which bound them
> to the vows of *discipline, truth, and celibacy* during their student
> life.
>
> *The Gayatri Mantra:*
>
> Sage Garga initiated them into the sacred Gayatri Mantra, whispered into
> their ears. This mantra was to be chanted three times a day at dawn,
> noon, and dusk.
>
> My note- Father initiating son to Gyathri mantra as guru is a later
> procedure. Mother has no part while initiating. She gives Mathru bhojana
> before
> initiation.
>
> *The Begging for Alms (Bhiksha)(**Bhavathi Bhiksam dehi):*
>
> To learn humility, the brothers had to perform Bhiksha—*begging for their
> first meal from their mother, Devaki, and other elders, symbolizing
> absolute detachment from their royal privileges before leaving for their
> studies*.
>
> Immediately after this ceremony concluded, they left the comforts of
> Mathura and walked to the Sandipani Ashram to begin their compressed 64-day
> education.
>
> *Rasaleela of Lord Krishna and **Balarama’s absense*
>
> *Balarama did not participate in Krishna’s primary Rasa Lila with Radha
> and the G*opis. In Hindu theology, Balarama is Krishna’s elder brother,
> and due to the traditional boundaries of familial respect (Maryada), *he
> strictly maintained a distance from Krishna’s intimate, romantic pastimes.*
>
> Instead, Balarama’s role during Krishna's pastimes followed a completely
> different dynamic:
>
> *What Balarama Was Doing During Krishna's Rasa Lila*
>
> *Occupying the Cowherd Boys*: While Krishna sneaked away for his secret
> nocturnal meetings with the Gopis, Balarama often acted as a facilitator by
> keeping Krishna's male cowherd friends (Sakhas) engaged or distracted,
> ensuring Krishna’s privacy.
>
> Respecting Boundaries: Great Vedic commentators note that *whenever
> Balarama or Radharani saw signs of the other walking nearby on the pathways
> of Vrindavan, they would intentionally change their course to avoid any
> awkward social interaction between an elder brother-in-law and a bride*.
>
> *Balarama's Own Friendships and Pastimes*
>
> Balarama was highly active in Vrindavan during these early years, *but
> his activities focused heavily on strength, protection, and fraternal play*
> :
>
> The Leader of Games: In the daytime, Krishna and Balarama would split the
> *village
> boys into two teams* for wrestling matches and racing games. Balarama was
> famously the leader of the opposing team, often defeating Krishna in
> wrestling.
>
> Slaying Demons: While Krishna dealt with magical threats, Balarama used
> his immense raw power to protect the village. *During this period, he
> single-handedly killed major demons like Dhenukasura (the ass-demon in the
> Talavana forest) and Pralambasura (who disguised himself as a cowherd boy
> to kidnap them).*
>
> *Balarama and his own Rasa Lila*
>
> Balarama too made rasaleela, *but it happened much later*, long after the
> sacred thread ceremony and the move to Dwarka.
>
> *According to Chapter 65 of the 10th Canto of the Srimad Bhagavatam*, Balarama
> returned to Vrindavan as an adult for a two-month visit to console the
> villagers who were mourning Krishna's absence.
>
> *During this springtime visit, Balarama performed his own independent
> Balarama Rasa Lila with his own distinct group of Gopis at a place called
> **Ram
> Ghat along the Yamuna River*.
>
> It was during this festival that he famously used his plow weapon to drag
> the Yamuna River closer to him when she initially refused to move.
>
> *Whether Balarama loved any Gopika like Krishna loved Radha*
>
> *No, Balarama did not have a single, specific Gopi whom he loved in the
> way Krishna loved Radha.*
>
> In Vedic theology, Balarama’s emotional bond (bhava) is fundamentally
> defined by sibling and friendly love (Sakhya) toward Krishna, rather than
> romantic longing (Madhurya).
>
> *While the Srimad Bhagavatam states that Balarama had his own separate
> group of younger Gopis with whom he danced during his adult visits to
> Vrindavan*, none of his Gopis are mentioned by name in the scriptures.
>
> *No Chief Consort in Vraja:*
>
> Unlike Krishna, whose absolute internal pleasure potency is personified
> specifically as Radha, Balarama has no singular, prominent sweetheart among
> the milkmaids of Vrindavan.
>
>
>
> *Balarama treated Krishna’s Gopis with the strict, protective respect of a
> brother-in-law*. He famously acted as an emissary to console them and
> carry Krishna’s messages.
>
> *The Nature of His Dance**: Even when Balarama performed his own Rasa
> Lila with his designated group of Gopis during the spring festival, the
> relationship was based on Maryada *(customary decorum and cosmic law)
> rather than the intense, ecstatic Raga (spontaneous, passionate love)
> shared by Radha and Krishna.
>
> *I will continue in next posting*
>
>
>
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