In The Vampire Armand, Anne Rice returns to her indomitable Vampire  
Chronicles and recaptures the gothic horror and delight she first explored  in 
her 
classic tale Interview with the Vampire (in which Armand, played by  Antonio 
Banderas in the film version, made his first appearance as  director of the 
Théâtre des Vampires).  
The story begins in the aftermath of Memnoch the Devil. Vampires from  all 
over the globe have gathered around Lestat, who lies prostrate on the  floor of 
a cathedral. Dead? In a coma? As Armand reflects on Lestat's  condition, he is 
drawn by David Talbot to tell the story of his own life.  The narrative 
abruptly rushes back to 15th-century Constantinople, and the  Armand of the 
present 
recounts the fragmented memories of his childhood  abduction from Kiev. 
Eventually, he is sold to a Venetian artist (and  vampire), Marius. Rice revels 
in 
descriptions of the sensual relationship  between the young and still-mortal 
Armand and his vampiric mentor. But  when Armand is finally transformed, the 
tone of the book dramatically  shifts. Raw and sexually explicit scenes are 
displaced by Armand's  introspective quest for a union of his Russian Orthodox 
childhood, his  hedonistic life with Marius, and his newly acquired 
immortality. 
These  final chapters remind one of the archetypal significance of Rice's  
vampires; at their best, Armand, Lestat, and Marius offer keen insights  into 
the 
most human of concerns.  
The Vampire Armand is richly intertextual; readers will relish the  retelling 
of critical events from Lestat and Louis's narratives.  Nevertheless, the 
novel is very much Armand's own tragic tale. Rice deftly  integrates the 
necessary back-story for new readers to enter her epic  series, and the 
introduction 
of a few new voices adds a fresh  perspective--and the promise of provocative 
future installments.  
>From the Inside Flap  
In the latest installment of The Vampire Chronicles, Anne Rice summons  up 
dazzling worlds to bring us the story of Armand - eternally young, with  the 
face of a Botticelli angel. Armand, who first appeared in all his dark  glory 
more than twenty years ago in the now-classic Interview with the  Vampire, the 
first of The Vampire Chronicles, the novel that established  its author 
worldwide as a magnificent storyteller and creator of magical  realms.  
Now, we go with Armand across the centuries to the Kiev Rus of his  boyhood - 
a ruined city under Mongol dominion - and to ancient  Constantinople, where 
Tartar raiders sell him into slavery. And in a  magnificent palazzo in the 
Venice of the Renaissance we see him  emotionally and intellectually in thrall 
to 
the great vampire Marius, who  masquerades among humankind as a mysterious, 
reclusive painter and who  will bestow upon Armand the gift of vampiric blood.  
As the novel races to its climax, moving through scenes of luxury and  
elegance, of ambush, fire, and devil worship to nineteenth-century Paris  and 
today's New Orleans, we see its eternally vulnerable and romantic hero  forced 
to 
choose between his twilight immortality and the salvation of his  immortal soul.





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