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Consider Tapestry Art as you Restore a Period House

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The myriad details of restoring or furnishing a period house are
enough to overwhelm even the most dedicated homeowner. 


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658 Words; formatted to 65 Characters per Line
Distribution Date and Time: 2006-09-28 10:00:00

Written By:     Joan Youngken
Copyright:      2006
Contact Email:  mailto:[EMAIL PROTECTED]



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Consider Tapestry Art as you Restore a Period House
Copyright (c) 2006 Joan Youngken
The Tapestry House
http://www.thetapestryhouse.com



The myriad details of restoring or furnishing a period house are
enough to overwhelm even the most dedicated homeowner. Paint
colors, wood finishes, floor covering, lighting fixtures; chosen
wisely, these elements can combine to produce a satisfying
authenticity. The selection of appropriate textiles can add a
visual and textural dimension, a finishing touch of comfort and
warmth. Tapestries, in particular, can be used effectively in
almost any period home.

Tapestries have been important elements in American interior
design both early and late. They were the height of fashion in
the 17th and late 19th centuries, and maintained a more modest
popularity during the intervening periods. Use in American décor
In the 17th century, colonists, as British citizens, were
determined to be as refined in the Colonies as their countrymen
in the Mother Country. The wealthy and socially conscious
remained in vogue as much as time and distance allowed, importing
English fashions and goods to the growing urban centers.
European-made tapestries were often listed among the most
valuable items in estate inventories of the wealthy. As either
wall hangings or bed hangings, they were admired by visitors;
during this period, the best bed, splendidly adorned with rich
tapestry art, was found more often in the parlor than the bedroom
or "chamber."

>From the early 18th century to the late 19th, rich fabrics,
including tapestries, were used in parlors and "best rooms,"
but less frequently on walls. The British artist Charles
Eastlake, widely read in America in the mid-19th century,
cautioned that wall tapestries may be at risk in homes in dirty,
industrialized cities, where they lacked protection from soot,
coal dust, and smoke, but their popularity persisted as furniture
coverings.

A popular option for Americas wealthy By the late 19th century,
American industry had given rise to unprecedented wealth, held
(and liberally spent) by families such as the Vanderbilts,
Astors, and others. Perceiving themselves as the American
aristocracy, they built both urban and country homes (the latter
often referred to as "cottages') modeled after European palaces
and grand estates. Tapestries were an important element in the
decorative scheme of such grand houses as George Washington
Vanderbilt's Biltmore, the dining room of which featured two
massive 16th century tapestries of Vulcan and Venus as the focal
point. Like their Colonial counterparts, the 19th century
American "royalty" sought to display their very new wealth even
as they imitated the interior design fashions of centuries
before.

The revival in wall tapestries In less luxurious homes,
tapestries were literally off the wall, appearing more often as
drapery or upholstery fabric, or as a decorative covering for a
table, piano, or mantel. Portieres, lambrequins, and valences
often used jacquard-woven tapestry fabric to enrich a decorative
scheme, providing texture, color, and visual interest. William
Morris and his cohorts in the Arts and Crafts movement
re-introduced tapestry as both an art form and an element in
interior design, and it was once again seen in homes on both
sides of the Atlantic. The fashion was short-lived, however, and
little innovation in tapestry design appeared for several
decades.

A revival of interest in tapestry art began in the mid-20th
century. As modern architecture became more austere, large,
unbroken walls presented the opportunity for colorful and
textural tapestry, executed in designs far removed from the
picturesque motifs of centuries before. As an alternative to
framed paintings, tapestry art was valued for its portability in
an age of increasing mobility. Individuals and families moved
from apartment to modest home to larger home as their
circumstances changed; tapestries could be folded or rolled and
easily moved, to be hung in a new setting.

Popular in any period house While the popularity of tapestry as a
design element has varied throughout American history, the wide
range of available motifs and ways to use these intricate, often
striking textiles allow for the homeowner to be creative with
their use, resulting in an unexpected focal point, large or
small, in any period home. 





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Copyright (c) The Tapestry House, all rights reserved.

Joan Youngken writes on a number of home décor 
subjects including textiles and tapestry wall art.
http://www.thetapestryhouse.com


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http://www.thetapestryhouse.com



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