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Article Title:
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Cirque Corteo Review - Wonderous

Article Description:
====================

Take a typical nightmarish dream sequence you may have deep in
the night, add ponderous acrobatics and aerobatics, an eerie
story of clowns, death and a funeral, sprinkle in a carnival-like
atmosphere ripe with little people and balloons, and inject a
heart-pounding live, original score that combines with strange
scenes that surround you like a psychedelics-infused blanket, and
you've got Corteo. What a show!


Additional Article Information:
===============================

1026 Words; formatted to 65 Characters per Line
Distribution Date and Time: 2006-10-11 10:00:00

Written By:     Jason OConnor
Copyright:      2006
Contact Email:  mailto:[EMAIL PROTECTED]



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Cirque Corteo Review - Wonderous
Copyright (c) 2006 Jason OConnor
Cirque Du Soleil Corteo Tickets Website
http://www.bestshowticketslasvegas.com/



Take a typical nightmarish dream sequence you may have deep in
the night, add ponderous acrobatics and aerobatics, an eerie
story of clowns, death and a funeral, sprinkle in a carnival-like
atmosphere ripe with little people and balloons, and inject a
heart-pounding live, original score that combines with strange
scenes that surround you like a psychedelics-infused blanket, and
you've got Corteo.

What a show! Last night I went to the Boston show of Corteo,
another installment of the hugely popular Cirque Du Soleil. It's
a circus, a theatrical musical, a gymnastics show and more. The
audience surrounds a perfect circular stage, all under a gigantic
big top that successfully blocks out every single photon of
outside light.

The entire circle, both stage and audience stands, is sliced in
half by two curtains that were a semi-transparent gauze. Between
these ephemeral barriers stand the props and actors/athletes who
begin the spectacle.

The story is essentially about a clown's funeral, although it
took all six of my group to determine the exact plot post-show.
It opens with a clown on his death bed, I think, although almost
everything is a tinge unclear. And the ongoing mumblings of this
doomed clown are in Italian to boot, so it was often tough
following things. But he did take pity on the crowd occasionally
and would blurt something out in English.

It's difficult to put into words what I witnessed next. The
lights and stage were gold, yellow, and earthy, the music was
soothing yet bizarre, and this clown sat on a bed while accosted
by all kinds of characters. They all started running by him on
either side of the bed. Clowns prodded him, small men and women
with sculpted bodies spun his bed around, and beautiful
angle-wing laden women in tights clinging to elaborate and ornate
chandeliers floated above him.

The whole thing truly felt like some kind of mildly disturbing
dream. And not just watching the dream, but actually experiencing
the darn thing. The 'scenes' were rotated through strange and
compelling theatrics and absolutely jaw-dropping acrobatics.

The performers started bouncing on three different beds, flipping
over each other, onto other beds and actually dribbling each
other, all the while the stage rotated at a stately pace. They
bounced around the stage like super balls ricocheting around a
metal room. Then the ornate chandeliers that hung over the bed
which had beautiful women hanging from them began to swing. The
woman swung themselves around the entire place, all the while
writhing and climbing among the chandelier lights and chains.

It seemed like the show's wardrobe was 18th century French or
Italian, with men's ballooning pants at the thighs, and capes
and sharp collars, as they acted out some of the plot. But
interjected in the plot were amazing physical feats. For
instance, there was a scene where both men and women held onto
man-sized sturdy hula-hoops that they spun around in while
hanging on. They looked like they were just tossed onto the
spinning circular stage out of the pocket of some benevolent
giant.

>From the roof came a steady air raid of angles that hung on to
wires and floated around the set handing various props to the
actors.

The second half was even more stunning than the first. It opened
with some of the performers bouncing along a skinny, long
trampoline that cut through the diameter of the stage. And then
the trapeze act started above. Never a mistake, never a slip,
just crazy body flinging at its finest.

It's funny because I recently heard Howard Stern (the radio
jock) try to get one of his regular listeners to do a stunt for
his Sirius Satellite radio show. He wants Eric the Midget to
"fly with balloons" by strapping him into something that would
allow him to float from a bunch of balloons in Stern's studio.
The whole thing is hilarious since Eric is ornery and stubborn
and won't agree to it. Howard tries to continuously talk Eric
into doing it, ostensibly a great idea that will launch Eric into
stardom, really a thinly-veiled attempt at a desire for some good
radio.

But Cirque Du Soleil's Corteo beat Howard Stern to the punch. A
little person flew, and it was magnificent, but it wasn't on the
Howard Stern show.

It was one of the most memorable scenes of the second half, and
my favorite. It was a little person floating by balloons. Her
name was Valentina, and her size was probably about three feet
tall. The kooky Cirque people strapped Valentina into a little
harness that was attached to five or six large, helium-filled
balloons. I am not kidding. A teeny, tiny three-foot-tall woman
named Valentina was floated around the inside of the big top by a
bushel of weather balloons.

What's more, she actually drifted over us, the audience, and
would eventually descend onto the frenzied crowd. The clown on
the stage instructed us to hold two hands up like a platform as
Valentina came down out of the air. She would proceed to push off
the pair of hands, squealing away like an exuberant pixie.

The stunts in the second half were amazing. A man climbed up and
down a ladder that was not leaning against anything. A woman
traversed a high wire on her tip toes like a ballerina, then
proceeded to climb up another high wire that was at a 45 degree
angle! And more gymnasts performed intricate, synchronized
parallel bar feats.

The show ended with the whole crew out on the stage, the clowns,
the gymnasts, the actors, Valentina, everyone. They all waved
goodbye to the star clown who was flying up into the rafters,
pedaling a bike that was suspended fifty feet in the air, and
drifted away to heaven.

Throughout the show I looked over at the friends I was with and
invariably saw lots of smiles. I was thoroughly entranced the
entire time, and I would absolutely recommend Cirque's Corteo to
anyone, from eight to eighty years old. It was a great experience
and I think it would be a great place to bring your kids, or a
date.





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Jason OConnor runs a Cirque Du Soleil Corteo Tickets Website - 
A great place to buy tickets to Cirque tickets, Broadway and 
Las Vegas show tickets, or tickets to any concert or game. 
http://www.bestshowticketslasvegas.com/


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