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Article Title:
==============

How Simplicity Can Be Perfection

Article Description:
====================

Have you ever gone too far with a work of art ? Do you ever add a bit more of 
this and
a little of that to make it come alive ? Knowing when to stop and knowing when 
it's
finished aren't necessarily the same thing in this article:   "How Simplicity 
Can be
Perfection"



Additional Article Information:
===============================

798 Words; formatted to 65 Characters per Line
Distribution Date and Time: 2007-03-09 11:24:00

Written By:     Celeste Varley
Copyright:      2007
Contact Email:  mailto:[EMAIL PROTECTED]


Celeste Varley's Picture URL:
   http://www.heartsongstudio.com/about/

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How Simplicity Can Be Perfection
Copyright (c) 2007 Celeste Varley
Heartsong Studio
http://www.heartsongstudio.com



Do you ever wonder if you have a perfect work of art in you?  You
know, when you feel a really juicy inspiration coming over
you...

So everything is going along swimmingly.  You're in fine form,
just painting, carving, or potting up a storm.  But then you
start to get giddy with pre-success.  Maybe you don't even
notice when you've crossed the line.

Sort of like at a party, when you're telling a story and don't
notice it's time to stop. If you've galloped ahead in making a
piece of art, stop the moment you see this happening.

We often get into a kind of losing game of trying to make an
image "work" somehow, by adding just a little more of this, or
maybe another area of that.  When in truth, we've gone way past
the thing that doesn't work.

Whipping a dead horse never brought it back to life.  Knowing
when to stop and knowing when it's finished aren't necessarily
the same thing.

Do sculptors have a clearer task of finding the right balance of
simplicity?  When  Michelangelo was asked how he sculpted his
statue of David, he was reported to have said : "I just cut away
everything that wasn't David."

Sculpting is often a task of taking material away, while painting
is a task of adding more and more.  So, you need to approach that
point of no return with caution.  It's a matter of becoming
sensitive to the flow of energy, both yours and that of the
work.

When you begin a carving, a song, a meal, or a painting, there's
one subject or point you have in mind to convey, like a main
topic of conversation.  A satisfying conversation usually centres
around one topic.

But have you ever been involved in a conversation where everyone
talked at each other, and no one really listened to anyone else? 
Each was upstaging the other for attention.  Wasn't it hard to
listen to?  Where did you focus?

There are works of art like this; a cacophony of attention
getting objects, and no one centre of focus.  A work of art which
is made with everything in equal detail is like a conversation
with everyone talking at each other, and no one listening to
anyone but himself.

A meaningful work of art, like a meaningful conversation has a
clear heart connection with a single subject at the start,
without pre-conceiving the whole work ahead of time and choking
the life out of it.

A clear feeling or response at the start is a key to supporting
the whole work throughout it's growth.  A living thing has to
reveal itself even as it develops, even to the artist.  But if
nothing seems to be revealing itself, forcing it with false
enthusiasm will only make things worse.

The heart doesn't get giddy.

It's the mind that gets jazzed up with its own cleverness. 
Sometimes it's the busiest of minds which are working hard at
covering up something stiller within.  If joyous, bounding
enthusiasm isn't streaming out of your work in progress, then
what's needed isn't more action, but more connection.

Sit with it.  Go inside and reflect in the mirror of your heart,
what it is you need.  The seeming slowness of response is no
indication of your work being empty of possibilities.  It may
very well be a sign of an imminent breakthrough or insight.

But if you're like an anxious parent who pushes her youngster to
excel at something before it's ready, you will deny the
individual uniqueness of your creation.  Even the rhythm of the
process of a work of art is highly individual.  Feel your own
rhythm through your breath and heartbeat.  Slow down your eager
mind, and help it to listen to the truth of your heart.

A satisfying and effective work of art also has a unique life of
its own, separate from you the artist.  It can grow, given enough
spaciousness to develop naturally.   If you see into your work
with innocent eyes, you will find what needs to be added
sometimes, and more often what needs to be left alone.

It isn't easy, to be simple enough to be good.  'That's easy'
doesn't mean the same thing as 'That's simple'.

It's much harder to take away, in painting, than to add.  When
you arrive at the heart of the work, simply stated, it doesn't
look simplistic, but rather uncluttered. That's the goal which
isn't simple to reach at all.  But you'll know when you really
see it, that it is enough  -  simple perfection.

"Perfection is achieved, not when there is nothing more to add,
but when there is nothing left to take away," wrote French writer
Antoine de St.-Exupery.

All the best to you and your art,

Celeste Varley 




---------------------------------------------------------------------
Hello, I'm Celeste Varley and have been an artist at 
heart all my life. It is my privilege and passion to 
help seekers move beyond self-expression, to access 
the seeds of wholeness within. If you like this 
article, you may want to see more “Fresh Horses” 
articles on my website. Check it out and see if 
it's right for you. http://www.heartsongstudio.com   
Celeste Varley, Heartsong Studio, Helping 
the Creative Spirit to Soar.


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