Free-Reprint Article Written by: Celeste Varley 
See Terms of Reprint Below.


*****************************************************************
*
* This email is being delivered directly to members of the group:
* 
*    [email protected]
* 
*****************************************************************


We have moved our TERMS OF REPRINT to the end of the article.
Be certain to read our TERMS OF REPRINT and honor our TERMS 
OF REPRINT when you use this article. Thank you.

This article has been distributed by:
http://Article-Distribution.com

Helpful Link: 
  The Digital Millennium Copyright Act - Overview
  http://www.gseis.ucla.edu/iclp/dmca1.htm

---------------------------------------------------------------------

Article Title:
==============

When you can't see for looking

Article Description:
====================

The Museum of Modern Art in NY held an exhibit featuring a
painting by Renoir. About 140,000 viewers came to admire this
work. They all saw the sky, the sea, and the sailboat. But, not
one of the 140,000 viewers noticed that the painting was hung
upside down.  Why not? Because we see what we expect to see. Now
I don't know if this story is actually true. I heard it on a TV
courtroom drama, but it certainly illustrates a truism. See how
clear your vision really is in this article.


Additional Article Information:
===============================

848 Words; formatted to 65 Characters per Line
Distribution Date and Time: 2007-05-03 13:48:00

Written By:     Celeste Varley
Copyright:      2007
Contact Email:  mailto:[EMAIL PROTECTED]


Celeste Varley's Picture URL:
   http://heartsongstudio.com/wp-content/uploads/2006/09/celestevarley.jpg

For more free-reprint articles by Celeste Varley, please visit:
http://www.heartsongstudio.com/fresh-horses/
   AND
http://www.thePhantomWriters.com/recent/author/celeste-varley.html


=============================================
Special Notice For Publishers and Webmasters:
=============================================

If you use this article on your website or in your ezine,
We Want To Know About It. Use the following URL to let
us know where you have used this article, and we will
include a link to your website on thePhantomWriters.com: 

http://thephantomwriters.com/notify.php?id=4815&p=load


HTML Copy-and-Paste and TEXT Copy-and-Paste 
Versions Of Article Are Available at:
http://thePhantomWriters.com/free_content/db/v/see-for-looking.shtml#get_code

---------------------------------------------------------------------

When you can't see for looking
Copyright (c) 2007 Celeste Varley
Heartsong Studio
http://www.heartsongstudio.com



Last weekend I took part in a seminar in Portland Oregon. The
seminar was a deeply inspiring experience. Part of the magic was
meeting friends I've been conversing with for over a year.

Everyone had their picture on the online forum. Yet, I twice
passed the person meeting me at the Portland airport before we
finally focused into recognizing one another.

Is your artist's vision always clear? Are you seeing from inside
your heart or are you looking out at the surface of things? How
can we know whether we're looking at, or seeing into things? 

I live in a very small community where people walk along the
roads. Everyone waves as they drive past. Most of the time you
cannot really see who is driving by, because of the reflection on
the windshield. I know this, having lived here for 27 years. Yet
when I wave while driving past someone, I often feel ignored if
they don't wave back.

How can I forget what it's like to be the pedestrian? Depending
on which side of the glass I'm on, my memory tends to be
selective. How often do we forget to see into things instead of
just looking at them? 

Looking and seeing both start with sense perception, but there
the similarity ends.

We do a lot of looking. We look at television, computer monitors,
strangers on the street, clocks, passing scenes through car
windows. But we see less and less. Books and videos, cameras and
gadgets tend to take over our thinking, feeling, and seeing. 
Looking makes us spectators; subjects that look at objects.

While looking keeps us on the surface of things, seeing leads us
into the heart of the subject.

We look at the world and label its phenomenon, make immediate
choices, instant appraisals, like or dislike, accept or reject. 
What we look at is useful to us, this outer us that we imagine
ourselves to be.

Look out! Of course we need the ability to look. The purpose of
looking is to survive, to cope, to manipulate, to choose or avoid
what is useful or harmful to us.

On the other hand, to see means to understand. When you really
see something, you can let go of judgments and see with calm
discernment. Then the darkness softens.

In seeing, you become all eyes, forget about the small self, dive
into reality, become part of it, take part in it. In seeing, you
no longer need to choose or label. You open yourself in
partnership, and shared kinship of life.

Is this starting to sound quite intimate? It is intimate: as
intimate as any relationship could be; as intimate as we dare to
allow.

"What you have not drawn, you have never really seen", said
Frederick Franck. In seeing ordinary things, you realize how
extraordinary everything is. The structure of a grasshopper, the
branching of a tree are sheer miracles.

"A mouse is a miracle enough to stagger sextillions of
infidels", wrote Walt Whitman. Among The Ten Thousand Things of
ancient Chinese wisdom, there is no ordinary thing.

In this twenty-first century, to stop rushing around, to sit
quietly, to switch off the busy-ness and return to the earth, to
allow the eye to really see a willow, a dandelion, a cloud, a
feather, is an unforgettable experience.

Never has it been more urgent to begin seeing, to turn from being
onlookers, with the juice of experience drying up. Seeing can be
a way of reconnecting with everything and experiencing the
Oneness.

The eye is the lens of the heart, open to the world. Your vision
will become clear only when you can see into your own nature and
out into the world at the same time. Your nature and that of the
world are essentially the same.

"We don't see things as they are. We see things as we are."
Anais Nin

In the process of drawing, painting, or sculpting ordinary
things, you are a conduit through which your commonality with all
things becomes visible.

There are some things about ourselves which are not so visible to
us at first. Our protective minds have a sneaky way of hiding
things we aren't comfortable seeing. Staying oriented to outer
appearances is one way we unconsciously believe we'll be
protected.

Another way is to avoid altogether taking lines or ideas for our
art from anything "out there", in the illusion that we are
creating everything from inside ourselves. These two examples are
really quite similar.

Every artist has experienced a place on the continuum between the
two extremes. And it changes all the time too, though you can
learn to be aware of your own tendencies.

How clever and powerful our everyday minds are!  And, thank
goodness for that.

The journey of becoming more human is an exercise of our
abilities to look and see more deeply. What we risk is exposing
ourselves to knowing that we are not separate.

"Who looks outside, dreams; who sees inside awakes." Carl Jung

It takes real courage to surrender the illusion of separateness,
even for a few minutes. 




---------------------------------------------------------------------
Hello, I'm Celeste Varley and have been an artist at 
heart all my life. It is my privilege and passion to 
help seekers awaken the Creator within. If you like 
this article, you may want to see more “Fresh Horses” 
articles on my website. Check it out and see if 
it's right for you. http://www.heartsongstudio.com   
Celeste Varley, Heartsong Studio, Awakening the 
Creator within.


--- END ARTICLE ---

Get HTML or TEXT Copy-and-Paste Versions Of This Article at:
http://thePhantomWriters.com/free_content/db/v/see-for-looking.shtml#get_code



.....................................

TERMS OF REPRINT - Publication Rules 
(Last Updated:  May 11, 2006)

Our TERMS OF REPRINT are fully enforcable under the terms of:

  The Digital Millennium Copyright Act
  http://thomas.loc.gov/cgi-bin/query/z?c105:H.R.2281.ENR:

.....................................

*** Digital Reprint Rights ***

* If you publish this article in a website/forum/blog, 
  You Must Set All URL's or Mailto Addresses in the body 
  of the article AND in the Author's Resource Box as
  Hyperlinks (clickable links).

* Links must remain in the form that we published them.
  Clean links should point to the Author's links without
  redirects having been inserted into the copy.

* You are not allowed to Change or Delete any Words or 
  Links in the Article or Resource Box. Paragraph breaks 
  must be retained with articles. You can change where
  the paragraph breaks fall, but you cannot eliminate all
  paragraph breaks as some have chosen to do.

* Email Distribution of this article Must be done through
  Opt-in Email Only. No Unsolicited Commercial Email.


* You Are Allowed to format the layout of the article for 
  proper display of the article in your website or in your 
  ezine, so long as you can maintain the author's interests 
  within the article.

* You may not use sentences from this article as an input
  for any software that steals sentences from others in 
  order to build an article with software. The copyright on
  this article applies to the "WHOLE" article.


*** Author Notification ***

  We ask that you notify the author of publication of his
  or her work. Celeste Varley can be reached at:
  [EMAIL PROTECTED]


*** Print Publication Reprint Rights ***

  If you desire to publish this article in a PRINT 
  publication, you must contact the author directly 
  for Print Permission at:  
  mailto:[EMAIL PROTECTED]



.....................................

If you need help converting this text article for proper 
hyperlinked placement in your webpage, please use this 
free tool:  http://thephantomwriters.com/link-builder.pl



=====================================================================

ABOUT THIS ARTICLE SUBMISSION

http://thePhantomWriters.com is a paid article distribution 
service. thePhantomWriters.com and Article-Distribution.com 
are owned and operated by Bill Platt of Stillwater, Oklahoma USA.

The content of this article is solely the property 
and opinion of its author, Celeste Varley
http://www.heartsongstudio.com



---------------------------------------------------------------------
XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
---------------------------------------------------------------------







*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*

To have your article appear in this distribution list,
you must absolutely be a client of thePhantomWriters.

We offer a paid article distribution service, and this
is one of the more than 60 groups where we submit our
client articles. To learn more about our program, visit:

http://thePhantomWriters.com/x.pl/tpw/index.htm 
Yahoo! Groups Links

<*> To visit your group on the web, go to:
    http://groups.yahoo.com/group/thePhantomWriters/

<*> Your email settings:
    Individual Email | Traditional

<*> To change settings online go to:
    http://groups.yahoo.com/group/thePhantomWriters/join
    (Yahoo! ID required)

<*> To change settings via email:
    mailto:[EMAIL PROTECTED] 
    mailto:[EMAIL PROTECTED]

<*> To unsubscribe from this group, send an email to:
    [EMAIL PROTECTED]

<*> Your use of Yahoo! Groups is subject to:
    http://docs.yahoo.com/info/terms/
 

Reply via email to