Okay, I knew that Weird Science was a comic, but I never really put two and 
two together before, ha!
 

On Monday, October 21, 2013 8:39:29 AM UTC-4, cwpreston wrote:

> Surprising- a list that has some trivia I really didn't know
>  
> http://robot6.comicbookresources.com/2013/10/six-things-you-may-not-know-orginated-in-comics/
>
>  Six things you may not know orginated in comics 
> Six by 6 <http://robot6.comicbookresources.com/category/six-by-6/>
> by *Chris Arrant <http://robot6.comicbookresources.com/author/carrant/>* 
> |October 20, 2013 @ 12:00 PM 
> | 2 
> Comments<http://robot6.comicbookresources.com/2013/10/six-things-you-may-not-know-orginated-in-comics/#comments>
>  
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>
> [image: 
> Header]<http://robot6.comicbookresources.com/wp-content/uploads/2013/10/Header.jpg>
>
> Comic book adaptations are a big deal — on the big and small screens and 
> in video games. But there’s a number of popular franchises in modern media 
> whose comic book origins have been forgotten and even de-emphasized by 
> their owners. In this week’s *Six By 6*, I look at six concepts that are 
> well-known by the world at-large who share a secret origin in sequential 
> art.
>
> [image: Aliens Vs Predator]
>
> *Aliens Vs. Predator *
>
> **In 2004, 20th Century Fox put together two of horror/sci-fis biggest 
> villains — and biggest franchises — in the film *Aliens vs. Predator 
> *(frequently 
> abbreviated to *AvP*). The live-action movie did great business — earning 
> nearly three times its budget — and prompted a sequel as well as renewed 
> interest in both franchises. But the idea to bring these two disparate 
> villains together was actually birthed in the offices of the then-meager 
> Dark Horse Comics back in 1989. A full year before the movies teased 
> Predators and Aliens colliding in the 1990 movie *Predator 2*, 
> writer/editors Chris Warner and Randy Stradley partnered with artist Phil 
> Norwood on a four issue series bringing these two together. Although they 
> didn’t create either race of alien, they did figure out a way to make it 
> work. The series sold well on comic stands, leading to several sequels — 
> including work by Chris Claremont and Alex Maleev — as well as further 
> crossovers like *Aliens vs. Predator vs. Terminator *and even *Superman & 
> Batman vs. Aliens & **Predator*. Get on that, Hollywood.
>
> [image: Addams Family]
>
> *The Addams Family*
>
> Remember the original *Addams Family*, the black & white television 
> series from the 1960s? That’s not the original. The family of Addams 
> actually premiered in series of one-off gag strips by cartoonist Charles 
> Addams in the pages of the *The New  Yorker *in the late 1930s.  In the 
> original comics they were an unnamed American gothic family, and were only 
> given names when the television show was put into production.  Based on his 
> childhood hometown of Westfield, New Jersey, the *Addams Family *concept 
> took on a life outside of comics that dwarved its sequential art origins. 
> Back in 2010 a book titled *The Addams Family: An Evilution *was 
> published, tracing the origins of the macabre bunch from a one-time window 
> washer to becoming a staple of modern culture.
>
> [image: Donkey and Elephant]
>
> *Democrats as Donkeys and Republicans as Elephants*
>
> Great logos and mascots have an over-sized persona that overwhelms 
> whatever origins it might have — but did you ever stop to think why 
> political parties are named after donkeys and elephants? These animal 
> identifications actually are a result of a late 19th century cartoonist 
> named Thomas Nast. In 1870 Nast illustrated a political cartoon with a 
> donkey — standing in for Democrats — kicking a despondent and already 
> beaten-down lion. Back in 1828 future U.S. President Andrew Jackson took up 
> a donkey icon after being called one by his political opponents, but it 
> wasn’t a mascot for his party itself. The association between Republicans 
> and the elephant was created by Nast four years after the Democrat/Donkey 
> creation, again for a political strip. In it, an elephant labelled “The 
> Republican vote” was among many zoo animals being scared by the Democratic 
> donkey, dressed in a lion suit.
>
> From all records, both parties took to their animal mascots relatively 
> quickly — each emphasizing the positive aspects of their respective 
> animals despite some obvious downsides to each as well. Political spin, 
> 19th century style.
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>  Six by 6 <http://robot6.comicbookresources.com/category/six-by-6/>
> by *Chris Arrant <http://robot6.comicbookresources.com/author/carrant/>* 
> |October 20, 2013 @ 12:00 PM 
> | 2 
> Comments<http://robot6.comicbookresources.com/2013/10/six-things-you-may-not-know-orginated-in-comics/#comments>
>  
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>
> [image: Tales From The Crypt]
>
> *Tales From The Crypt*
>
> Man, the Cryptkeeper. That voice by John Kassir and that immaculately 
> decrepit puppet was a staple of my teenage years in the early 1990s, but it 
> owes itself both in concept and character to a 1950s-era EC Comics series 
> of the same name. The advent of the Comics Code in 1955 cut the series 
> short, but it’s lived on — like a story pulled straight out of the comics 
> anthology — with movies, the television series, a pinball machine, and even 
> a Saturday morning cartoon and a game show. But it all started with a 
> little horror anthology comic with a who’s who of 1950s comic talent like 
> Wally Wood, Harvey Kurtzman, Joe Orlando, Will Elder, Jack Davis and others.
>
> [image: Ripley's Believe It Or Not]
>
> *Ripley’s Believe It or Not!*
>
> **This chain of tourist-y museums of oddities is the public face to a 
> franchise started by a California cartoonist/entreprenuer named Robert 
> Ripley. Ripley, whose real life could be a *Believe It Or Not* story*, *got 
> his start as 1910s sports star — in handball. After doing an illustrated 
> book on handball, Ripley segued into a daily newspaper strip for the *New 
> York Globe *in 1918 about sports feats but quickly broadened his scope to 
> feats around the world one year later. After establishing himself, he 
> became a sensation in the 1930s when his strip was syndicated by King 
> Features. Ripley continued to draw the strip for years, and even hosted 
> future comics greats like Bob Clarke and even a young Charles M. Schulz. 
> But Ripley saw the expansion potential in the *Believe It Or Not *franchise, 
> expanding to a radio series, films, musical and his first museum in 1932. 
> At one point Ripley was even named the most popular man of America by the 
> *new York Times*.  And although the *Ripley’s Believe It Not *comic strip 
> still runs to this day, sadly most people see it as a tie-in rather than 
> the basis for the entire franchise.
>
> [image: Weird Science]
>
> *Weird Science*
>
> **For men of a certain age, Kelly LeBrock started their interest in 
> science. But the basis for the *Weird Science *film by John Hughes all 
> started out of a sister publication of the earlier mentioned *Tales of 
> the Crypt *comic series by EC in the 1950s, titled *Weird Science*. The 
> movie itself is based on a single 8 page story that appeared in the series’ 
> fifth issue back in 1951 called “Made of the Future” by Al Feldstein (which 
> is online 
> here<http://marswillsendnomore.wordpress.com/2011/06/07/origins-of-omac-made-of-the-future-ec-comics/>.)
>  
> Feldstein’s story holds little surface resemblance to the movie in terms of 
> characters, instead being about a lonely scientist who travels to the 
> future to get a genetically-engineered wife. I like the movie’s story 
> better.
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