TidBITS#669/03-Mar-03
=====================

  With a no-show projector, one of Adam's recent user group
  presentations almost suffered a Keynote-free passing. Fortunately,
  it's not that easy to thwart a geek: read on for Adam's camera-
  inspired save! Also in this issue, Kirk McElhearn flexes his
  organizational and creative muscles with Inspiration 7. In the
  news, we note the releases of Bare Bones Software's TextWrangler
  1.0, REALbasic 5.0, and the important AirPort Extreme 5.0.3
  firmware update.

Topics:
    MailBITS/03-Mar-03
    The PowerShot Presentation
    Getting Inspired by Inspiration 7

<http://www.tidbits.com/tb-issues/TidBITS-669.html>
<ftp://ftp.tidbits.com/issues/2003/TidBITS#669_03-Mar-03.etx>

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MailBITS/03-Mar-03
------------------

**Bare Bones Rustles Up TextWrangler 1.0** -- Bare Bones Software
  has released Text Wrangler 1.0, a $50 general-purpose text editor
  without the extensive feature set (particularly the HTML features)
  or $180 price of its highly regarded sibling BBEdit. TextWrangler
  can open and edit nearly any text file, including those with
  Unicode (UTF-8 and UTF-16) character sets, and features speedy
  search and replace (including PCRE matching - PCRE stands for
  Perl-Compatible Regular Expression), syntax coloring, FTP file
  access, and more. With the release of TextWrangler, Bare Bones
  has discontinued the free BBEdit Lite; owners of BBEdit Lite can
  upgrade to the full version of BBEdit for $120 until 31-Mar-03.
  To help users differentiate between its editors, Bare Bones has
  posted feature comparisons of TextWrangler versus BBEdit 7.0 and
  TextWrangler versus BBEdit Lite 6.1. TextWrangler 1.0 is available
  in a 30-day full-featured demo version, which is a 9.8 MB
  download. [JLC]

<http://www.barebones.com/products/textwrangler/>
<http://www.barebones.com/products/bbedit/>
<http://www.barebones.com/products/bblite/>
<http://www.barebones.com/products/textwrangler/versus.shtml>
<http://www.barebones.com/products/textwrangler/vs_Lite.shtml>


**AirPort Extreme 5.0.3 Firmware Update** -- Apple has released a
  1 MB firmware update for the new AirPort Extreme Base Station,
  fixing a number of problems. Updated AirPort Extreme Base Stations
  should no longer spontaneously restart, there is now no known
  limit to the number of FTP connections that can be initiated
  through the base station, and most important, the AirPort Extreme
  Base Station should recover more gracefully when exposed to
  excessive 2.4 GHz radio interference (such as might come from
  a 2.4 GHz cordless phone, a microwave oven, or a Bluetooth
  device). Previously, the AirPort Extreme network could become
  unavailable and fail to recover when exposed to excessive
  interference. My co-author on The Wireless Networking Starter Kit,
  Glenn Fleishman, found that the firmware update also reduced the
  severity of the problems he'd found in his testing of review units
  from Apple.

<http://docs.info.apple.com/article.html?artnum=120191>

  This update coincides with a firmware update from Apple's wireless
  chip partner, Broadcom. Since manufacturers such as Linksys use
  the Broadcom chips, look for firmware updates for other 802.11g
  gear as well. The important aspect of the Broadcom update is that
  it now has 802.11b Wi-Fi certification, meaning that all Broadcom-
  based devices darn well better work with all Wi-Fi-certified
  802.11b devices. For more coverage of AirPort and AirPort Extreme
  issues, visit the weblog that Glenn maintains in conjunction with
  our book. You can also now download a PDF-based update about
  AirPort Extreme and 802.11g that rolls in even more changes since
  we published "AirPort Extreme: In the Key of G" in TidBITS-663_).
  [ACE]

<http://wireless-starter-kit.com/airportblog/>
<http://wireless-starter-kit.com/pdfs/80211g_emergence.pdf>
<http://db.tidbits.com/getbits.acgi?tbart=07047>


**REALbasic Turns 5.0** -- REAL Software has released version 5.0
  of REALbasic, its flagship programming environment for making
  Classic, Mac OS X, and Windows applications. This promises to be
  an significant revision - more so, perhaps, than any since version
  2 (see "REALbasic Gets Real" in TidBITS-493_). The compiler has
  been rewritten from the ground up, enabling some much-needed
  rationalization of the language itself, along with improvements
  such as far more convenient, natural syntax, and some elegant
  new object-oriented constructs (such as operator overloading
  and custom coercion functions). Sockets, too, have been completely
  rewritten, including a long-desired ServerSocket class that
  implements listeners through a pool-and-dispatcher architecture.
  Other major improvements include support for brushed-metal
  windows, drawers, toolbars, and dynamic menus. REALbasic runs
  natively on Mac OS 8.1 or later and Mac OS X; a version that
  runs natively on Windows is currently in development. REALbasic
  costs $100, or $300 for the Pro version, which includes
  ServerSockets, database access, and compilation for Windows;
  upgrades from pre-4.5 versions are half those prices. [MAN]

<http://www.realsoftware.com/realbasic/>
<http://db.tidbits.com/getbits.acgi?tbart=05508>


The PowerShot Presentation
--------------------------
  by Adam C. Engst <[EMAIL PROTECTED]>

  A couple of weeks ago I gave a presentation to the Metropolitan
  New York Macintosh Alliance (MetroMac) and the Long Island
  Macintosh Users Group (LIMac). Both went well, the audiences
  asked great questions, and it was an all around good time. I was
  particularly amused by the MetroMac method of attracting new
  supporting members: Anyone could enter the raffle for software,
  clothing, or some of my books, but you did so knowing that if you
  won something and weren't already a supporting member, you'd have
  to join on the spot.

<http://www.metromac.org/>
<http://www.limac.org/>

  But that's not what I want to tell you about today. Instead, I
  want to pass on a clever method of giving a presentation in a room
  full of people without a projector, unexpectedly borne from
  necessity. As soon as I arrived at the MetroMac meeting, the
  president, Chris Bastian, told me that he'd been unable to secure
  a projector for the evening, since someone else in his office had
  needed it at the last minute for a presentation in Albany. (Chris
  relayed this news with the slight concern of the native New Yorker
  that Albany was very far away and probably had horse-powered
  electrical generators.) There was a TV in the room, but I had no
  cables to connect it to my iBook. Luckily, the room wasn't all
  that large, and my slides weren't absolutely essential for the
  audience, so I resigned myself to not being able to show off the
  cool things I'd been able to do in Keynote.

  A few minutes later though, a guy who worked at NBC came in, and,
  upon learning we had no projector, announced that if only we'd
  told him, he could have brought the right cables to connect to the
  TV. Slightly irked at the implication that any properly prepared
  geek would have had these cables, I started thinking if there was
  any way I could use the TV to give my presentation. A few seconds
  later, I had an idea, but it was such a long shot that I didn't
  say anything and instead worked secretly through most of the Q&A
  section of the meeting. Here's what I did.


**Hacking a Presentation** -- The tools at my disposal were my
  iBook, my presentation in Keynote and QuickTime formats,
  Ambrosia's Snapz Pro X screen capture software, my Canon PowerShot
  S100 digital camera, an Addonics Pocket DigiDrive USB card reader,
  and a cable for connecting the camera to the RCA video input jack
  on a TV. I don't normally carry these last two with me to
  presentations, but since I was also visiting relatives and
  planning to take pictures, I'd thrown them in the bag before
  leaving home.

<http://www.apple.com/keynote/>
<http://www.ambrosiasw.com/utilities/snapzprox/>
<http://www.powershot.com/powershot2/s100/>
<http://www.addonics.com/products/flash_memory_reader/pocket_digidrive.asp>

  I knew that I could connect the camera to the TV, and I also
  knew that I could copy files from the iBook back to the camera's
  CompactFlash card using the USB card reader (something that's not
  possible with the normal USB cable that connects the camera to the
  Mac). I knew I could make JPEG screen shots of each of my slides
  with Snapz Pro X; the main question was if I could trick the
  camera into displaying them.

  I first tried to start my Keynote presentation and take a screen
  shot of the entire screen with Snapz Pro X. Bad idea - as soon as
  I invoked Snapz Pro X, Mac OS X stopped responding to the keyboard
  and trackpad. Time for a hard restart. For my next attempt, I used
  the QuickTime movie that I had earlier exported out of Keynote as
  a backup, and Snapz Pro had no trouble taking screen shots of the
  QuickTime Player window.

  Rather than blithely copy the images to my Compact Flash card,
  since I knew the camera would ignore files that weren't in the
  right place or named correctly, I gave my screen shots sequential
  names using the same format that the camera assigned to its
  photos. Then I copied the screen shots to the folder on the
  CompactFlash card that contained the most recent photos. Swapping
  the card back into the camera, I turned it on and was rewarded
  by the sight of my screenshots! Zooming out to see nine thumbnails
  at a time didn't work, as it does with normal photos, but that
  wasn't important. A few seconds of cable plugging later, and
  my presentation was showing - in pretty decent quality - on
  the TV set. Frankly, I was amazed it worked.

  The only slight problem was that the camera kept shutting itself
  off to conserve battery power (I had another battery and a charger
  with me as well, just in case). I should have turned that setting
  off, but in the heat of the moment, I didn't think of it, and
  instead just pushed a button every so often to keep it awake.

  If you think you might need to employ this trick at some point, I
  recommend testing with your camera first, since cameras from other
  manufacturers may not be so easily fooled. Also make sure you have
  the appropriate software and hardware as part of your standard
  travel kit. And although the presentation isn't as impressive as
  it would be from Keynote via a projector, your audience will be
  so impressed with your raging geekhood that they won't care.


**Keynote Comments** -- Although I'm not up for (or probably
  qualified to do) a full review, I used Keynote for the first
  time to create this presentation, and overall, I was impressed.
  I don't create that many presentations, but I've always found
  myself butting heads with PowerPoint in the past. Keynote proved
  much more fluid and easy to use, and its automatic guides are
  absolutely brilliant. When you're positioning an object, Keynote
  automatically provides a guide set to the center (or the edges)
  of nearby objects. Occasionally I needed to remind it which other
  object was important by selecting it, and then going back to
  the text or graphic I was placing. Keynote's slide-to-slide
  transitions are gorgeous, and although I had to refer to the
  slim manual to figure them out, it can also do slick "builds"
  of objects appearing on and disappearing from a given slide.

  I did run into three problems with Keynote. First, since my
  presentation covered products introduced at Macworld Expo, I used
  Apple's PR photographs of their new products, since they were much
  better quality than the images I could pull from the product Web
  pages. Unfortunately, the PR photographs were huge - 7 or 8 MB
  each in some cases - and when I copied those into my Keynote
  presentation, Keynote happily stored the full size image in the
  bundle it creates for your presentation (Control-click it and
  choose Show Package Contents to see what's inside). By the end,
  my presentation was 76 MB. Of course, I could have reduced the
  size of the images manually, but it would have been nice if
  Keynote had offered an option to do so for me.

  Second, Keynote lacks a text feature I particularly like in
  PowerPoint. When you're adding bullet points to a text block in
  PowerPoint, it automatically reduces the font size of the entire
  text block if that's the only way to make the text fit. Keynote
  doesn't do that, instead forcing you to fiddle with font sizes
  manually in those cases where you need just a little more room.
  I'd encourage Apple to think about the best way Keynote could
  help the user deal with this extremely common situation.

  Third, although its performance was completely fine on my dual
  1 GHz Power Mac G4, on my iBook, with its 500 MHz PowerPC G3
  processor, Keynote occasionally stuttered and moved slowly when
  drawing a slide. It's not too surprising, particularly given the
  size of some of my images, but I'd encourage you to test on the
  Mac you plan to use for a presentation to avoid unpleasant
  surprises.

  On the whole though, the pair of presentations went extremely
  well, thanks to Keynote, to the trick I came up with for moving
  the presentation to my camera, and to both user groups.


   PayBITS: Did Adam's article give you some new ways
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   <https://www.paypal.com/xclick/business=ace%40tidbits.com>
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Getting Inspired by Inspiration 7
---------------------------------
  by Kirk McElhearn <[EMAIL PROTECTED]>

  Looking back through the TidBITS archives, it's interesting to
  how many appearances Inspiration has made. The first review, by
  Adam Engst in 1992, looked mostly at the outline functions. Adam
  recommended the program, though with reservations.

<http://www.inspiration.com/>
<http://db.tidbits.com/getbits.acgi?tbart=03113>

  Matt Neuburg then picked up the ball, writing about version 4 in
  1993. He, too, looked mostly at the outline function, but I was
  intrigued to see how differently he and Adam approached and used
  this program.

<http://db.tidbits.com/getbits.acgi?tbart=02542>

  In 1997, Matt was back, calling Inspiration a "surprising
  survivor," and his conclusion was far more positive than his
  previous review. (This second review contains an excellent,
  concise description of the basic principle behind Inspiration -
  I won't reiterate those points here, and I recommend you read
  Matt's 1997 review for an overview on the subtleties of outlines
  and diagrams in Inspiration.)

<http://db.tidbits.com/getbits.acgi?tbart=04586>

  Matt wrote another brief review of the program in 2000, focusing
  on Inspiration's (then) new approach to developing the program
  for the children's market.

<http://db.tidbits.com/getbits.acgi?tbart=06025>

  So, why am I taking over now with this look at Inspiration 7?
  After discussing with Matt the different ways we approach the same
  program, he was delighted to see new eyes examine it. Unlike many
  programs that offer one or two basic tasks, Inspiration is open to
  the extent that users can make what they want of it.


**An Essential Tool for Organizing Thoughts** -- Whether using it
  to create outlines, mind maps, flow charts, or to compose and
  write, Inspiration features a radically unusual approach to
  organizing thoughts and information. Since we tend to think in
  a non-linear manner, the imposition of a linear structure on our
  ideas can fetter us and keep us from exploring relationships that
  may lead in unexpected directions. To use writing as an example,
  the most common way to approach a text is to start at the
  beginning, work through to the middle, then continue to the end.
  This works for some people, but it is like a one-way expressway:
  there's no turning around, and no way to examine the streets that
  branch off in other directions.

  Using a tool like Inspiration, one can adopt a different approach.
  Instead of focusing on the straight line that leads from the
  beginning to the end of a text, an author can toss out ideas, in
  any order, then group and regroup them, examining the synergies
  they create in certain relationships, and see how various ideas
  can flow into others. No longer is an author limited to a purely
  cause and effect relationship - ideas become multi-dimensional,
  and can be repositioned easily.

  It should be said that you can do this type of organization
  without Inspiration - a nice pack of file cards and a sharp pencil
  offer the same possibilities. You can just jot ideas down on the
  file cards, toss them on the floor, and start rearranging them.
  But those of us who are used to working on computers find it much
  more practical to use a program to organize thoughts, especially
  since you can add text to any idea, and, when moving an idea, move
  the text with it.


**How Inspiration Works** -- The main difference between
  Inspiration and other outlining software is the program's diagram
  view, where an outline can be visualized as a mind map. Mind
  maps come from the ideas of Tony Buzan, who has written several
  books on creativity. They present thoughts, ideas, or data in a
  graphical fashion, with each thought or concept in a symbol (which
  can be any of a number of shapes) and arrows linking the ideas to
  show their interrelationships. These ideas can be arranged in many
  ways: as cause and effect, like a flow chart, in a tree structure,
  or with a central "main idea" with other ideas sprouting all
  around it.

<http://www.mind-map.com/>

  The beauty of Inspiration is its ability to use mind maps, and
  switch from diagram view to a standard, linear text outline. With
  a simple click on the toolbar (or keyboard shortcut), you can
  toggle from one to the other. After creating visual relationships,
  and switching to outline view, you can then convert your amorphous
  mind map into a linear outline - after all, no matter how you
  compose a text, it will be read in a linear fashion (unless, of
  course, you are writing a hypertext).


**How I Wrote this Review** -- Perhaps the best way to explain how
  Inspiration works is to tell you how I wrote this review. I began
  using Inspiration in outline view, where I jotted down some basic
  ideas. Running version 7 of the program for the first time, I made
  notes about the most visible changes from the previous version in
  the interface and menus. After writing about 10 topics, I switched
  to diagram view, and examined how my thoughts fit together.

  At this point, I hadn't yet developed an overall structure for
  the article - merely some points that seemed essential. In diagram
  view, I began adding the key elements of the article's structure:
  I wanted to talk about how the program works in outline and
  diagram view, I wanted to explain how one can rearrange ideas
  in both views, I wanted to mention the changes (for the better,
  and for the worse) in the interface, I planned to mention the
  keyboard shortcuts the program uses, and I wanted to talk about
  what is missing.

  Inspiration would not be very useful if it only let you organize
  topics and concepts. Although it is not a word processor, it lets
  you write several pages of text in notes windows, which look a
  bit like Stickies windows. (These windows are visible in diagram
  view.) Notes are connected to topics - if you are in diagram view,
  you select a symbol and click the Note button in the toolbar to
  display a note window. If you are in outline view, you just press
  Return at the end of a topic and start typing.

  So, I began filling out my article by adding notes to different
  sections. This allowed me to switch from one section to another
  as thoughts came to mind, and it let me work in a non-linear
  manner. As I went on, I thought of other things that needed to
  be mentioned, such as the program's templates and symbols. So I
  added new symbols to my diagram for these two ideas, and went
  back to writing.

  I occasionally switched back to outline view to reorder my ideas -
  when you create new ideas in diagram view, they may or may not
  be in the order you want, depending on the type of diagram you
  create. I tend to create amorphous diagrams, with the main idea
  in the center and other ideas sprouting around it. I try to put
  them in some kind of logical order, usually starting at the
  12 o'clock position and moving clockwise. But I often end up
  rearranging them in outline view. When doing this, if I merely
  change the order of my first level topics, the diagram does not
  change. But if I move sub-topics from one first level topic to
  another, the diagram hierarchy adjusts appropriately. This can
  take some getting used to, and, after making such changes, you
  may need to rearrange your diagram. This may seem to be a lot
  of work, but I have actually found that all this rearranging
  gives me a better grasp of the interrelationships between
  different sections of a document, and a better global view
  of it. Instead of looking at text as linear, I see it as a
  collection of ideas and work with that in mind.


**New Features** -- This version of Inspiration has plenty of
  new features, fully justifying its 7.0 version number. Probably
  the most important is Mac OS X compatibility, though as a Carbon
  application it's also usable under previous versions of the
  Mac OS, as far back as System 7.1.

  Many other functions are added or enhanced. I mentioned above
  how you can write notes while in diagram view, a much-improved
  variation of the previous version's difficult notes feature. You
  can now truly write in diagram view, though I still prefer writing
  in outline view.

  Hyperlinks are a useful addition. Just paste a URL into your
  diagram or outline and it automatically appears blue and
  underlined; clicking URLs opens them in your default Web browser.
  If no item is selected in the diagram, you can paste a URL to
  create a new topic with this link.

  Helpfully, you're not limited to Web addresses. Control-clicking
  a hyperlink displays a contextual menu containing an Edit
  Hyperlink command; from here you can edit the hyperlink's visible
  text and link the URL to a Web page, an email address, a file,
  or a new blank Inspiration document. Linking to a file can be
  especially useful if you use Inspiration to organize a complex
  project, enabling you to reference supporting documents (such
  as Excel spreadsheets, for example) that open in their proper
  applications. (Note that you can turn off URL auto-detection
  and live links if you don't want URLs to be clickable.)

  "Child" outlines, a complicated feature involving multiple windows
  belonging to the same topic or idea, have been replaced by actual
  "hypertext" documents. If you have Inspiration documents from
  versions 5 or 6, and open them in version 7, it creates a
  Hyperlinked Files folder that contains individual documents
  for each child outline.


**Interface Changes** -- Inspiration 7 sports a new interface that
  contains its share of improvements, but also some disappointments.
  Its toolbars and buttons look a bit too much like the Windows XP
  interface, though the addition of a simple formatting toolbar at
  the bottom of its windows is welcome. In diagram view, the display
  makes it easier to know which outline topics have subtopics or
  notes, and you can easily hide subtopics in diagram view.

  Outline view has undergone major changes. Some are for the better,
  such as the bar at the left of the outline window, which more
  clearly delimits topics, subtopics and notes. Other changes are
  for the worse. For example, the selection control column shows
  which topic or subtopic is selected by highlighting a large space
  on the document with your default selection color. That's fine for
  small sections, such as single topics, but when typing long texts
  as notes, I find it very distracting.

  A few omissions were noticeable. I find the lack of drag & drop
  text editing a bit of a hindrance, and an in-line spell checker
  would be nice (especially since, under Mac OS X, this capability
  is built into the operating system). Also, some of the keyboard
  shortcuts make little sense - I have become used to using
  Command-H to hide applications in Mac OS X; Inspiration uses
  that shortcut to hide a subtopic, and I "lost" many subtopics
  before I realized what was happening. In my opinion, this kind
  of system-wide shortcut should never be used for other purposes;
  it's a bit like finding a program that uses Command-C to
  close windows.

  Another un-Mac-like use of keyboard shortcuts is the illogical
  way function keys are used for certain shortcuts. Sure, this
  is the way it is in the Windows world, but we Mac users rarely
  use function keys for that purpose. The program also uses
  unusual shortcuts made up of the Command key and numbers, such
  as Command-9 for Scroll to Selection, along with other confusing
  key combinations. For example, Show/Hide Notes is Command-Y,
  which is sometimes used for the Redo function in Mac programs.
  View/Hide Toolbar is Command-F8, whereas the Finder uses Command-B
  for its toolbar, so something similar would make more sense. Many
  keyboard shortcuts clearly come from Windows and ignore Macintosh
  conventions.

  Another bow toward Windows is the way settings and preferences
  are handled. Choose Preferences from the Inspiration 7 menu, and
  you get a dialog called Application Settings. Choose Application
  Settings from the Utility menu, and you see the same dialog. This
  is confusing, though not as confusing as the Default Settings menu
  item in the Utility menu, which opens a wizard that guides you
  through settings for the default template. Not only is this long
  and complex (in the previous version it was a breeze), but when
  you are finished it displays a dialog each time, telling you that
  you have changed the default settings, then opens a new file,
  which you may not want. The same goes for creating a new template:
  You go through the same wizard, save your template, and get a
  similar dialog. It seems that these two processes could be
  combined, as they were in the previous version.

  Particularly helpful are Inspiration's templates, files containing
  preset diagrams and outlines, laid out with blank symbols or
  topics, which you can use for either educational or professional
  purposes. Divided into five groups - Language Arts, Social
  Studies, Science, Planning, and Thinking Skills - these templates
  give you an excellent idea of how you can work with Inspiration.
  A 60-page manual presents each of the templates visually, explains
  how to use them, and discusses the benefits of each specific
  template. The program also comes with a wealth of symbols to
  use in diagrams. Although I don't especially care for the hundreds
  of symbols the program includes - I just use rectangles and ovals -
  others may find that these graphics help identify their ideas more
  precisely, or communicate them more efficiently to others.


**Where's the Doc?** As a writer of computer books and manuals,
  I am especially sensitive to documentation, and, for a program
  as different and complex as Inspiration, good documentation is
  important. Although many users can "pick up" programs just by
  using them, the concepts behind Inspiration are new to most people
  and documentation is a must. Inspiration ships with two booklets -
  a Getting Started guide and the Template Guide - and four PDF
  files with documentation: the two aforementioned guides, a User's
  Manual, and a Symbol Guide, which shows all the many symbols that
  can be used when in diagram view.

  I have mixed feeling about the documentation - while the Symbol
  Guide and Template Guide are practical, the User's Manual is dense
  and not very inviting: entire chapters go by with no screen shots
  or illustrations, making it a relatively unattractive manual.


**Conclusion** -- One of the biggest problems with a program like
  Inspiration is fitting it into your way of working. For me,
  outlines are like fences that let me rein in my often unorganized
  thoughts. Being able to work both visually, in diagram view,
  and in a standard text format gives me different perspectives
  on my ideas. The possibilities inherent in such a program are
  tremendous - the ability to link both Web pages and documents
  in an outline can save a lot of time organizing external
  information.

  The real question is whether users can adapt to this concept -
  for many people, Inspiration represents not only a new way of
  creating documents on their computer, but a new way of thinking
  as well. In my case, I have long been sold on this way of working.
  Inspiration is, for me, one of the few essential writing tools
  on my Macintosh, and, with this new Mac OS X-compatible version,
  will remain so for many years to come.

  Inspiration 7 costs $70, and 30-day free trial version is
  available as a 15.6 MB download.

  [Kirk McElhearn is a freelance writer and translator and living in
  a village in the French Alps. He is co-author of Microsoft Office
  v. X Inside Out, published by Microsoft Press.]


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