TidBITS#782/06-Jun-05
=====================

  Are you sitting down? Apple is switching to Intel processors,
  starting next year. Read on for our analysis. Multimedia news
  takes over the rest of this issue. First, Geoff Duncan covers
  the resolution of the iPod battery lawsuit and iPod recycling
  announcement, then Adam looks at the fuss surrounding QuickTime
  Pro 7, and Andrew Laurence wraps it all up with a look at the
  Squeezebox2 music player. In the news, QuickTime 7.0.1 fixes
  a security hole.

Topics:
    MailBITS/06-Jun-05
    Apple to Transition to Intel Processors
    Apple Settles iPod Battery Suit, Announces iPod Recycling
    Pay to Play with QuickTime 7.0 Pro
    Squeezebox2: Long Live Rock
    Take Control News/06-Jun-05
    Hot Topics in TidBITS Talk/06-Jun-05

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MailBITS/06-Jun-05
------------------

**QuickTime 7.0.1 Fixes Security Hole** -- Apple has released
  QuickTime 7.0.1, a 26.6 MB download via Software Update. This
  update replaces the Quartz Composer plug-in, which was found
  to be capable of sending local data to an arbitrary Web location
  using an encoded URL. The new component prevents this from
  happening. QuickTime 7.0.1 supports Mac OS X 10.3.9 or later.

<http://docs.info.apple.com/article.html?artnum=301714>
<http://www.apple.com/quicktime/>

  QuickTime 7.0.1 also includes unspecified bug fixes and allegedly
  improves compatibility with Apple's Final Cut Studio. TidBITS
  Technical Editor Geoff Duncan discovered fixes for a couple of
  annoying QuickTime 7 problems on multi-channel audio interfaces:
  QuickTime 7.0.1 respects the user's default stereo output pair
  (where version 7.0 sent stereo audio only to channels 1 and 2 -
  bummer if your speakers are connected to outputs 3 and 4!),
  and version 7.0.1 plays monophonic audio correctly. [JLC]


**MathMagic Sponsoring TidBITS** -- We're pleased to welcome
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<http://www.mathmagic.com/>

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  maker Rogue Amoeba and distributor/reseller Dr. Bott. [ACE]


Apple to Transition to Intel Processors
---------------------------------------
  by TidBITS Staff <[EMAIL PROTECTED]>

  At Apple's Worldwide Developer Conference (WWDC) today, Steve Jobs
  dropped a bombshell on the Mac community by confirming rumors
  that the company will transition its computers from the PowerPC
  architecture to Intel processors by 2007. The news was leaked
  in the Wall Street Journal two weeks ago and confirmed by CNet
  and the Wall Street Journal last week.

<http://developer.apple.com/wwdc/>
<http://www.apple.com/pr/library/2005/jun/06intel.html>

  The reason? Power. Citing each company's processor roadmaps
  beyond 2006, Jobs said that the PowerPC provides 15 "units of
  performance" per watt, while Intel's processors will be able
  to offer 70 units per watt. Jobs also mentioned that they've
  been unable to get a PowerPC G5 processor that will run cool
  enough to put into a laptop, a long-standing sore point among
  PowerBook aficionados.

  However, it's important to note that the WWDC keynote was short
  on hard details: no specific hardware nor specific gigahertz
  targets were mentioned. Support for other hardware that Apple
  software depends heavily on, such as AltiVec, was also not
  addressed. However, you won't be able to run out and buy any
  old Intel box and install Mac OS X, according to comments by
  Apple Senior Vice President Phil Schiller; Apple will restrict
  the operating system to Apple-sold Intel computers. It's likely
  that these future Macs will be able to run Windows applications
  better than with today's emulation software.

  Jobs said that Apple has been co-developing an Intel-based version
  of Mac OS X for the last five years in order to keep its options
  open; every release of Mac OS X has been compiled in-house for
  Intel processors. During the WWDC keynote, Jobs demonstrated
  third-party applications such as Photoshop CS2 running on a
  3.6 GHz Pentium 4 processor-based system under Mac OS X 10.4.1.

  Apple plans to ship low-end Macs using Intel processors by this
  time next year, while higher-end systems for professionals will
  appear in 2007. Jobs specifically apologized to those who surely
  wished they could have a PowerBook G5 by now, so we wouldn't
  be surprised to find a high-end laptop high on the development
  priority list.


**DRM in the Chip** -- One aspect of this transition that could
  prove interesting, in all positive and negative connotations
  of the word, is the so-called "trusted computing" capabilities
  of Intel's CPUs. Little has been done with them yet, but as we
  understand these capabilities, they're designed to work with
  a Microsoft digital rights management (DRM) system. There's
  no telling if or how they may play into Apple's existing music
  or future video plans.


**Making the Transition** -- Developers who use Xcode should be
  able to make minor changes for their programs to work with Intel
  processors. Compiled binary applications will be able to contain
  the processor-dependent code for both PowerPC and Intel chips,
  meaning that developers can release a single program for both
  types of Macs. Jobs said that more than half of current Apple
  developers use Xcode and another 20 percent were planning to
  start using it soon. Not surprisingly, he suggested that everyone
  else get on the bandwagon, too.

<http://www.apple.com/macosx/features/xcode/>

  Jobs also discussed Rosetta, a binary translator that turns
  PowerPC code into code for Intel chips on the fly. While this
  kind of conversion has been used for some forms of emulation
  by other companies in the past, Jobs indicated that Rosetta is
  optimized enough to avoid comparisons with the often clunky and
  funky operation of Classic within Mac OS X. It should be a more
  seamless experience for Mac users, comparable to the PowerPC
  transition, when the vast majority of older 680x0 applications
  simply ran. Jobs demonstrated Photoshop CS2, Microsoft Office,
  and Quicken running in unmodified PowerPC-binary form using
  Rosetta. Of course, just because they run doesn't guarantee
  that they will run well, especially for something like Photoshop,
  which is commonly used to benchmark processor speeds. However,
  it does signal to users that they don't have pay for upgrades
  to all of their software, as many did with the Mac OS 9 to
  Mac OS X transition simply to run it on a new architecture.

  Apple has a long history of carrying its older users on its back
  as it forges across a river dividing two architectures. The change
  from 680x0 to PowerPC was generally good - with exceptions - and
  Mac OS 9 to Mac OS X was a long, slow, but ultimately successful
  transition as developers produced applications that could run in
  Mac OS 9 and Mac OS X. Even the addition of a 64-bit processor
  in the form of the PowerPC G5 produced relatively few problems.

  Jobs also announced that Mac OS X 10.5 will be codenamed Leopard
  and ship in late 2006 or early 2007, around the same time as
  Microsoft Longhorn - just to heighten the comparison, one wagers.


**Small Developer Crunch?** The Intel processor transition is
  likely to affect smaller developers much more than larger ones.
  Most large software companies that create products for Mac OS X
  also have Windows versions. The code base can be largely
  identical. Smaller developers typically program for a single
  platform and may not have the financial or staff resources for
  the testing necessary.

  But Apple made overtures to cater to this audience, which includes
  thousands of companies that currently release Mac software. Select
  and Premier members of Apple's Developer Connection will be able
  to purchase a $999 Developer Transition Kit that comprises an
  Intel processor-based computer and preview releases of Mac OS X
  and Apple software. This system won't be available to the general
  public, nor will it work like a normal consumer system, being
  geared for programming and testing. Interestingly, developers will
  have to return these Intel boxes by the end of 2006 - it's a loan,
  not a purchase.

<http://developer.apple.com/transitionkit.html>


**Too Hot to Handle?** In the past, Intel chips ran hotter and
  required more power than comparable PowerPCs. But the company
  has learned a lot from tuning its Pentium 4M and Pentium M
  for laptops, and its new dual-core architecture that has the
  equivalent of two processors in a single integrated circuit
  package doesn't double heat or power as it doubles computational
  performance. (Multi-core technology is apparently the near-term
  future of most processors, with IBM releasing a nine-core system
  called Cell.)

  Beyond wattage figures, IBM and Intel had closed the gap on true
  computational measures, a previous bone of contention dubbed the
  "megahertz myth" when focusing on cycles per second instead of
  actual tasks completed. Intel has suffered a number of setbacks
  in the last year that have slowed their processor speed targets,
  but is still on track to outpace IBM dramatically in the future.
  IBM has had noticeable stumbles including delayed G5 deliveries
  last summer that pushed G5 iMacs back three months.


**Gutting Sales?** Technical issues aside, the real question is
  the reaction of consumers and professionals. Do customers respond
  to this announcement by embracing the current Macintosh platform
  more heavily, knowing there's a steady uptick ahead for processor
  performance with what could be a relatively seamless transition
  that allows them to use current software? Or will hardware sales
  plummet as companies and individuals decide to wait for faster
  machines in a year or two? (We always suggest buying what you need
  when you need it; there's invariably going to be something newer,
  better, and faster around the corner, and it's silly to wait
  forever until they stop innovating.)

  Apple has basically conceded that PowerPC G5 chips cannot be
  made cool enough to be used in laptops, which means that unless
  Freescale Semiconductor (Motorola's spun-off chip division) can
  produce much faster PowerPC G4s, Apple will wind up releasing only
  modestly faster PowerBooks for a full two years, which could cost
  them quite a bit of the pro and speed-demon markets.

  It's likely that Apple's roadmap shift to Intel will cause
  financial analysts and business writers to tell the public and
  institutions that Apple now is on a secure footing, no longer
  tied to a small fraction of a tiny part of IBM's current revenue,
  but is rather tying its hopes on the core business of the world's
  largest chipmaker. On the other hand, the stock market generally
  considers change to be a bad thing, and there's a distinct tinge
  of defeat in switching CPUs (ignoring of course, that what makes
  the Mac different has always been the operating system, not the
  technical details of the hardware underpinnings).

  Even more significant is that Windows XP and Longhorn will
  be facing head to head challenges with Mac OS X on what is
  likely to be highly comparable equipment. Running a native
  Intel Photoshop under Mac OS X versus Windows XP will reveal
  more about the efficiencies of Unix and Apple's implementation
  than any of the apples to oranges (or Apples to Redmonds) tests
  yet performed.


Apple Settles iPod Battery Suit, Announces iPod Recycling
---------------------------------------------------------
  by Geoff Duncan <[EMAIL PROTECTED]>

  Last week saw two significant developments regarding Apple's
  now-iconic iPod music players: an Apple-sponsored recycling
  program designed to diminish the environmental impact of millions
  of iPods one day being landfilled, and a tentative settlement
  in a class action lawsuit over battery life in early iPod models.


**Reduce, Re-use... and Replace!** Effective immediately, users
  can take iPods they don't want anymore to any U.S. Apple Store
  for free "environmentally friendly" disposal; anyone dropping
  off an iPod, iPod mini, or iPod photo will receive a 10 percent
  discount on the purchase of a new iPod. However, the 10 percent
  discount is only good that day - no saving a coupon and hoping
  an even cooler iPod ships next month - and, while Apple will
  presumably accept iPod shuffles for recycling, they don't qualify
  for the 10 percent discount. Apple makes a point that iPods
  received in the U.S. will be processed domestically and no
  hazardous material will be shipped overseas. In the future,
  we hope Apple expands its recycling programs to products other
  than iPods - good candidates would be laptop batteries, monitors,
  and CPUs - and that the company makes product recycling available
  to customers internationally. It's the same planet, after all.

<http://www.apple.com/pr/library/2005/jun/03recycle.html>
<http://www.apple.com/environment/>


**Battery Charges Settled?** Although you won't see any word of it
  from Apple sources, on 12-May-05 Apple quietly agreed to a
  settlement of a class action lawsuit regarding battery life on
  older iPods. A California Superior Court judge still has to
  approve the deal on 25-Aug-05, although that's expected to be a
  formality, and some iPod owners began receiving notice of the
  settlement last Thursday.

  The terms cover first, second, and third generation iPods with a
  one-year warranty sold before 01-Jun-04 and which were advertised
  to play music for 8 hours on a single charge. Consumers who can
  show proof of purchase of an eligible iPod can receive a one-year
  extension of their iPod's warranty. Consumers who can show proof
  of purchase and found their iPods either played music for less
  than 50 percent of the advertised time _or_ that iPod batteries
  failed over time may:

* make a claim for a new iPod; or
* have their current iPod fixed by Apple; or
* receive a $50 credit for Apple products.

  Although the settlement is estimated to apply to as many as
  2 million iPod users, the proof-of-purchase requirement reduces
  Apple's vulnerability a bit, since iPods purchased second-hand
  aren't eligible. Under the agreement, Apple neither admits to
  any wrongdoing nor to any defect in the iPod; in fact, at least
  in public, Apple is sticking to the party line that iPods perform
  as advertised, so long as users practice good battery management.

<http://www.apple.com/batteries/>


Pay to Play with QuickTime 7.0 Pro
----------------------------------
  by Adam C. Engst <[EMAIL PROTECTED]>

  Although Apple has considered QuickTime part of the Mac OS
  for many years, the company has also generated some additional
  revenue by selling QuickTime Pro for $30. This commercial version
  of QuickTime enhances the functionality of QuickTime Player by
  adding capabilities such as full-screen viewing (rather than
  restricting video to a clunky metal window), basic editing of
  QuickTime movies, and a variety of export options. Apple makes
  much of these capabilities and has pushed QuickTime Pro hard
  with nag dialogs in the free version of QuickTime Player over
  the years, though they've become less frequent in recent versions.

  But QuickTime Pro is an odd duck aimed at very separate markets:
  some people buy it purely to be able to play movies at full
  screen, some use it to save movies from Web pages, and others
  rely on its movie editing and exporting capabilities. The one
  time I sprang for the $30 upgrade - to document how to convert
  movies exported from iPhoto into fast-start movies for the Web -
  I was unimpressed with QuickTime Pro's ease-of-use, a problem
  exacerbated by a significant lack of documentation. Nonetheless,
  I presume QuickTime Pro is sufficiently useful to people more
  serious about video than I, but who don't wish to pony up for
  more capable tools.


**Nickeled & Dimed** -- With QuickTime 7, available for Panther
  and as part of Tiger, however, there's a catch in the free/pay
  divide that hasn't previously appeared. QuickTime Pro keys from
  QuickTime 6 are no longer honored; you must purchase QuickTime Pro
  again for QuickTime 7. Apple claims that this is due to QuickTime
  7 containing royalty-bearing technologies; in other words, Apple
  has to pay other companies for each copy of QuickTime Pro, and is
  thus passing on the cost to you. This has been the case with the
  last several major versions of QuickTime.

  What's new is that a number of people have been taken aback by
  this need to pay for QuickTime Pro again because it comes as a
  surprise after installing Tiger; you've just bought Tiger, but
  as soon as you try to use QuickTime Player for something that
  requires QuickTime Pro, you learn that you have to spend another
  $30. Whether or not the charge is warranted by Apple's need to
  pay royalties or development efforts (remember that QuickTime
  Pro isn't part of Mac OS X, and thus its development costs
  theoretically need to be paid for in other ways), Apple could
  have done a better job alerting QuickTime Pro 6 users to the need
  to upgrade beforehand. Worse, QuickTime Player 7 now displays all
  the QuickTime Pro-only menu items as disabled, with a PRO badge,
  which may be a fine way to alert newcomers to the possibilities
  of QuickTime Pro, but only further irritates existing customers
  who previously paid for QuickTime Pro 6.

  I think Apple has realized the annoyance here, which is why
  the QuickTime 7.0.1 update now clearly says: "Installation of
  QuickTime 7 will disable the QuickTime Pro functionality in
  prior versions of QuickTime, such as QuickTime 5 or QuickTime 6.
  If you proceed with this installation, you must purchase a new
  QuickTime 7 Pro key to regain QuickTime Pro functionality.
  After installation, visit www.apple.com/quicktime to purchase
  a QuickTime 7 Pro key." At least Apple is informing users ahead
  of time now; if only they could have done so more obviously with
  the Tiger upgrade as well.

  Also frustrating is the fact that QuickTime 7 moves into the
  Pro feature set at least one previously free feature from
  QuickTime 6 - the capability to save a movie viewed in a Web
  browser through the QuickTime plug-in. Luckily, you can still
  Control-click the link to such a movie and save it to disk from
  the contextual menu that appears.


**Remembrance of Things Past** -- I don't believe you can
  downgrade to QuickTime 6.5.2 if you're running Tiger, but those
  people who have upgraded to QuickTime 7.0 in Mac OS X 10.3.9
  Panther can do so with the QuickTime 6.5.2 Reinstaller for Mac,
  which removes QuickTime 7 and restores 6.5.2. Unfortunately for
  those who upgraded knowingly to QuickTime 7.0 in the hope that it
  would improve their QuickTime experience, and then upgraded again
  to QuickTime 7.0.1, the reinstaller does not currently handle
  downgrading from 7.0.1. A thread on Apple's QuickTime discussion
  board offers some suggestions, however, and if you manage to
  eradicate QuickTime 7.0.1 manually, you can use the full QuickTime
  6.5.2 installer to reinstall. Again, all this works only if you're
  still using Panther; Apple nowhere says that QuickTime 6.5.2 will
  work with Tiger.

<http://www.apple.com/support/downloads/quicktime652reinstallerformac.html>
<http://discussions.info.apple.com/webx?14@@.68b103ac>
<http://www.apple.com/support/downloads/quicktime652formac.html>

  If you purchased QuickTime Pro only for its full-screen
  capabilities, you might check out the open-source MPlayer OS X,
  the Mac OS X version of the Movie Player for Linux. Along with a
  full screen option, it features a simple library feature and can
  reportedly play a variety of formats for which QuickTime lacks
  codecs.

<http://mplayerosx.sourceforge.net/>


**Making Nice for the Movies** -- Back in January, at Macworld
  Expo in San Francisco, Steve Jobs said that 2005 was the year of
  HD, meaning high-definition video. At the time, he was explicitly
  referring to new features in iMovie HD, iDVD 5, and Final Cut
  Express HD, but as the year continues to unfold, with iTunes 4.8
  gaining additional capabilities to play video, and it becoming
  more difficult to copy already viewed video to your hard disk
  from a Web browser, it seems clear to me that Apple is setting
  the stage for a major video push later in 2005.

  In a situation where Apple is selling downloadable movies via the
  iTunes Music Store, or letting people watch streaming movies via
  iTunes, or introducing a video-capable iPod, or using the Mac mini
  as the centerpiece of a home media theatre, the company has to be
  able to assure the media moguls of the Content Cartel that their
  movies will be "safe," whatever that actually means. So although
  it may seem foolish and petty (and indeed it is) to remove the
  capability to save a viewed movie to disk in QuickTime 7, I think
  Apple knows exactly what's going on and is making such changes
  to present a better face to the companies who can threaten to
  withhold their digital content.

  If you don't believe me, just check out the sidebars on the
  QuickTime Pro page, one of which is entitled "Don't Steal Movies."
  It's a brilliant piece of work that in a few short sentences
  manages to:

* Plug QuickTime Pro's capability to save your favorite content
  to your hard disk
* Imply that saving movies to your disk is equivalent to stealing
  from the movie studios (seems like a clear case of fair use to me)
* Point to the Creative Commons project as a source for material
  that you can legally cut, copy, and remix

<http://www.apple.com/quicktime/pro/>

  If that's not prettying up the place for the movie studios,
  I don't know what is. It's a shame that Apple feels the need
  to reduce the multimedia capabilities of the Macintosh (a long-
  running trend with iTunes ever since the launch of the iTunes
  Music Store) while simultaneously encouraging everyone to become
  a content creator via iMovie and iDVD and GarageBand. Sooner or
  later, I fear this inconsistency will come home to roost.


Squeezebox2: Long Live Rock
---------------------------
  by Andrew Laurence <[EMAIL PROTECTED]>

  When it comes to playing computer-based digital media in the
  home theater, there are generally two types of solutions:
  local playback and network streaming. The local playback camp,
  exemplified by Windows XP Media Edition and MythTV, view the
  computer as a full-fledged audio-visual component, with library
  storage and playback wrapped up in one device. Problems develop,
  however, in crafting management and playback software (e.g.
  iTunes) that handles the multitude of media types one might have,
  with an interface that passes the couch test; they generally chase
  TiVo's elegant functionality, and they generally fail. Along the
  way the computer becomes a single-purpose appliance and the user
  loses the ability to manipulate his data in a meaningful manner.

<http://www.microsoft.com/windowsxp/mediacenter/>
<http://www.mythtv.org/>

  Conversely, the network streaming camp leverages the desktop
  computer's historical strengths of data storage and management
  and ships the media over the network; this leaves the playback
  device free to concentrate on high-quality playback, effective
  interface, and reasonable remote controls.

  Streaming devices are increasing in popularity, with a number
  of entries available from manufacturers such as D-Link, Linksys,
  Buffalo Networks, and a host of others. These devices stream
  audio, video, and pictures from a desktop computer, but to date
  these all-in-one devices remain jacks-of-all-trades and masters
  of none. Worse for a Mac user, their server software runs only
  under Windows. Many devices use technology licensed from Syabas's
  iBox platform; this in itself isn't a problem, but the fact that
  so many vendors source their solutions from the same supplier
  indicates a general lack of industry imagination. El Gato's
  EyeHome (itself a Syabas licensee) is the only all-in-one
  device developed and marketed especially for the Mac platform.
  (See "EyeHome: So Close, Yet So Far" in TidBITS-741_.)

<http://www.syabas.com/>
<http://www.elgato.com/index.php?file=products_eyehome>
<http://db.tidbits.com/getbits.acgi?tbart=07766>

  Amidst this chaos, the folks at Slim Devices forklift their own
  future with their third streaming music player, the Squeezebox2,
  and its software counterpart, SlimServer 6.0. The result is an
  effective, surprisingly flexible and configurable digital music
  player for the home stereo.

<http://www.slimdevices.com/>


**(Momma's Got A) Squeezebox** -- Like its predecessors (the SLIMP3
  and original Squeezebox; both of which I've previously reviewed
  for TidBITS), the Squeezebox2 is a svelte black network music
  player, roughly the size of a VHS tape. It attaches to your
  network via 10/100 Mbps Ethernet; if you opt for the wireless
  version it also connects to 802.11b or 802.11g networks and can
  act as a wireless bridge. Stereo connections come via analog RCA
  jacks, or digital audio S/PDIF connections with either coaxial
  or optical jacks. A headphone mini-jack is on the right side of
  the unit. All units include a stereo RCA cable and a serviceable
  IR remote control.

<http://db.tidbits.com/getbits.acgi?tbart=07150>
<http://db.tidbits.com/getbits.acgi?tbart=07637>

  On the front, an exceptionally bright and readable vacuum
  fluorescent display provides Squeezebox2's sole face and
  interface. Where past offerings from Slim Devices used a text
  display of 40 x 2 characters, Squeezebox2 uses a display of
  320 x 32 pixels. Those pixels display lovely proportional fonts
  that are easily read from the couch, as well as eye candy such
  as EQ displays, progress bars, and even games.

  The AC wall adapter is worth noting. Yes, the wall wart. Slim
  Devices includes a Unifive switching AC adapter that is freakishly
  small. Measuring only 33 mm x 23.5 mm and only 45.5 mm high, it's
  so small that it doesn't impede other power sockets. It's nice
  to see vendors recognize that power strips exist.

<http://www.unifive.co.kr/product/UL110.htm>


**Overture** -- To stream digital content to the Squeezebox2,
  you need to download and install the free SlimServer software
  disk image for Mac OS X from slimdevices.com. Run the included
  installer, choose whether the preference pane should be available
  for just the current user or the whole computer, and click
  Install. The installer completes in a few seconds, after which
  it opens the new SlimServer preference pane in System Preferences;
  choose whether the SlimServer automatically starts at boot or user
  login (or not at all), and click Start. By default, SlimServer
  processes the contents of your iTunes Library, and begins serving
  its contents to eager players. (SlimServer is also available
  in a binary installer for Windows, an RPM package for Linux,
  or Perl source code for any other platform you might have
  in mind.)

  Once the Squeezebox2 is connected to your stereo system, power
  up the player to begin its configuration for your network.
  A delightfully helpful wizard asks you to specify an Ethernet
  or wireless network (WPA Personal and 64/128-bit WEP encryption
  are supported) and DHCP or a static IP number. Once on the
  network, the player finds your SlimServer via Bonjour (formerly
  known as Rendezvous), at which point you're ready to play music.


**Gettin' In Tune** -- Using the arrows on the remote control, you
  navigate Squeezebox2's menus to select and play music. The default
  menu list includes Browse Music, Search Music, Browse Playlists,
  and Internet Radio. Submenu options for browsing and searching
  among Albums, Artists, Genres and Songs are available, and can be
  elevated to the menu's top level. To search for music, you enter
  letters on the remote's T9 input keys, just like text messaging
  on a cell phone. To play a song (or an album, or an artists' body
  of work, or an entire genre, or an Internet radio station, or a
  playlist), navigate to that item and press Play. The selected item
  is placed in SlimServer's Now Playing queue, and the music starts.

  The Now Playing queue deserves special attention. Most music
  players play only the selected item, but Now Playing functions
  like a stack of records on a record player - you can keep adding
  items to the queue. To do so, select another item and press Add.
  The flexibility of Now Playing's queue is freeing, allowing one
  to slice and dice the music collection to match one's whims.
  The experience is more fluid than building a static playlist in
  iTunes, and more open to whimsy than a Smart Playlist. And you
  can do it with the remote control, while sitting on the couch,
  while the computers are in another room.

  Squeezebox2's analog audio quality is, to my ears, quite good.
  Unlike other digital music players I've tried, I detected no
  flaws in the Squeezebox2's sound.


**Anyway, Anyhow, Anywhere** -- If the Squeezebox2's two lines
  of text aren't to your liking, you can use SlimServer's Web
  interface. It runs on port 9000 of the computer hosting
  SlimServer, and advertises itself via Bonjour. Through this
  interface, you can start, pause, shuffle, clear, populate,
  and re-order the contents of the Now Playing queue. If multiple
  players are on the network, you can sync them to the same Now
  Playing stream, or control separate streams for each player.
  The Web interface offers advanced configuration options for
  the SlimServer itself, such as: whether to use the iTunes or
  MoodLogic music libraries; the location of your music library;
  supported music formats; Internet radio subscriptions; and RSS
  feeds. While the Squeezebox2 displays only two lines of text,
  SlimServer's Web interface is limited only by the size of your
  browser window, making it much easier to use the search feature
  and browse through large lists.

  Speaking of music formats, the options are dizzying. Squeezebox2
  natively plays the AIFF, FLAC, MP3 and WAV formats. Other
  supported formats include AAC, Apple Lossless, Ogg Vorbis,
  Shorten, and Windows Media; these formats depend on the
  installation of other software, such as QuickTime on Mac OS X
  or Windows (AAC and Apple Lossless), or Windows Media on Windows
  (WMA), and are streamed to the player as FLAC data. Unfortunately,
  songs purchased from the iTunes Music Store are not supported,
  as Apple does not allow other vendors to participate in their
  FairPlay digital rights management scheme.

  You can mix and match music formats. SlimServer imports
  information from iTunes on your MP3, AAC, and AIFF files into
  its own music cache, but what if you also have music stored in
  FLAC, or your spouse uses Windows Media? Just point SlimServer's
  "Music Folder" field to wherever those files are stored, and
  click Rescan. SlimServer merges the two sources into its cache,
  and you can gleefully play music regardless of its digital format.
  (The SlimServer must be installed on a Windows computer for
  Windows Media compatibility.)

<http://flac.sourceforge.net/>

  Many companies talk about embracing open source, but Slim Devices
  puts their money where their mouth is. SlimServer is free open
  source software, written in Perl and licensed via the GNU Public
  License (GPL). Astoundingly, you don't need the Squeezebox2 to
  sample Slim Server's goodness. First, the Now Playing audio stream
  is available to any MP3 software that can play an Internet stream;
  just point the player to "stream.mp3" on your SlimServer. Second,
  the included SoftSqueeze is a Java-based software music player
  that emulates the Squeezebox2's interface; you can control Now
  Playing and listen to music - with the laptop on the patio! -
  while using the Squeezebox2 interface. To quote Chuck Berry's
  Cadillac salesman, "No money down."

<http://softsqueeze.sourceforge.net/>

  SlimServer is backward compatible with past players from Slim
  Devices, within those players' hardware capabilities. (SLIMP3,
  for instance, plays only MP3 streams.)


**The Seeker** -- In addition to playing the music stored on your
  hard drive, SlimServer streams Internet radio to your player
  from the Live365, radioio.com, or SHOUTcast services. Live365
  requires a free login account, which you input into the Live365
  configuration panel in SlimServer's Web interface. Slim Devices
  Picks offers their own suggestions from the various services,
  much like the iTunes celebrity playlists. At this writing, your
  SlimServer computer must be running in order for Squeezebox2
  to play Internet radio. An upcoming feature, SqueezeNetwork,
  erases this requirement and turns the Squeezebox2 into a pure
  Internet radio player. SqueezeNetwork is currently available
  in SlimServer's beta builds, and will presumably be rolled
  into a future SlimServer version.

  Earlier, I mentioned RSS feeds, a feature that might seem out of
  place in a music player. However, Squeezebox2 is also a display
  device with a network connection, and it can certainly display
  other information. To this end, SlimServer includes an RSS reader
  that can be displayed on demand or configured as a screensaver.
  Six feeds are supplied by default, but you can add or modify them
  to your heart's content.

  SlimServer has a plug-in API, and in fact the included RSS reader,
  Internet radio stations, and Date/Time screensaver are all plug-
  ins. Dozens of other plug-ins are available from third-party
  developers and cover a wide range of functions. Plug-ins for news
  feeds, stock quotes, weather, and TV listings abound, as one might
  imagine. There's a plug-in that updates the play count in iTunes,
  or one that sets your iChat status to match SlimServer's current
  song. (Want to read your Eudora email on the Squeezebox2? There's
  a plug-in for that, too.)

<http://www.slimdevices.com/dev_plugins.html>


**Underture** -- In reading this review, you might ask, "Dude,
  where's my AirTunes?" Apple's AirTunes, the technology for
  streaming audio to the AirPort Express, is an extension of iTunes,
  which might be a feature or a detriment, depending on your point
  of view. AirTunes can be controlled only at the keyboard of the
  computer running iTunes, but any computer with a Web browser can
  control SlimServer's Now Playing queue. AirTunes only broadcasts
  to a single AirPort Express unit, but SlimServer can broadcast as
  many streams as your network will allow. While SlimServer handles
  FLAC, Ogg, or Windows Media formats, only AirTunes plays music
  from iTunes Music Store.

  Squeezebox2 is a superb music player, and with SlimServer it
  offers a nearly complete solution for playing digital music on
  the home stereo. It's a great solution, so long as your musical
  life isn't tied to the iTunes Music Store.

  Squeezebox2 costs $250 for the Ethernet model, or $300 for
  wireless. It is available in black or platinum finish and can
  be purchased directly from Slim Devices, or a variety of Internet
  and brick-and-mortar retailers.

  [Andrew Laurence offers in-depth Mac mini reviews and analysis
  at modmini.com, which has published a remarkably similar review
  of Squeezebox2.]

<http://www.modmini.com/>


Take Control News/06-Jun-05
---------------------------
  by Adam C. Engst <[EMAIL PROTECTED]>

**Take Control Tiger Ebooks Pass 10,000 Sales** -- Last week we
  hit our second milestone with our Take Control ebooks about Tiger:
  10,000 copies sold. Amusingly, the 10,000th copy sold went to
  Prudence Holliger of Issaquah, Washington, who we met years ago
  through the Seattle Downtown Business Users Group MUG. Thanks to
  Prudence and the thousands of other people who helped make our
  efforts to provide early documentation about Tiger worthwhile!


Hot Topics in TidBITS Talk/06-Jun-05
------------------------------------
  by TidBITS Staff <[EMAIL PROTECTED]>

  The second URL below each thread description points to the
  discussion on our Web Crossing server, which will be faster.


**Reliable scanner vendor** -- Some people are running into
  problems with scanner vendors' software under Mac OS X 10.4
  Tiger, prompting a move to the all-purpose VueScan software.
  (12 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=2608>
<http://emperor.tidbits.com/TidBITS/Talk/463/>


**Reading Software Licences** -- Does anyone actually read shrink
  wrap software licenses? What happens if you do? (8 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=2577>
<http://emperor.tidbits.com/TidBITS/Talk/434/>


**Tiger's Preview annoyances** -- Tiger's new version of Preview
  has some new capabilities, but it also seems to have lost some
  features. (4 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=2610>
<http://emperor.tidbits.com/TidBITS/Talk/465/>


**Spotlight enabling the need for filing** -- Readers discuss
  whether Spotlight search technology could eventually do away
  with having to create filenames and specify locations for files.
  (3 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=2611>
<http://emperor.tidbits.com/TidBITS/Talk/466/>


**Glenn Fleishman hits Slashdot!** TidBITS contributing editor
  Glenn Fleishman wrote an article at his weblog wifinetnews.com
  about a Seattle coffeehouse that shuts off its free Wi-Fi service.
  After it got picked up by slashdot.org, readers wonder how his
  server handled the load, and share their opinions about free
  wireless Internet access. (5 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=2613>
<http://emperor.tidbits.com/TidBITS/Talk/467/>


**USB 2 hub for Tiger** -- USB hubs are notoriously scattershot
  when it comes to quality, as one reader discovers. Fortunately,
  other models are recommended to provide USB 2.0 speeds.
  (3 messages)

<http://db.tidbits.com/getbits.acgi?tlkthrd=2614>
<http://emperor.tidbits.com/TidBITS/Talk/468/>


**Norton Utilities Incompatible with 10.4** -- Symantec states on
  its Web site that Symantec SystemWorks and North Utilities will
  not be updated for Mac OS X 10.4 Tiger compatibility. (1 message)

<http://db.tidbits.com/getbits.acgi?tlkthrd=2615>
<http://emperor.tidbits.com/TidBITS/Talk/469/>




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